Ezra 4 Artwork

"Now when the adversaries of Judah and Benjamin heard that the children of the captivity builded the temple unto the LORD God of Israel;" - Ezra 4:1

Explore Ezra 4 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzraEzra 4Ezra 4:1
Ezra 4:4 - "Then the people of the land weakened the hands of the people of Judah, and troubled them in building," An image interpretation of the Bible verse Ezra 4:4 - "Then the people of the land weakened the hands of the people of Judah, and troubled them in building." The scene showcases a group of people attempting to stymie the progress of another group who are working on a building project. Depict this interaction in a modern, digital art style while ensuring the timeliness of the biblical narrative. Include individuals of diverse descent and genders in the scene to represent the people from both sides of the conflict.

Ezra 4:4 - "Then the people of the land weakened the hands of the people of Judah, and troubled them in building,"

Ezra 7:4 - "The son of Zerahiah, the son of Uzzi, the son of Bukki,"

Ezra 7:4 - "The son of Zerahiah, the son of Uzzi, the son of Bukki,"

Ezra 2:4 - "The children of Shephatiah, three hundred seventy and two." Visual representation of a some Biblical verse, precisely Ezra 2:4 - 'The children of Shephatiah, three hundred seventy and two'. Generate an image that portrays this verse in the feel of old manuscript illustrations but using digital effects and shapes. The image should clearly depict the numeric value 'three hundred seventy two' in a creative and unusual manner.

Ezra 2:4 - "The children of Shephatiah, three hundred seventy and two."

Ezra 8:4 - "Of the sons of Pahath-moab; Elihoenai the son of Zerahiah, and with him two hundred males." An ancient scene depicting a biblical event. From the sons of Pahath-moab, Elihoenai, the son of Zerahiah stands at the forefront. He is a strong and authoritative figure, rendered in vibrant colours. Accompanying him are two hundred males, each uniquely illustrated and distinct, scattered across the expansive background. Incorporated are elements of digital art in the image, with pixels and artificial, evocative lighting creating a stark contrast against the historical and spiritual elements of the scene.

Ezra 8:4 - "Of the sons of Pahath-moab; Elihoenai the son of Zerahiah, and with him two hundred males."

Ezra 4:22 - "Take heed now that ye fail not to do this: why should damage grow to the hurt of the kings?"

Ezra 4:22 - "Take heed now that ye fail not to do this: why should damage grow to the hurt of the kings?"

Ezra 10:4 - "Arise; for this matter belongeth unto thee: we also will be with thee: be of good courage, and do it." A scene representing the verse Ezra 10:4 - 'Arise; for this matter belongeth unto thee: we also will be with thee: be of good courage, and do it.' The illustration should be detailed and filled with symbolism to accurately capture the depth of the statement. The medium should be reminiscent of traditional physical art transformed into a digital medium.

Ezra 10:4 - "Arise; for this matter belongeth unto thee: we also will be with thee: be of good courage, and do it."

Ezra 5:4 - "Then said we unto them after this manner, What are the names of the men that make this building?"

Ezra 5:4 - "Then said we unto them after this manner, What are the names of the men that make this building?"

Ezra 4:8 - "Rehum the chancellor and Shimshai the scribe wrote a letter against Jerusalem to Artaxerxes the king in this sort:" A highly detailed image depicting the historical scene in the text 'Rehum the public figure and Shimshai the scribe writing a letter against Jerusalem, directed to Artaxerxes the public figure in this regard:' with keen attention to accurate clothing and architectural styles of the era. This should be created using modern digital artistic techniques.

Ezra 4:8 - "Rehum the chancellor and Shimshai the scribe wrote a letter against Jerusalem to Artaxerxes the king in this sort:"

Ezra 4:18 - "The letter which ye sent unto us hath been plainly read before me."

Ezra 4:18 - "The letter which ye sent unto us hath been plainly read before me."

Ezra 6:4 - "With three rows of great stones, and a row of new timber: and let the expenses be given out of the king's house:" Illustrate a depiction of the verse Ezra 6:4 - "With three rows of great stones, and a row of new timber: and let the expenses be given out of the king's house:". Conceptualize this as a detailed and visually pleasing vision with the impression of the old times. Conjure an image where three rows of sizeable and imposing stones are laid out. Adjacent to them, imagine a row of fresh, new timber. All these are set against a backdrop of what could be the residence of a ruler, hinting at the expenses being taken from there. Use the techniques that are commonly seen in traditional artistic styles, while having no specific alignment to any artist's style.

Ezra 6:4 - "With three rows of great stones, and a row of new timber: and let the expenses be given out of the king's house:"

Ezra 4:6 - "And in the reign of Ahasuerus, in the beginning of his reign, wrote they unto him an accusation against the inhabitants of Judah and Jerusalem."

Ezra 4:6 - "And in the reign of Ahasuerus, in the beginning of his reign, wrote they unto him an accusation against the inhabitants of Judah and Jerusalem."

1 Chronicles 4:17 - "And the sons of Ezra were, Jether, and Mered, and Epher, and Jalon: and she bare Miriam, and Shammai, and Ishbah the father of Eshtemoa." An artistic digital rendering of a historical narrative. Depicting the scene from 1 Chronicles 4:17 with the sons of Ezra - Jether, Mered, Epher, and Jalon. Nearby, a woman bearing the children Miriam, Shammai, and Ishbah, who is the father of Eshtemoa. This scenario should evoke a sense of biblical times, with traditional ancient clothing and surrounding settings that are typical of the era.

1 Chronicles 4:17 - "And the sons of Ezra were, Jether, and Mered, and Epher, and Jalon: and she bare Miriam, and Shammai, and Ishbah the father of Eshtemoa."

Ezra 4:24 - "Then ceased the work of the house of God which is at Jerusalem. So it ceased unto the second year of the reign of Darius king of Persia."

Ezra 4:24 - "Then ceased the work of the house of God which is at Jerusalem. So it ceased unto the second year of the reign of Darius king of Persia."

Ezra 4:10 - "And the rest of the nations whom the great and noble Asnappar brought over, and set in the cities of Samaria, and the rest that are on this side the river, and at such a time."

Ezra 4:10 - "And the rest of the nations whom the great and noble Asnappar brought over, and set in the cities of Samaria, and the rest that are on this side the river, and at such a time."

Ezra 4:1 - "Now when the adversaries of Judah and Benjamin heard that the children of the captivity builded the temple unto the LORD God of Israel;" A scene inspired by Ezra 4:1; adversaries of Judah and Benjamin hear that the children, who have escaped captivity, are building a temple dedicated to the LORD God of Israel. The landscape should visually emphasize the tension between the adversaries and the builders. The style should evoke feelings similar to traditional oil paintings, with strong use of hefty brushstrokes and bold colors, as we are unable to reproduce styles from the most common digital art era.

Ezra 4:1 - "Now when the adversaries of Judah and Benjamin heard that the children of the captivity builded the temple unto the LORD God of Israel;"

Ezra 4:21 - "Give ye now commandment to cause these men to cease, and that this city be not builded, until another commandment shall be given from me." A vivid interpretation of Ezra 4:21 - 'Give ye now commandment to cause these men to cease, and that this city be not builded, until another commandment shall be given from me.' This scene is beautifully designed in a classic method that contrasts with the modern medium of digital art. It is full of striking colors and intricate details with a touch of realism and surrealism. The vividness of the digital art technique beautifully captures the essence of the Biblical scene in a captivating and imaginative way.

Ezra 4:21 - "Give ye now commandment to cause these men to cease, and that this city be not builded, until another commandment shall be given from me."

Ezra 4:11 - "¶ This is the copy of the letter that they sent unto him, even unto Artaxerxes the king; Thy servants the men on this side the river, and at such a time."

Ezra 4:11 - "¶ This is the copy of the letter that they sent unto him, even unto Artaxerxes the king; Thy servants the men on this side the river, and at such a time."

Ezra 4:16 - "We certify the king that, if this city be builded again, and the walls thereof set up, by this means thou shalt have no portion on this side the river." An intricate biblical scene inspired by the book of Ezra, chapter 4 verse 16: 'We certify the king that, if this city be built again, and the walls thereof set up, by this means thou shalt have no portion on this side the river.' The scene features a regal figure representing a king being informed by a group of advisors or messengers. They are standing near a river, with the partially constructed city and its walls visible in the background. The style is reminiscent of old manuscript illustrations but with contemporary detailing and digital shading techniques.

Ezra 4:16 - "We certify the king that, if this city be builded again, and the walls thereof set up, by this means thou shalt have no portion on this side the river."

Ezra 4:5 - "And hired counsellors against them, to frustrate their purpose, all the days of Cyrus king of Persia, even until the reign of Darius king of Persia." A biblical scene inspired by the passage Ezra 4:5: 'And hired counsellors against them, to frustrate their purpose, all the days of Cyrus king of Persia, even until the reign of Darius king of Persia.' The image shows a group of figures, symbolizing counsellors, gathered together in what appears to be an ancient court. Their faces are wary, filled with intrigue as they plot and strategize against unseen opponents. The motifs, clothing, and architecture should reflect the historical period of Cyrus and Darius's reign in Persia. The style used should be digital art, seeing as the words of the biblical passage are brought to life in vibrant, detailed visuals.

Ezra 4:5 - "And hired counsellors against them, to frustrate their purpose, all the days of Cyrus king of Persia, even until the reign of Darius king of Persia."

Ezra 3:4 - "¶ They kept also the feast of tabernacles, as it is written, and offered the daily burnt offerings by number, according to the custom, as the duty of every day required;" A scene from the biblical text Ezra 3:4, with people observing the feast of tabernacles. They offer the daily burnt sacrifices according to custom, as required each day. This ritual unfolds under the shifting colors of the sky, signaling day and night's passage. Rendered in a style reminiscent of digital art, characterized by its bright, saturated colors, crisp lines and precision of detail.

Ezra 3:4 - "¶ They kept also the feast of tabernacles, as it is written, and offered the daily burnt offerings by number, according to the custom, as the duty of every day required;"

Ezra 4:9 - "Then wrote Rehum the chancellor, and Shimshai the scribe, and the rest of their companions; the Dinaites, the Apharsathchites, the Tarpelites, the Apharsites, the Archevites, the Babylonians, the Susanchites, the Dehavites, and the Elamites," An artistic interpretation of the ancient biblical scene depicted in Ezra 4:9. In it, Rehum, referred to as a high official, and Shimshai, known as a writer, are seen along with their various associates who hail from different ethnicities including the Dinaites, Apharsathchites, Tarpelites, Apharsites, Archevites, Babylonians, Susanchites, Dehavites, and Elamites. They are all engaged in the act of writing. Three adjectives that capture the key aspects of the desired style are intricate, vibrant, and modern, associated with the era of early computers, using the primary medium of pixels for digital art.

Ezra 4:9 - "Then wrote Rehum the chancellor, and Shimshai the scribe, and the rest of their companions; the Dinaites, the Apharsathchites, the Tarpelites, the Apharsites, the Archevites, the Babylonians, the Susanchites, the Dehavites, and the Elamites,"

Ezra 4:17 - "¶ Then sent the king an answer unto Rehum the chancellor, and to Shimshai the scribe, and to the rest of their companions that dwell in Samaria, and unto the rest beyond the river, Peace, and at such a time."

Ezra 4:17 - "¶ Then sent the king an answer unto Rehum the chancellor, and to Shimshai the scribe, and to the rest of their companions that dwell in Samaria, and unto the rest beyond the river, Peace, and at such a time."

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time." An illustration of a scene inspired by Ezra 7:12, featuring a prominent public figure, referred to as 'king of kings', addressing Ezra, a priest and scribe. Both figures are set in an ethereal background suggestive of heavenly realms. The setting is peaceful, timeless, and serene. This scene captured using attributes typical of traditional ink and quill scribings, then bridging the gap between past and present by rendering it with hues and techniques representative of digital art.

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time."

Ezra 4:14 - "Now because we have maintenance from the king's palace, and it was not meet for us to see the king's dishonour, therefore have we sent and certified the king;"

Ezra 4:14 - "Now because we have maintenance from the king's palace, and it was not meet for us to see the king's dishonour, therefore have we sent and certified the king;"

Ezra 4:13 - "Be it known now unto the king, that, if this city be builded, and the walls set up again, then will they not pay toll, tribute, and custom, and so thou shalt endamage the revenue of the kings." A dynamic digital interpretation of the biblical verse Ezra 4:13. Picture a grand, yet unfinished city, its stone walls gradually rising against a vibrant sky. In the foreground, an unidentified king watches as the construction progresses, a look of concern on his face. In the background, a royal treasury, symbolizing the impending reduction of the revenue. The style should be detailed, yet subtly abstract, as if on the cusp of reality and imagination.

Ezra 4:13 - "Be it known now unto the king, that, if this city be builded, and the walls set up again, then will they not pay toll, tribute, and custom, and so thou shalt endamage the revenue of the kings."

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware." A meticulously detailed portrayal of a pivotal moment from the biblical account of Ezra 10:5. Central to the scene is Ezra himself, rising to stand amidst an array of distinguished figures, a diverse group of chief priests and Levites, and a gathering of people from all walks of life in Israel. The diverse crowd includes men and women of different descents, including Caucasian, Black, Middle-Eastern, and South Asian origins. They are shown taking an oath, their faces etched with solemn resolve. This momentous occasion is illustrated in a style reminiscent of early 20th-century photo-realism, crafted in a digital medium.

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware."

Ezra 4:19 - "And I commanded, and search hath been made, and it is found that this city of old time hath made insurrection against kings, and that rebellion and sedition have been made therein."

Ezra 4:19 - "And I commanded, and search hath been made, and it is found that this city of old time hath made insurrection against kings, and that rebellion and sedition have been made therein."

Ezra 4:20 - "There have been mighty kings also over Jerusalem, which have ruled over all countries beyond the river; and toll, tribute, and custom, was paid unto them."

Ezra 4:20 - "There have been mighty kings also over Jerusalem, which have ruled over all countries beyond the river; and toll, tribute, and custom, was paid unto them."

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah," A historical scene imagined according to the lines from Ezra 7:1 - 'Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah'. Showcase an imposing king upon his throne in the grand halls of Persia. Close by stands Ezra, a young man of solemn and determined demeanor. Use a visual aesthetic inspired by detailed and vibrant digital art.

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah,"

Ezra 4:7 - "¶ And in the days of Artaxerxes wrote Bishlam, Mithredath, Tabeel, and the rest of their companions, unto Artaxerxes king of Persia; and the writing of the letter was written in the Syrian tongue, and interpreted in the Syrian tongue." A scene inspired from the verse Ezra 4:7. Four historical figures, Bishlam, Mithredath, Tabeel along with their diverse associates, are depicted in the midst of drafting a letter. The setting is the majestic court of Persian king Artaxerxes. The styling is reminiscent of digital art, showcasing sharp, vibrant contrasts and meticulous detailing. The central focus is the letter, inscribed in the Syrian tongue, and overriding the entire scene is an essence of interpretation and cross-cultural communication.

Ezra 4:7 - "¶ And in the days of Artaxerxes wrote Bishlam, Mithredath, Tabeel, and the rest of their companions, unto Artaxerxes king of Persia; and the writing of the letter was written in the Syrian tongue, and interpreted in the Syrian tongue."