Genesis 32 Artwork

"And Jacob went on his way, and the angels of God met him." - Genesis 32:1-32

Explore Genesis 32 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
GenesisGenesis 32Genesis 32:1-32
Genesis 49:32 - "The purchase of the field and of the cave that is therein was from the children of Heth." An ancient scene depicted with the elements of digital art in a harmonious blend of precision and abstraction. This landscape portrays the moment of Genesis 49:32, where the transaction between the children of Heth and the person is taking place. The field, lush and expansive with radiant greens from the thick grass and towering trees, serves as a dramatic background. In the field, there is a symbolic cave that is full of mystery and intrigue. The children of Heth and their counterpart are there, postured in a moment of negotiation and agreement. Each detail is crafted with pixel perfection, accentuating the digital approach to this biblical moment.

Genesis 49:32 - "The purchase of the field and of the cave that is therein was from the children of Heth."

Genesis 32:1 - "And Jacob went on his way, and the angels of God met him." A visual representation of the biblical scene from Genesis 32:1. Picture Jacob, a Middle-Eastern man with a long beard and traditional attire, progressing on his journey amidst a vast desert landscape. Suddenly, he is met by divine entities - angels - appearing as ethereal, glowing figures descending from a bright celestial opening in the sky. Use a contemporary aesthetic, similar to digital art, with vibrant colors and sharp, clean lines to contrast the ethereal elements, the terrestrial setting, and the human figure.

Genesis 32:1 - "And Jacob went on his way, and the angels of God met him."

Genesis 32:24 - "¶ And Jacob was left alone; and there wrestled a man with him until the breaking of the day." A scene based on Genesis 32:24 'And Jacob was left alone; and there wrestled a man with him until the breaking of the day.' This vivid and spiritual encounter takes place under the vast night sky glittering with stars. In the foreground, two men grapple in an intense wrestling match, their muscles straining and expressions focused. Their bodies are crafted in an assortment of vibrant colours and abstract forms, using styles inspired by the digital art medium. The wrestling continues, their forms luminescent against the encroaching dawn, the sky starting to lighten from deep blues to the warm hues of sunrise.

Genesis 32:24 - "¶ And Jacob was left alone; and there wrestled a man with him until the breaking of the day."

Genesis 36:32 - "And Bela the son of Beor reigned in Edom: and the name of his city was Dinhabah."

Genesis 36:32 - "And Bela the son of Beor reigned in Edom: and the name of his city was Dinhabah."

Genesis 11:32 - "And the days of Terah were two hundred and five years: and Terah died in Haran."

Genesis 11:32 - "And the days of Terah were two hundred and five years: and Terah died in Haran."

Genesis 32:27 - "And he said unto him, What is thy name? And he said, Jacob."

Genesis 32:27 - "And he said unto him, What is thy name? And he said, Jacob."

Genesis 32:21 - "So went the present over before him: and himself lodged that night in the company." Create a digital art interpretation of the biblical scene from Genesis 32:21 - 'So went the present over before him: and himself lodged that night in the company.' The scene presents a man spending his night among others after the gift was presented. Use vibrant colors and sharp, clean lines distinctive to the digital art format.

Genesis 32:21 - "So went the present over before him: and himself lodged that night in the company."

Genesis 5:32 - "And Noah was five hundred years old: and Noah begat Shem, Ham, and Japheth." An inspiring image capturing a scene from the ancient scriptures, specifically Genesis 5:32, "And Noah was five hundred years old: and Noah begat Shem, Ham, and Japheth." Implement this in the essence of digital art. The image should potray Noah as an aged man, with a weathered face and wrinkles, emanating wisdom and kindness. In the background, depict his three sons, Shem, Ham, and Japheth, showcasing their reverence and respect for their father. Use vivid colors, contrast and intricate detailing, characteristic of digital art. Let the image breathe life into the ancient scriptures, delicately blending historical context with modern artistic interpretation.

Genesis 5:32 - "And Noah was five hundred years old: and Noah begat Shem, Ham, and Japheth."

Genesis 32:32 - "Therefore the children of Israel eat not of the sinew which shrank, which is upon the hollow of the thigh, unto this day: because he touched the hollow of Jacob's thigh in the sinew that shrank."

Genesis 32:32 - "Therefore the children of Israel eat not of the sinew which shrank, which is upon the hollow of the thigh, unto this day: because he touched the hollow of Jacob's thigh in the sinew that shrank."

Genesis 32:23 - "And he took them, and sent them over the brook, and sent over that he had." A visualization of Genesis 32:23 - "And he took them, and sent them over the brook, and sent over that he had.". Create this scene in the digitally-enhanced style of medieval tapestries, focusing on color contrasts and dramatic lighting effects. Capture the moment of an individual solemnly guiding others over a babbling brook, under the canopy of a dark,foreboding sky. Their belongings are neatly bundled, ready to be sent over next. Make sure the brook shimmers in the moonlight and the gathered group huddles tightly, expressing a mixture of anticipation and anxiety.

Genesis 32:23 - "And he took them, and sent them over the brook, and sent over that he had."

Genesis 32:14 - "Two hundred she goats, and twenty he goats, two hundred ewes, and twenty rams," Depict an image inspired by Genesis 32:14, showing two hundred she goats, twenty he goats, two hundred ewes, and twenty rams. The setting should be an ancient pastoral landscape, vibrant with the bustle of these large herds. The style should mimic the precision and vibrancy of digital art, with sharp lines and bright, saturated colors.

Genesis 32:14 - "Two hundred she goats, and twenty he goats, two hundred ewes, and twenty rams,"

Genesis 10:32 - "These are the families of the sons of Noah, after their generations, in their nations: and by these were the nations divided in the earth after the flood."

Genesis 10:32 - "These are the families of the sons of Noah, after their generations, in their nations: and by these were the nations divided in the earth after the flood."

Genesis 32:8 - "And said, If Esau come to the one company, and smite it, then the other company which is left shall escape." A digital art interpretation of a passage from Genesis 32:8. Depict two groups of people in two separate parts of the scene. On one side, depict an intense scene of conflict, implying an imminent battle, perhaps represented by clouded faces filled with tension and anticipation. On the other, illustrate a group of people who appear relieved and safe, creating a strong contrast between the two. Everything should be bathed in a mixture of warm and cool colors to portray the stark difference in situations.

Genesis 32:8 - "And said, If Esau come to the one company, and smite it, then the other company which is left shall escape."

Genesis 41:32 - "And for that the dream was doubled unto Pharaoh twice; it is because the thing is established by God, and God will shortly bring it to pass."

Genesis 41:32 - "And for that the dream was doubled unto Pharaoh twice; it is because the thing is established by God, and God will shortly bring it to pass."

Genesis 32:13 - "¶ And he lodged there that same night; and took of that which came to his hand a present for Esau his brother;"

Genesis 32:13 - "¶ And he lodged there that same night; and took of that which came to his hand a present for Esau his brother;"

Genesis 25:32 - "And Esau said, Behold, I am at the point to die: and what profit shall this birthright do to me?" Translate into imagery Genesis 25:32 - 'And Esau said, Behold, I am at the point to die: and what profit shall this birthright do to me?' using elements of digital art. The image should include a forlorn figure, possibly Esau, with a pained expression, gesturing at a symbolic item (the birthright) that should seem insignificant against darker, melancholy-oriented color palette. Ensure a digital, pixelated aesthetic to encapsulate modernity juxtaposed against this ancient narrative.

Genesis 25:32 - "And Esau said, Behold, I am at the point to die: and what profit shall this birthright do to me?"

Genesis 42:32 - "We be twelve brethren, sons of our father; one is not, and the youngest is this day with our father in the land of Canaan." A detailed digital art representation of a scene based on Genesis 42:32. Depict twelve men, brothers in various ages. Indicate their familial bond through their expressions and body language. One of them is absent, subtly implied in the scene. The youngest brother is visibly closer to an older man, assumed to be their father, in a setting that pays homage to the historical land of Canaan.

Genesis 42:32 - "We be twelve brethren, sons of our father; one is not, and the youngest is this day with our father in the land of Canaan."

Genesis 32:31 - "And as he passed over Penuel the sun rose upon him, and he halted upon his thigh."

Genesis 32:31 - "And as he passed over Penuel the sun rose upon him, and he halted upon his thigh."

Genesis 32:2 - "And when Jacob saw them, he said, This is God's host: and he called the name of that place Mahanaim."

Genesis 32:2 - "And when Jacob saw them, he said, This is God's host: and he called the name of that place Mahanaim."

Genesis 32:7 - "Then Jacob was greatly afraid and distressed: and he divided the people that was with him, and the flocks, and herds, and the camels, into two bands;" An illustration of a biblical scene from Genesis 32:7. We see a tormented Jacob, a Middle-Eastern man with long dark hair and beard, standing in the middle of a pastoral landscape with camels, a variety of flocks and herds around him. His worried expression reflects his distress and fear. He's in the process of dividing the people, animals, and belongings into two separate groups. The interpretation of this scene should be made in the style of digital art, with intricate, pixelated details and vibrant color usage, giving the space a heightened sense of drama, emotion, and division.

Genesis 32:7 - "Then Jacob was greatly afraid and distressed: and he divided the people that was with him, and the flocks, and herds, and the camels, into two bands;"

Genesis 46:32 - "And the men are shepherds, for their trade hath been to feed cattle; and they have brought their flocks, and their herds, and all that they have." Illustrate a biblical scene inspired by Genesis 46:32. We see a group of men, of diverse backgrounds including Middle-Eastern, Hispanic, and South Asian, diligently working as shepherds. Their trade is the nurturing of livestock, their devotion evident as they tend to their flocks and herds under a vast heavenly sky scattered with patches of white and grey clouds. Throughout the scene, there's a sense of warm camaraderie among the men, as they share their lives with their animals, who appear lively and loved. Render this image in the style of digital art.

Genesis 46:32 - "And the men are shepherds, for their trade hath been to feed cattle; and they have brought their flocks, and their herds, and all that they have."

Genesis 32:15 - "Thirty milch camels with their colts, forty kine, and ten bulls, twenty she asses, and ten foals." A scene inspired by Genesis 32:15, showcasing thirty milch camels with their colts, forty cows, ten bulls, twenty female donkeys, and ten foals. The setting is desert-like, under a bright, cloudless sky. The camels are tall and graceful, nursing their young ones. The cows are spread across the landscape, grazing calmly. The bulls stand with a regal stance, exuding strength and dominance. The donkeys are playful, with their foals frolicking around, under the protective gazes of their mothers. The scene should be depicted in an alluring digital art style.

Genesis 32:15 - "Thirty milch camels with their colts, forty kine, and ten bulls, twenty she asses, and ten foals."

Genesis 32:3 - "And Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom." Visualize a scene inspired by Genesis 32:3 - 'And Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom.' The image should depict a group of men on a journey through a vast and spacious country. Lead by a man, presumably Jacob, they appear to be embarking on an important mission. The landscape is reminiscent of Edom, which is represented by rugged mountains and sparse vegetation. The style is digitized, with sprites and textures reminiscent of a computer game from the mid-80s.

Genesis 32:3 - "And Jacob sent messengers before him to Esau his brother unto the land of Seir, the country of Edom."

Genesis 32:30 - "And Jacob called the name of the place Peniel: for I have seen God face to face, and my life is preserved."

Genesis 32:30 - "And Jacob called the name of the place Peniel: for I have seen God face to face, and my life is preserved."

Genesis 21:32 - "Thus they made a covenant at Beer-sheba: then Abimelech rose up, and Phichol the chief captain of his host, and they returned into the land of the Philistines."

Genesis 21:32 - "Thus they made a covenant at Beer-sheba: then Abimelech rose up, and Phichol the chief captain of his host, and they returned into the land of the Philistines."

Genesis 32:12 - "And thou saidst, I will surely do thee good, and make thy seed as the sand of the sea, which cannot be numbered for multitude."

Genesis 32:12 - "And thou saidst, I will surely do thee good, and make thy seed as the sand of the sea, which cannot be numbered for multitude."

Genesis 37:32 - "And they sent the coat of many colours, and they brought it to their father; and said, This have we found: know now whether it be thy son's coat or no." Create a digital art representation of a scene inspired by the biblical verse Genesis 37:32. The image will feature a group of individuals presenting a coat of many colors to an aged man, symbolizing their father. Their expressions are full of tension and hesitation as they question the father, asking whether it is truly his son's coat. The coat itself is the centerpiece, highlighted with vibrant and numerous colors, emphasizing its significance in the scene.

Genesis 37:32 - "And they sent the coat of many colours, and they brought it to their father; and said, This have we found: know now whether it be thy son's coat or no."

Genesis 32:26 - "And he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me." An image inspired by Genesis 32:26 - 'And he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me.' This captures the intensity of the situation, showing two figures in a struggle as the rising sun paints the sky with hues of oranges, pinks and purples. Design this in a digital art style, incorporating the clean lines and vibrant colours typical of this medium.

Genesis 32:26 - "And he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me."

Genesis 32:18 - "Then thou shalt say, They be thy servant Jacob's; it is a present sent unto my lord Esau: and, behold, also he is behind us."

Genesis 32:18 - "Then thou shalt say, They be thy servant Jacob's; it is a present sent unto my lord Esau: and, behold, also he is behind us."

Genesis 32:28 - "And he said, Thy name shall be called no more Jacob, but Israel: for as a prince hast thou power with God and with men, and hast prevailed." Detailed depiction of a dramatic biblical scene inspired by the verse Genesis 32:28: 'And he said, Thy name shall be called no more Jacob, but Israel: for as a prince hast thou power with God and with men, and hast prevailed.' The scene features a character, previously known as Jacob, conversing with a divine figure in a celestial-like setting. The character radiates a regal presence displaying power and triumph, indicating his new status as Israel. This scene is presented in a non-specific digital art style.

Genesis 32:28 - "And he said, Thy name shall be called no more Jacob, but Israel: for as a prince hast thou power with God and with men, and hast prevailed."