Ezra 2 Artwork

"Now these are the children of the province that went up out of the captivity, of those which had been carried away, whom Nebuchadnezzar the king of Babylon had carried away unto Babylon, and came again unto Jerusalem and Judah, every one unto his city;" - Ezra 2:1

Explore Ezra 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzraEzra 2Ezra 2:1
Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:54 - "The children of Neziah, the children of Hatipha." A scene from the Bible, Ezra 2:54, illustrating 'The children of Neziah, the children of Hatipha.' Render this missionary scene in a style that evokes the novel qualities of digital art, with luminous colors, sharp lines, and intricate details. Capture the sensations of the period in a way that feels simultaneously ancient and modern, presenting these biblical figures in a fresh, innovative light.

Ezra 2:54 - "The children of Neziah, the children of Hatipha."

Ezra 2:39 - "The children of Harim, a thousand and seventeen." An illustration of children numbering a thousand and seventeen, inspired by the scripture Ezra 2:39. The image captures the essence of unity and joy amongst the children. They are diverse in terms of descent, including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian foregrounded in a peaceful landscape. Being embodied in a digital medium, the work has the clean lines, bright and contrasting color palette, and pixel precision that characterizes digital art.

Ezra 2:39 - "The children of Harim, a thousand and seventeen."

Ezra 2:18 - "The children of Jorah, an hundred and twelve." Illustration of a biblical passage from Ezra 2:18 - 'The children of Jorah, an hundred and twelve.' The image shows a gathering of 112 children, of various ages, in ancient Middle Eastern attire. They represent a mix of races including Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and white. The scene is set against an Old Testament landscape. Capture it in a digital medium, resembling the style of pre-1912 artwork using vivid colors and bold strokes. Convey the feeling of community and unity among these children, as well as the deep symbolism this image carries.

Ezra 2:18 - "The children of Jorah, an hundred and twelve."

Ezra 2:22 - "The men of Netophah, fifty and six." A visual interpretation of a biblical verse, Ezra 2:22 - 'The men of Netophah, fifty and six.' This includes a depiction of the ancient city of Netophah with fifty-six men visible in the cityscape. The image should be conveyed in a digital type of art style that might employ vibrant colors, clean lines, and elements of abstraction.

Ezra 2:22 - "The men of Netophah, fifty and six."

Ezra 2:29 - "The children of Nebo, fifty and two." Visualize an interpretation of the biblical quote 'The children of Nebo, fifty and two.' The setting takes place in the ancient city of Nebo. Fifty-two children of diverse descents and both genders are spread across the scene. They are joyfully engaged in outdoor activities like playing a game of catch, drawing in the sand, and exchanging tales under the vast expanse of the clear blue sky. The city in the background has a historic view with stone buildings and clay pots. Use the medium and techniques resembling ancient fresco painting to provide an 'aged' look to the modern digitally designed art piece.

Ezra 2:29 - "The children of Nebo, fifty and two."

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 2:27 - "The men of Michmas, an hundred twenty and two." Visualize 'The men of Michmas, one hundred and twenty two' in a medium akin to digital art, featuring a variety of individuals of diverse descents such as Hispanic, Caucasian, Black, Middle-Eastern, South Asian standing in a vast landscape. They are dressed in traditional clothing from their respective cultures, each carrying tools or items representative of their trades or professions. Some are conversing, others are working or resting, creating a lively tableau of humanity.

Ezra 2:27 - "The men of Michmas, an hundred twenty and two."

Ezra 2:51 - "The children of Bakbuk, the children of Hakupha, the children of Harhur," A visual representation of Ezra 2:51 - 'The children of Bakbuk, the children of Hakupha, the children of Harhur,' where it is shown as a piece of traditional art with vivid colors and deep contrasts like religious illuminated manuscripts.

Ezra 2:51 - "The children of Bakbuk, the children of Hakupha, the children of Harhur,"

Ezra 2:32 - "The children of Harim, three hundred and twenty."

Ezra 2:32 - "The children of Harim, three hundred and twenty."

Ezra 2:23 - "The men of Anathoth, an hundred twenty and eight."

Ezra 2:23 - "The men of Anathoth, an hundred twenty and eight."

Ezra 2:16 - "The children of Ater of Hezekiah, ninety and eight." A conceptual depiction of Ezra 2:16 passage - 'The children of Ater of Hezekiah, ninety and eight' using digital art techniques. Imagine an abstract scene with implications of antiquity, ancient Near Eastern culture, and familial connections. A large group of people is assembled, wear traditional clothing from the time period specified in the passage. Playing with the number '98', integrate this concept into the artistry of the image subtly. Make use of bright, saturated colours to give the image a vibrant, digital art aesthetic, and consider the utilization of geometric patterns and shapes to enhance the modern art feel.

Ezra 2:16 - "The children of Ater of Hezekiah, ninety and eight."

Ezra 2:30 - "The children of Magbish, an hundred fifty and six." An image that illustrates the verse 'The children of Magbish, an hundred fifty and six.' from Ezra 2:30 in the Bible. The scene depicts one hundred fifty-six children, arranged in a way that communicates the magnitude of the number. The visual aesthetic should echo traditional Biblical illustration methods but in a digital medium. The children exhibit a range of emotions, ages, and appearances, embodying the diversity of human life. Rendering methods should resemble the digitally created art but without imitating the specific style of any modern artist or creative professional.

Ezra 2:30 - "The children of Magbish, an hundred fifty and six."

Ezra 2:37 - "The children of Immer, a thousand fifty and two."

Ezra 2:37 - "The children of Immer, a thousand fifty and two."

Ezra 7:2 - "The son of Shallum, the son of Zadok, the son of Ahitub,"

Ezra 7:2 - "The son of Shallum, the son of Zadok, the son of Ahitub,"

Ezra 2:44 - "The children of Keros, the children of Siaha, the children of Padon,"

Ezra 2:44 - "The children of Keros, the children of Siaha, the children of Padon,"

Ezra 2:56 - "The children of Jaalah, the children of Darkon, the children of Giddel,"

Ezra 2:56 - "The children of Jaalah, the children of Darkon, the children of Giddel,"

Ezra 2:21 - "The children of Beth-lehem, an hundred twenty and three."

Ezra 2:21 - "The children of Beth-lehem, an hundred twenty and three."

Ezra 2:45 - "The children of Lebanah, the children of Hagabah, the children of Akkub,"

Ezra 2:45 - "The children of Lebanah, the children of Hagabah, the children of Akkub,"

Ezra 2:53 - "The children of Barkos, the children of Sisera, the children of Thamah,"

Ezra 2:53 - "The children of Barkos, the children of Sisera, the children of Thamah,"

Ezra 2:11 - "The children of Bebai, six hundred twenty and three." An image representation of the narrative from Ezra 2:11 - 'The children of Bebai, six hundred twenty and three.' The image is in the style of art typically seen in the late 19th century, with sharp contrasts and a focus on the depictions of figures. The children are painted in a variety of diverse backgrounds together to represent the six hundred twenty three children from the passage, primarily using traditional oil painting techniques.

Ezra 2:11 - "The children of Bebai, six hundred twenty and three."

Ezra 2:48 - "The children of Rezin, the children of Nekoda, the children of Gazzam," A vivid and eye-catching depiction of a scene inspired by Ezra 2:48, 'The children of Rezin, the children of Nekoda, the children of Gazzam'. This piece will envisage unique character representations for each set of children, revealing distinct personalities and united bonds. The overall rendering should embrace digital art techniques, employing vivid colors, fine lines and fluid shapes to visually communicate the narrative. The background will offer a subtle, ancient setting that infuses an element of historical context.

Ezra 2:48 - "The children of Rezin, the children of Nekoda, the children of Gazzam,"

Ezra 2:15 - "The children of Adin, four hundred fifty and four." Illustrate a scene that represents the biblical verse, Ezra 2:15 - 'The children of Adin, four hundred fifty and four.' The scene should be in a digital art style with vibrant colors. Perhaps it could depict a diverse group of children gathered together in a peaceful setting, symbolizing unity and harmony. Ideally, it would convey a sense of hope and resilience, inherent in the human spirit as suggested by the verse. All elements should be interpreted as a translation of the verse concept, not a literal representation of any actual individuals.

Ezra 2:15 - "The children of Adin, four hundred fifty and four."

Ezra 2:49 - "The children of Uzza, the children of Paseah, the children of Besai," Depiction of a scene inspired by Ezra 2:49 - 'The children of Uzza, the children of Paseah, the children of Besai,'. The image should evoke feelings of ancient times and religious connotations. Represent the 'children' from different descents like Caucasian, Middle-Eastern, Black, and South Asian, each appearing from diverse genders. The image should embrace a modern understanding of ancient biblical times, not adhering to any specific art style but translated into the language of non-specific digital art.

Ezra 2:49 - "The children of Uzza, the children of Paseah, the children of Besai,"

Ezra 2:50 - "The children of Asnah, the children of Mehunim, the children of Nephusim," Illustrate a scene representing the biblical verse, Ezra 2:50 - 'The children of Asnah, the children of Mehunim, the children of Nephusim,' in the manner of digital art. The image should depict groups of children with Hebrew clothing, each group representing the descendants of Asnah, Mehunim, and Nephusim. The groups should be distinguishable based on different traditional attire color schemes and accessories for each group. Let the backdrop be a pristine Middle Eastern landscape, with sand dunes and a clear blue sky.

Ezra 2:50 - "The children of Asnah, the children of Mehunim, the children of Nephusim,"

Ezra 2:10 - "The children of Bani, six hundred forty and two."

Ezra 2:10 - "The children of Bani, six hundred forty and two."

Ezra 2:41 - "¶ The singers: the children of Asaph, an hundred twenty and eight."

Ezra 2:41 - "¶ The singers: the children of Asaph, an hundred twenty and eight."

Ezra 2:46 - "The children of Hagab, the children of Shalmai, the children of Hanan,"

Ezra 2:46 - "The children of Hagab, the children of Shalmai, the children of Hanan,"

Ezra 2:5 - "The children of Arah, seven hundred seventy and five."

Ezra 2:5 - "The children of Arah, seven hundred seventy and five."