Genesis 3 Artwork

"Now the serpent was more subtil than any beast of the field which the LORD God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?" - Genesis 3:1

Explore Genesis 3 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
GenesisGenesis 3Genesis 3:1
Genesis 1:3 - "And God said, Let there be light: and there was light." Create a digital art representation of the biblical description 'Genesis 1:3 - And God said, Let there be light: and there was light.' In the image, depict an ethereal figure, possibly God, releasing a powerful burst of light that illuminates the surrounding darkness.

Genesis 1:3 - "And God said, Let there be light: and there was light."

Genesis 36:3 - "And Bashemath Ishmael's daughter, sister of Nebajoth."

Genesis 36:3 - "And Bashemath Ishmael's daughter, sister of Nebajoth."

Genesis 10:3 - "And the sons of Gomer; Ashkenaz, and Riphath, and Togarmah."

Genesis 10:3 - "And the sons of Gomer; Ashkenaz, and Riphath, and Togarmah."

Genesis 3:4 - "And the serpent said unto the woman, Ye shall not surely die:" Create a respectful and devotional digital artwork that portrays a scene inspired by Genesis 3:4. To capture the essence of the biblical verse without using text or words, depict a garden scene with an apple tree, a serpent conversing with a woman, demonstrating the tension of the situation. As it's a crucial moment in the narrative, a suggestion of the divine using rays of light piercing through a cloudy sky could hint at the spiritual context. The style should be reminiscent of religious-themed stained glass windows, focusing on the dramatic narrative and vibrant colors.

Genesis 3:4 - "And the serpent said unto the woman, Ye shall not surely die:"

Genesis 3:4 - "And the serpent said unto the woman, Ye shall not surely die:" Visualize a scene from Genesis 3:4 - 'And the serpent said unto the woman, Ye shall not surely die:', this scene should be imagined in a digital art style. The environment is lush, abundant with trees and greenery, with the towering serpent speaking to a woman, conveying a sense of communication. Stick to within the boundaries of reality and fiction, drawing the snake with scales and the woman in clothing appropriate for the time. Ensure the woman's facial expressions reflect surprise and curiosity.

Genesis 3:4 - "And the serpent said unto the woman, Ye shall not surely die:"

Genesis 17:3 - "And Abram fell on his face: and God talked with him, saying," Create a digital art representation of a scene inspired by Genesis 17:3 from the Bible. In this scene, a Middle-Eastern man named Abram is seen falling on his face in a moment of awe and reverence. The divine presence of God is visually implied, perhaps through a mysterious, ethereal light source, or a heavenly aura, and they seem to be engaged in a profound dialogue.

Genesis 17:3 - "And Abram fell on his face: and God talked with him, saying,"

Genesis 42:3 - "¶ And Joseph's ten brethren went down to buy corn in Egypt." Depict a narrative scene from Genesis 42:3 showing ten men, identified as brothers, of diverse descents such as Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and White. They are journeying together towards an ancient Egyptian marketplace to buy corn. This scene should be set in the backdrop of old Egypt with its distinctive architecture and landscapes. Please create this image using the digital art medium for a modern interpretation of this biblical story.

Genesis 42:3 - "¶ And Joseph's ten brethren went down to buy corn in Egypt."

Genesis 3:4 - "And the serpent said unto the woman, Ye shall not surely die:" Render a digital art representation of the biblical scene from Genesis 3:4. The scene should depict the expression with the serpent communicating with the woman, in a manner respectful and devotional to Christianity. Despite the absence of literal text or words, the intensity of the conversation between the two characters should be clearly conveyed through their body language and facial expressions.

Genesis 3:4 - "And the serpent said unto the woman, Ye shall not surely die:"

Genesis 44:3 - "As soon as the morning was light, the men were sent away, they and their asses."

Genesis 44:3 - "As soon as the morning was light, the men were sent away, they and their asses."

Genesis 14:3 - "All these were joined together in the vale of Siddim, which is the salt sea." A detailed digital art representation of the biblical passage from Genesis 14:3, portraying an expansive valley, referred to as the vale of Siddim, surrounded by vast salty seas. The view of the valley is coordinated with a group of ancient people congregating together, symbolizing unity. You can see the glistening salt crystals on the sea's surface, bathing in the pale sunlight, contrasting the arid barren landscape of the vale. The color palette is dark and brooding, with bright spots illuminating the genial gathering and the vibrant salt sea. The style of the image gives a modern, digital interpretation to an ancient scene.

Genesis 14:3 - "All these were joined together in the vale of Siddim, which is the salt sea."

Genesis 38:3 - "And she conceived, and bare a son; and he called his name Er."

Genesis 38:3 - "And she conceived, and bare a son; and he called his name Er."

Genesis 3:9 - "And the LORD God called unto Adam, and said unto him, Where art thou?" A detailed visual representation of the biblical scene from Genesis 3:9, where the LORD God calls out to Adam, asking 'Where art thou?'. The style of the artwork should be reminiscent of late 19th-century impressionism, with a focus on the use of vibrant colors and visible brushwork, similar to the feel of digital art without violating the policy. The scene should include the settings of an idyllic garden environment (Garden of Eden), with Adam captured in a state of confusion and uncertainty.

Genesis 3:9 - "And the LORD God called unto Adam, and said unto him, Where art thou?"

Genesis 25:3 - "And Jokshan begat Sheba, and Dedan. And the sons of Dedan were Asshurim, and Letushim, and Leummim."

Genesis 25:3 - "And Jokshan begat Sheba, and Dedan. And the sons of Dedan were Asshurim, and Letushim, and Leummim."

Genesis 3:2 - "And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:"

Genesis 3:2 - "And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:"

Genesis 3:3 - "But of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die." An advanced digital art representation of a significant scene from Genesis 3:3. Picture a lush, verdant garden full of vibrant, rich colors saturated with light. In the middle of this garden, imagine a distinctive, majestic tree, laden with enticing, mysterious fruits. The fruits are glowing with a unique, almost ethereal luminescence. A divine presence is felt but not seen, its voice echoing through the deceptive tranquility of the garden, issuing the stern prohibition: 'Ye shall not eat of it, neither shall ye touch it, lest ye die.'

Genesis 3:3 - "But of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die."

Genesis 4:3 - "And in process of time it came to pass, that Cain brought of the fruit of the ground an offering unto the LORD."

Genesis 4:3 - "And in process of time it came to pass, that Cain brought of the fruit of the ground an offering unto the LORD."

Genesis 3:20 - "And Adam called his wife's name Eve; because she was the mother of all living."

Genesis 3:20 - "And Adam called his wife's name Eve; because she was the mother of all living."

Genesis 3:18 - "Thorns also and thistles shall it bring forth to thee; and thou shalt eat the herb of the field;" Create a digital rendering of a scene representing Genesis 3:18 from the Bible. The barren landscape should be filled with sharply pointed thorns and tough thistles, highlighting their prickly nature and harsh survival conditions. Amidst this harshness, a figure, possibly symbolising 'humanity', is portrayed foraging for herbs in the field, emphasising the struggle of sustenance amidst adversity. The scene should bear an ethereal quality, capturing the depth and ambiguity of the biblical verse.

Genesis 3:18 - "Thorns also and thistles shall it bring forth to thee; and thou shalt eat the herb of the field;"

Genesis 40:3 - "And he put them in ward in the house of the captain of the guard, into the prison, the place where Joseph was bound."

Genesis 40:3 - "And he put them in ward in the house of the captain of the guard, into the prison, the place where Joseph was bound."

Genesis 23:3 - "¶ And Abraham stood up from before his dead, and spake unto the sons of Heth, saying,"

Genesis 23:3 - "¶ And Abraham stood up from before his dead, and spake unto the sons of Heth, saying,"

Genesis 7:3 - "Of fowls also of the air by sevens, the male and the female; to keep seed alive upon the face of all the earth." An image inspired by Genesis 7:3, "Of fowls also of the air by sevens, the male and the female; to keep seed alive upon the face of all the earth." It is a digital art style vector illustration. The image should depict seven pairs of different types of birds, each pair composed of a male and a female, flying across the portrait. Below, a green and fertile earth, complete with trees, rivers, and mountains, sprawls out to symbolize life's continuity. The style should be modern and vibrant, with crisp lines and a mix of bright and soft colors to indicate the diversity of life on Earth.

Genesis 7:3 - "Of fowls also of the air by sevens, the male and the female; to keep seed alive upon the face of all the earth."

Genesis 21:3 - "And Abraham called the name of his son that was born unto him, whom Sarah bare to him, Isaac." Create a digital art representation of a scene from Genesis 21:3. The scene should depict Abraham, a Middle-Eastern man with a patriarchal bearing, naming his newborn son. In his arms, he holds a small baby. At his side, is Sarah, a Middle-Eastern woman displaying a motherly glow of satisfaction and exhaustion. They are both in simple, yet regal, ancient attire indicative of their status as pivotal figures in biblical narratives. Their surroundings are those typical of the Middle Eastern landscapes of the time - arid, with sparse vegetation.

Genesis 21:3 - "And Abraham called the name of his son that was born unto him, whom Sarah bare to him, Isaac."

Genesis 39:3 - "And his master saw that the LORD was with him, and that the LORD made all that he did to prosper in his hand." A visualization of Genesis 39:3 - 'And his master saw that the LORD was with him, and that the LORD made all that he did to prosper in his hand.' expressed as an allegorical scene. The scene exhibits a South Asian man (representing 'the master') observing a Caucasian man, who is thriving in his pursuits under a radiant light (signifying 'the LORD'). The lit man has his hands filled with various symbols of prosperity and abundance. Create this imagery in a vibrant, digitized artistic style.

Genesis 39:3 - "And his master saw that the LORD was with him, and that the LORD made all that he did to prosper in his hand."

Genesis 32:3 - "And Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom." Visualize a scene inspired by Genesis 32:3 - 'And Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom.' The image should depict a group of men on a journey through a vast and spacious country. Lead by a man, presumably Jacob, they appear to be embarking on an important mission. The landscape is reminiscent of Edom, which is represented by rugged mountains and sparse vegetation. The style is digitized, with sprites and textures reminiscent of a computer game from the mid-80s.

Genesis 32:3 - "And Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom."

Genesis 28:3 - "And God Almighty bless thee, and make thee fruitful, and multiply thee, that thou mayest be a multitude of people;" Display an abstract digital representation of the verse Genesis 28:3 - 'And God Almighty bless thee, and make thee fruitful, and multiply thee, that thou mayest be a multitude of people;'. Capture the scene with vivid colors and flowing patterns perhaps to indicate divine energy. Consider using symbolism to embody 'fruitfulness' and 'multiplication' - possibly a tree laden with fruit multiplying or abstract shapes and lines multiplying to depict growth.

Genesis 28:3 - "And God Almighty bless thee, and make thee fruitful, and multiply thee, that thou mayest be a multitude of people;"

Genesis 3:21 - "Unto Adam also and to his wife did the LORD God make coats of skins, and clothed them."

Genesis 3:21 - "Unto Adam also and to his wife did the LORD God make coats of skins, and clothed them."

Genesis 31:3 - "And the LORD said unto Jacob, Return unto the land of thy fathers, and to thy kindred; and I will be with thee." Create a digital art representation of the moment described in Genesis 31:3, where a divine figure communicates a message to Jacob. The divine figure should be cloaked in radiant light, symbolizing a heavenly presence, while Jacob stands in the foreground showing reverence and awe. The background should reflect a barren desert landscape, hinting at the 'land of thy fathers'. Ensure the overall tone is deeply reverential and the color scheme strikes a balance between bright heavenly hues and the natural, earthy tones of the desert.

Genesis 31:3 - "And the LORD said unto Jacob, Return unto the land of thy fathers, and to thy kindred; and I will be with thee."

Genesis 34:3 - "And his soul clave unto Dinah the daughter of Jacob, and he loved the damsel, and spake kindly unto the damsel." Create an illustrative depiction of the biblical scene from Genesis 34:3, where the character's soul is depicted gravitating towards Dinah, Jacob's daughter. Show the male figure expressing deep love towards the young woman and speaking with kindness. Let the image reflect early biblical times and use digitally created visuals to bring the scene to life.

Genesis 34:3 - "And his soul clave unto Dinah the daughter of Jacob, and he loved the damsel, and spake kindly unto the damsel."

Genesis 48:3 - "And Jacob said unto Joseph, God Almighty appeared unto me at Luz in the land of Canaan, and blessed me,"

Genesis 48:3 - "And Jacob said unto Joseph, God Almighty appeared unto me at Luz in the land of Canaan, and blessed me,"

Genesis 8:3 - "And the waters returned from off the earth continually: and after the end of the hundred and fifty days the waters were abated."

Genesis 8:3 - "And the waters returned from off the earth continually: and after the end of the hundred and fifty days the waters were abated."