Ezra 2 Artwork

"Now these are the children of the province that went up out of the captivity, of those which had been carried away, whom Nebuchadnezzar the king of Babylon had carried away unto Babylon, and came again unto Jerusalem and Judah, every one unto his city;" - Ezra 2:1

Explore Ezra 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Ezra 2:4 - "The children of Shephatiah, three hundred seventy and two."

Visual representation of a some Biblical verse, precisely Ezra 2:4 - 'The children of Shephatiah, three hundred seventy and two'. Generate an image that portrays this verse in the feel of old manuscript illustrations but using digital effects and shapes. The image should clearly depict the numeric value 'three hundred seventy two' in a creative and unusual manner.

Ezra 2:4 - "The children of Shephatiah, three hundred seventy and two."

Ezra 2:17 - "The children of Bezai, three hundred twenty and three."

Ezra 2:17 - "The children of Bezai, three hundred twenty and three."

Ezra 2:47 - "The children of Giddel, the children of Gahar, the children of Reaiah,"

Ezra 2:47 - "The children of Giddel, the children of Gahar, the children of Reaiah,"

Ezra 2:52 - "The children of Bazluth, the children of Mehida, the children of Harsha,"

Ezra 2:52 - "The children of Bazluth, the children of Mehida, the children of Harsha,"

Ezra 2:8 - "The children of Zattu, nine hundred forty and five."

Ezra 2:8 - "The children of Zattu, nine hundred forty and five."

Ezra 2:13 - "The children of Adonikam, six hundred sixty and six."

An illustrative depiction of a biblical verse, Ezra 2:13 - 'The children of Adonikam, six hundred sixty and six.' The scene is visually conveyed in the form of a late medieval-style manuscript illumination using gold leaf, vibrant colors, and intricate designs symbolic of the era. The children of Adonikam are represented as a vast, diverse group of individuals of varying ages, genders and descents, numbering 666 in total. One child stands out, perhaps acting as a leader, holding a flag or standard that denotes their unity and identity. The image maintains an ethereal, spiritual feel that hints at its biblical origins.

Ezra 2:13 - "The children of Adonikam, six hundred sixty and six."

Ezra 2:14 - "The children of Bigvai, two thousand fifty and six."

Render an image inspired by the biblical quotation Ezra 2:14, 'The children of Bigvai, two thousand fifty and six.' It should evoke the period's narrative art traditions with a fusion of digital abstract elements for modern feel. Ideally, there should be visual symbols reflective of the children's journey and diverse backgrounds, echoing the age-old tale in a new medium.

Ezra 2:14 - "The children of Bigvai, two thousand fifty and six."

Ezra 2:34 - "The children of Jericho, three hundred forty and five."

Illustration representing Ezra 2:34, 'The children of Jericho, three hundred forty and five.' Convey this scene using a Medium which predates 1912 such as chiaroscuro technique to depict light and shadow contrast. Please do not use the digital art style. Let the style be rather suggestive of a time when art relied more on classical techniques and materials. It should visually express a moment from a distant past yet captivate today's audience through its detailed and skillful rendering.

Ezra 2:34 - "The children of Jericho, three hundred forty and five."

Ezra 2:19 - "The children of Hashum, two hundred twenty and three."

Ezra 2:19 - "The children of Hashum, two hundred twenty and three."

Ezra 2:35 - "The children of Senaah, three thousand and six hundred and thirty."

Ezra 2:35 - "The children of Senaah, three thousand and six hundred and thirty."

Ezra 2:43 - "¶ The Nethinims: the children of Ziha, the children of Hasupha, the children of Tabbaoth,"

Ezra 2:43 - "¶ The Nethinims: the children of Ziha, the children of Hasupha, the children of Tabbaoth,"

Ezra 2:7 - "The children of Elam, a thousand two hundred fifty and four."

Create an image depicting the narrative of Ezra 2:7, 'The children of Elam, a thousand two hundred fifty and four.' The scene to be portrayed should be rich in history and culture suggestive of the ancient Middle East period, with a large group of people indicating the mentioned population. The individuals should range in age from young children to elders, and should be diverse in gender with an equal mix of men and women. The artistic style of the image should be reminiscent of classic period works such as those of Rembrandt, Caravaggio, or Vermeer, with a strong emphasis on light, color, and texture. However, this should be created digitally, adopting the high contrast, vibrant colors, and intricate detailing commonly found in digital art.

Ezra 2:7 - "The children of Elam, a thousand two hundred fifty and four."

Ezra 2:38 - "The children of Pashur, a thousand two hundred forty and seven."

A vivid scene inspired by the passage Ezra 2:38 - 'The children of Pashur, a thousand two hundred forty and seven.' Expect a conceptually abstract representation with a digital art style. Visualize distinctive figures, each one unique, appearing as numerous as stated in the passage. The scene blends elements of ancient biblical times with the modern aesthetics of digital art to encapsulate the dichotomy of history and contemporary aesthetics.

Ezra 2:38 - "The children of Pashur, a thousand two hundred forty and seven."

Ezra 2:40 - "¶ The Levites: the children of Jeshua and Kadmiel, of the children of Hodaviah, seventy and four."

An interpretation of Ezra 2:40 - 'The Levites: the children of Jeshua and Kadmiel, of the children of Hodaviah, seventy and four.' Designed with a minimalistic approach and modern tones, with an emphasis on realism.

Ezra 2:40 - "¶ The Levites: the children of Jeshua and Kadmiel, of the children of Hodaviah, seventy and four."

Ezra 2:3 - "The children of Parosh, two thousand an hundred seventy and two."

An artistic rendition of a scene inspired by the verse 'The children of Parosh, two thousand an hundred seventy and two.' from Ezra 2:3. It depicts an the multitude of children each having unique facial expressions, clothes and actions. The scene uses vivid colors and distinct lines, carefully blending modern artistic concepts with the gravitas of the biblical narrative.

Ezra 2:3 - "The children of Parosh, two thousand an hundred seventy and two."

Ezra 2:12 - "The children of Azgad, a thousand two hundred twenty and two."

Ezra 2:12 - "The children of Azgad, a thousand two hundred twenty and two."

Ezra 2:26 - "The children of Ramah and Gaba, six hundred twenty and one."

Create a digital art representation of a scene inspired by Ezra 2:26 - 'The children of Ramah and Gaba, six hundred twenty and one.' Visualize a multitude of children from different descents such as Caucasian, Middle-Eastern, South Asian, Hispanic, White, and Black in an ancient environment which is intended to represent Ramah and Gaba.

Ezra 2:26 - "The children of Ramah and Gaba, six hundred twenty and one."

Ezra 2:25 - "The children of Kirjath-arim, Chephirah, and Beeroth, seven hundred and forty and three."

Ezra 2:25 - "The children of Kirjath-arim, Chephirah, and Beeroth, seven hundred and forty and three."

Ezra 2:55 - "¶ The children of Solomon's servants: the children of Sotai, the children of Sophereth, the children of Peruda,"

Generate an image inspired by the biblical verse Ezra 2:55 - 'The children of Solomon's servants: the children of Sotai, the children of Sophereth, the children of Peruda', using a digital art style. The scene should depict a diverse group of children, each coming from different DESCENTS including Caucasian, Middle-Eastern, Hispanic, Black, South Asian, and White. They would be dressed in old-fashioned clothes as befits Children of the servants in the times of King Solomon.

Ezra 2:55 - "¶ The children of Solomon's servants: the children of Sotai, the children of Sophereth, the children of Peruda,"

Ezra 2:33 - "The children of Lod, Hadid, and Ono, seven hundred twenty and five."

Ezra 2:33 - "The children of Lod, Hadid, and Ono, seven hundred twenty and five."

Ezra 2:28 - "The men of Beth-el and Ai, two hundred twenty and three."

A visual interpretation of a biblical passage, Ezra 2:28 'The men of Beth-el and Ai, two hundred twenty and three.' Detailed depiction envisages a group of 223 men standing in unity representing the towns of Beth-el and Ai. The men are diverse in race, featuring Caucasian, Hispanic, Black, Middle-Eastern, South Asian and other descents. Drawn in a style reminiscent of an illuminated manuscript, but using the fully-synthetic gradients and shading commonly seen in high-quality computer-generated art.

Ezra 2:28 - "The men of Beth-el and Ai, two hundred twenty and three."

Ezra 2:31 - "The children of the other Elam, a thousand two hundred fifty and four."

Render an image based on the text version of Ezra 2:31 - 'The children of the other Elam, a thousand two hundred fifty and four.' The style should be modern, crisp, and vibrant, reminiscent of digital art styles. The scene should display many children of various descents including, Middle-Eastern, Hispanic, South Asian, Black and White. Most importantly, should convey an essence of unity, diversity, and abundance. Capture details such as LCD digital numbering representing the 'thousand two hundred fifty and four' children.

Ezra 2:31 - "The children of the other Elam, a thousand two hundred fifty and four."

Ezra 2:58 - "All the Nethinims, and the children of Solomon's servants, were three hundred ninety and two."

Visualize a scene from 'Ezra 2:58'. All the servants of Solomon's lineage, and the Nethinims, together constituting a gathering of three hundred and ninety-two individuals. Render this depiction in a manner befitting a style that reflects traditional hand-drawn artistry, with exceptional attention to each figure and their attire, in a way radiating a sense of community and unity. The medium will be digital art that pays homage to age-old painting traditions but employs the clarity and precision of modern technology.

Ezra 2:58 - "All the Nethinims, and the children of Solomon's servants, were three hundred ninety and two."

Ezra 2:64 - "¶ The whole congregation together was forty and two thousand three hundred and threescore,"

Ezra 2:64 - "¶ The whole congregation together was forty and two thousand three hundred and threescore,"

Ezra 2:57 - "The children of Shephatiah, the children of Hattil, the children of Pochereth of Zebaim, the children of Ami."

Ezra 2:57 - "The children of Shephatiah, the children of Hattil, the children of Pochereth of Zebaim, the children of Ami."

Ezra 2:36 - "¶ The priests: the children of Jedaiah, of the house of Jeshua, nine hundred seventy and three."

Ezra 2:36 - "¶ The priests: the children of Jedaiah, of the house of Jeshua, nine hundred seventy and three."

Ezra 8:2 - "Of the sons of Phinehas; Gershom: of the sons of Ithamar; Daniel: of the sons of David; Hattush."

Ezra 8:2 - "Of the sons of Phinehas; Gershom: of the sons of Ithamar; Daniel: of the sons of David; Hattush."

Ezra 2:6 - "The children of Pahath-moab, of the children of Jeshua and Joab, two thousand eight hundred and twelve."

Ezra 2:6 - "The children of Pahath-moab, of the children of Jeshua and Joab, two thousand eight hundred and twelve."

Ezra 2:67 - "Their camels, four hundred thirty and five; their asses, six thousand seven hundred and twenty."

Envision a desert scene featuring 435 camels and 6,720 donkeys, inspired by biblical era artwork. The animals are seen in pulse-racing movement, scattered across wind-blown sand dunes. Some camels standing tall, while others rest; donkeys move in large groups carrying burdens. The scene represents a journey, depicting the hustle and bustle of large scale movement and migration. The image exudes a sense of aridity and wilderness of a desert journey, reflected in the hardened expressions of the animals. The style of the image is a digital recreation of aged, rustic illustrations, like those found in antique texts.

Ezra 2:67 - "Their camels, four hundred thirty and five; their asses, six thousand seven hundred and twenty."

Ezra 2:60 - "The children of Delaiah, the children of Tobiah, the children of Nekoda, six hundred fifty and two."

An engaging and detailed representation of a verse from the book of Ezra 2:60 - 'The children of Delaiah, the children of Tobiah, the children of Nekoda, six hundred fifty and two.' This verse is depicted in a traditional narrative art style, using expressive line work, bold colors, and balanced composition. The scene captures the atmosphere of the ancient Middle Eastern cultural context. The image resembles a digital art piece, with clean lines, vibrant colors, and intricate details.

Ezra 2:60 - "The children of Delaiah, the children of Tobiah, the children of Nekoda, six hundred fifty and two."