Ezra 9 Artwork

"Now when these things were done, the princes came to me, saying, The people of Israel, and the priests, and the Levites, have not separated themselves from the people of the lands, doing according to their abominations, even of the Canaanites, the Hittites, the Perizzites, the Jebusites, the Ammonites, the Moabites, the Egyptians, and the Amorites." - Ezra 9:1

Explore Ezra 9 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzraEzra 9Ezra 9:1
Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 8:9 - "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males." An interpretation of the biblical verse, Ezra 8:9. Depict a scene featuring Obadiah, a Middle-Eastern male, recognizing him as the son of Jehiel. He should be surrounded by two hundred and eighteen males of a mixed range of descents including Caucasian, Hispanic, Black, South Asian, and others. The artistry should convey a modern touch to the ancient setting. Use a vibrant palette, play with the contrast of light and shadows, and use broad and clear lines to create the digital art effect.

Ezra 8:9 - "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males."

Ezra 1:9 - "And this is the number of them: thirty chargers of gold, a thousand chargers of silver, nine and twenty knives,"

Ezra 1:9 - "And this is the number of them: thirty chargers of gold, a thousand chargers of silver, nine and twenty knives,"

Ezra 9:10 - "And now, O our God, what shall we say after this? for we have forsaken thy commandments,"

Ezra 9:10 - "And now, O our God, what shall we say after this? for we have forsaken thy commandments,"

Ezra 5:9 - "Then asked we those elders, and said unto them thus, Who commanded you to build this house, and to make up these walls?"

Ezra 5:9 - "Then asked we those elders, and said unto them thus, Who commanded you to build this house, and to make up these walls?"

Ezra 4:9 - "Then wrote Rehum the chancellor, and Shimshai the scribe, and the rest of their companions; the Dinaites, the Apharsathchites, the Tarpelites, the Apharsites, the Archevites, the Babylonians, the Susanchites, the Dehavites, and the Elamites," An artistic interpretation of the ancient biblical scene depicted in Ezra 4:9. In it, Rehum, referred to as a high official, and Shimshai, known as a writer, are seen along with their various associates who hail from different ethnicities including the Dinaites, Apharsathchites, Tarpelites, Apharsites, Archevites, Babylonians, Susanchites, Dehavites, and Elamites. They are all engaged in the act of writing. Three adjectives that capture the key aspects of the desired style are intricate, vibrant, and modern, associated with the era of early computers, using the primary medium of pixels for digital art.

Ezra 4:9 - "Then wrote Rehum the chancellor, and Shimshai the scribe, and the rest of their companions; the Dinaites, the Apharsathchites, the Tarpelites, the Apharsites, the Archevites, the Babylonians, the Susanchites, the Dehavites, and the Elamites,"

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time." An illustration of a scene inspired by Ezra 7:12, featuring a prominent public figure, referred to as 'king of kings', addressing Ezra, a priest and scribe. Both figures are set in an ethereal background suggestive of heavenly realms. The setting is peaceful, timeless, and serene. This scene captured using attributes typical of traditional ink and quill scribings, then bridging the gap between past and present by rendering it with hues and techniques representative of digital art.

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time."

Ezra 9:3 - "And when I heard this thing, I rent my garment and my mantle, and plucked off the hair of my head and of my beard, and sat down astonied."

Ezra 9:3 - "And when I heard this thing, I rent my garment and my mantle, and plucked off the hair of my head and of my beard, and sat down astonied."

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware." A meticulously detailed portrayal of a pivotal moment from the biblical account of Ezra 10:5. Central to the scene is Ezra himself, rising to stand amidst an array of distinguished figures, a diverse group of chief priests and Levites, and a gathering of people from all walks of life in Israel. The diverse crowd includes men and women of different descents, including Caucasian, Black, Middle-Eastern, and South Asian origins. They are shown taking an oath, their faces etched with solemn resolve. This momentous occasion is illustrated in a style reminiscent of early 20th-century photo-realism, crafted in a digital medium.

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware."

Ezra 9:14 - "Should we again break thy commandments, and join in affinity with the people of these abominations? wouldest not thou be angry with us till thou hadst consumed us, so that there should be no remnant nor escaping?" Illustrate a scene inspired by the biblical passage Ezra 9:14. Convey the tone of guilt and repentance, as individuals question their past actions, asking themselves if they should once again disobey commandments and ally with those who commit abominations. Capture their fear of divine wrath, wondering if they would be utterly destroyed, leaving no remnant or opportunity for escape. Emphasize the deep contrast between light and darkness to mirror the moral conflict. This should be portrayed in a digitized format.

Ezra 9:14 - "Should we again break thy commandments, and join in affinity with the people of these abominations? wouldest not thou be angry with us till thou hadst consumed us, so that there should be no remnant nor escaping?"

Ezra 9:9 - "For we were bondmen; yet our God hath not forsaken us in our bondage, but hath extended mercy unto us in the sight of the kings of Persia, to give us a reviving, to set up the house of our God, and to repair the desolations thereof, and to give us a wall in Judah and in Jerusalem."

Ezra 9:9 - "For we were bondmen; yet our God hath not forsaken us in our bondage, but hath extended mercy unto us in the sight of the kings of Persia, to give us a reviving, to set up the house of our God, and to repair the desolations thereof, and to give us a wall in Judah and in Jerusalem."

Ezra 9:2 - "For they have taken of their daughters for themselves, and for their sons: so that the holy seed have mingled themselves with the people of those lands: yea, the hand of the princes and rulers hath been chief in this trespass."

Ezra 9:2 - "For they have taken of their daughters for themselves, and for their sons: so that the holy seed have mingled themselves with the people of those lands: yea, the hand of the princes and rulers hath been chief in this trespass."

Ezra 3:9 - "Then stood Jeshua with his sons and his brethren, Kadmiel and his sons, the sons of Judah, together, to set forward the workmen in the house of God: the sons of Henadad, with their sons and their brethren the Levites." A vividly detailed historic scene reflecting Ezra 3:9. Display Jeshua, an Middle-Eastern man, standing confidently with his sons and brothers. Next to them stands Kadmiel, another Middle-Eastern man, along with his linage. Both of these groups are unified, poised to push forward the workmen in the holy dwelling. The sons of Henadad, also of Middle-Eastern descent, intermingle with their sons and brothers. These men are all Levites, dressed in traditional attire of the era. The overall ambiance of the artwork should present an atmosphere of unity, responsibility, and shared purpose. Render this scene as exceptionally detailed, vibrant and in a digital art style.

Ezra 3:9 - "Then stood Jeshua with his sons and his brethren, Kadmiel and his sons, the sons of Judah, together, to set forward the workmen in the house of God: the sons of Henadad, with their sons and their brethren the Levites."

Ezra 9:4 - "Then were assembled unto me every one that trembled at the words of the God of Israel, because of the transgression of those that had been carried away; and I sat astonied until the evening sacrifice." Create an image translating 'Ezra 9:4 - Then were assembled unto me every one that trembled at the words of the God of Israel, because of the transgression of those that had been carried away; and I sat astonied until the evening sacrifice.' into a visual representation. This image should mirror the feeling of solemnity and awe often captured in historic religious texts, yet have the modern edge and vibrancy associated with digital art.

Ezra 9:4 - "Then were assembled unto me every one that trembled at the words of the God of Israel, because of the transgression of those that had been carried away; and I sat astonied until the evening sacrifice."

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah," A historical scene imagined according to the lines from Ezra 7:1 - 'Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah'. Showcase an imposing king upon his throne in the grand halls of Persia. Close by stands Ezra, a young man of solemn and determined demeanor. Use a visual aesthetic inspired by detailed and vibrant digital art.

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah,"

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 10:40 - "Machnadebai, Shashai, Sharai," A depiction of the biblical text Ezra 10:40 - "Machnadebai, Shashai, Sharai," using a modern digital art technique, with vibrant colors and bold lines to represent the names as abstract symbols or shapes.

Ezra 10:40 - "Machnadebai, Shashai, Sharai,"

Ezra 10:32 - "Benjamin, Malluch, and Shemariah." An image depicting the biblical names 'Benjamin', 'Malluch', and 'Shemariah', illustrated in a modern, vibrant and geometric design style, similar to the aesthetics common in digital art. The names are rendered with decorative typography amidst a visually intriguing background that reflects the timeless wisdom and spiritual significance associated with these biblical references.

Ezra 10:32 - "Benjamin, Malluch, and Shemariah."

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau," The biblical names 'Mattaniah', 'Mattenai', and 'Jaasau', represented visually. Conjure these names in the medium of synthetic visual art, reminiscent of the crafted, yet ethereal fluidity often associated with traditional ink calligraphy.

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau,"

Ezra 10:38 - "And Bani, and Binnui, Shimei," Illustrate the Biblical verse Ezra 10:38 - 'And Bani, and Binnui, Shimei,'. Use the design principles associated with digital art including bold colors, clean lines, and geometric shapes.

Ezra 10:38 - "And Bani, and Binnui, Shimei,"

Ezra 9:15 - "O LORD God of Israel, thou art righteous: for we remain yet escaped, as it is this day: behold, we are before thee in our trespasses: for we cannot stand before thee because of this."

Ezra 9:15 - "O LORD God of Israel, thou art righteous: for we remain yet escaped, as it is this day: behold, we are before thee in our trespasses: for we cannot stand before thee because of this."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:54 - "The children of Neziah, the children of Hatipha." A scene from the Bible, Ezra 2:54, illustrating 'The children of Neziah, the children of Hatipha.' Render this missionary scene in a style that evokes the novel qualities of digital art, with luminous colors, sharp lines, and intricate details. Capture the sensations of the period in a way that feels simultaneously ancient and modern, presenting these biblical figures in a fresh, innovative light.

Ezra 2:54 - "The children of Neziah, the children of Hatipha."

Ezra 2:39 - "The children of Harim, a thousand and seventeen." An illustration of children numbering a thousand and seventeen, inspired by the scripture Ezra 2:39. The image captures the essence of unity and joy amongst the children. They are diverse in terms of descent, including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian foregrounded in a peaceful landscape. Being embodied in a digital medium, the work has the clean lines, bright and contrasting color palette, and pixel precision that characterizes digital art.

Ezra 2:39 - "The children of Harim, a thousand and seventeen."

Ezra 2:18 - "The children of Jorah, an hundred and twelve." Illustration of a biblical passage from Ezra 2:18 - 'The children of Jorah, an hundred and twelve.' The image shows a gathering of 112 children, of various ages, in ancient Middle Eastern attire. They represent a mix of races including Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and white. The scene is set against an Old Testament landscape. Capture it in a digital medium, resembling the style of pre-1912 artwork using vivid colors and bold strokes. Convey the feeling of community and unity among these children, as well as the deep symbolism this image carries.

Ezra 2:18 - "The children of Jorah, an hundred and twelve."

Ezra 2:22 - "The men of Netophah, fifty and six." A visual interpretation of a biblical verse, Ezra 2:22 - 'The men of Netophah, fifty and six.' This includes a depiction of the ancient city of Netophah with fifty-six men visible in the cityscape. The image should be conveyed in a digital type of art style that might employ vibrant colors, clean lines, and elements of abstraction.

Ezra 2:22 - "The men of Netophah, fifty and six."

Ezra 9:6 - "And said, O my God, I am ashamed and blush to lift up my face to thee, my God: for our iniquities are increased over our head, and our trespass is grown up unto the heavens." A striking depiction of a pivotal moment from Ezra 9:6. The scene captures an individual expressing deep shame and remorse, passionately praying and refusing to lift his face towards the heavens. His body language vividly portrays his guilt as he confesses that iniquities have accumulated beyond control, metaphorically towering over him and seeming to rise towards the stars. The tone of the image should reflect the solemn mood of the quotation, artistically visualized utilizing contemporary digital art techniques.

Ezra 9:6 - "And said, O my God, I am ashamed and blush to lift up my face to thee, my God: for our iniquities are increased over our head, and our trespass is grown up unto the heavens."

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Ezra 10:39 - "And Shelemiah, and Nathan, and Adaiah,"

Ezra 10:39 - "And Shelemiah, and Nathan, and Adaiah,"