Genesis 42 Artwork

"Now when Jacob saw that there was corn in Egypt, Jacob said unto his sons, Why do ye look one upon another?" - Genesis 42:1

Explore Genesis 42 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
GenesisGenesis 42Genesis 42:1
Genesis 42:26 - "And they laded their asses with the corn, and departed thence."

Genesis 42:26 - "And they laded their asses with the corn, and departed thence."

Genesis 36:42 - "Duke Kenaz, duke Teman, duke Mibzar,"

Genesis 36:42 - "Duke Kenaz, duke Teman, duke Mibzar,"

Genesis 42:8 - "And Joseph knew his brethren, but they knew not him." A digital art render of a scene representing Genesis 42:8 from the Bible. The image explores the element of recognition and anonymity. Joseph, an influential man of Middle-Eastern descent, stands amidst a vibrant marketplace, clothed in grand attire. He recognizes his brothers, who are in simpler garments, looking lost and unaware in the crowd. They don't recognize Joseph due to his change in status and attire. Use bright, contrasting colors and digital brush strokes to highlight the difference in their societal standings and the emotional disconnect.

Genesis 42:8 - "And Joseph knew his brethren, but they knew not him."

Genesis 42:3 - "¶ And Joseph's ten brethren went down to buy corn in Egypt." Depict a narrative scene from Genesis 42:3 showing ten men, identified as brothers, of diverse descents such as Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and White. They are journeying together towards an ancient Egyptian marketplace to buy corn. This scene should be set in the backdrop of old Egypt with its distinctive architecture and landscapes. Please create this image using the digital art medium for a modern interpretation of this biblical story.

Genesis 42:3 - "¶ And Joseph's ten brethren went down to buy corn in Egypt."

Genesis 42:17 - "And he put them all together into ward three days."

Genesis 42:17 - "And he put them all together into ward three days."

Genesis 42:23 - "And they knew not that Joseph understood them; for he spake unto them by an interpreter."

Genesis 42:23 - "And they knew not that Joseph understood them; for he spake unto them by an interpreter."

Genesis 42:31 - "And we said unto him, We are true men; we are no spies:"

Genesis 42:31 - "And we said unto him, We are true men; we are no spies:"

Genesis 42:12 - "And he said unto them, Nay, but to see the nakedness of the land ye are come."

Genesis 42:12 - "And he said unto them, Nay, but to see the nakedness of the land ye are come."

Genesis 42:10 - "And they said unto him, Nay, my lord, but to buy food are thy servants come." An illustrative rendition of the biblical verse Genesis 42:10, with the words 'And they said unto him, Nay, my lord, but to buy food are thy servants come.' The scene is set in an ancient Middle Eastern setting, with people dressed in traditional attire. Perhaps a bustling market scene, where a group of people are communicating their intentions to a figure of authority. They appear to be humble, respectful, their gaze fixed on the person they address. The overall impression echoes a time of hardship, where food is a precious commodity. The style should reflect the sharp geometric forms and bright, vibrant colors often associated with digital art.

Genesis 42:10 - "And they said unto him, Nay, my lord, but to buy food are thy servants come."

Genesis 42:30 - "The man, who is the lord of the land, spake roughly to us, and took us for spies of the country." A eloquently drawn biblical scene depicts Genesis 42:30. It portrays a man, defined as the lord of the land, speaking harshly towards a group of people, assuming them to be country spies. The scene has a mystical aura, with an ancient landscape filled with grandiose architecture. The bystanders have uncertain expressions on their faces, while the lord embodies an aura of stern authority. Every single aspect of the composition is characterized by the unique digital art style, conveying a blend of photorealistic and imaginative elements.

Genesis 42:30 - "The man, who is the lord of the land, spake roughly to us, and took us for spies of the country."

Genesis 42:18 - "And Joseph said unto them the third day, This do, and live; for I fear God:"

Genesis 42:18 - "And Joseph said unto them the third day, This do, and live; for I fear God:"

Genesis 42:11 - "We are all one man's sons; we are true men, thy servants are no spies." A digital art interpretation of Genesis 42:11 - 'We are all one man's sons; we are true men, thy servants are no spies.' The artwork should depict a moment of revelation among a group of men, underscored by unity and honesty. They should appear humble in demeanor, as if they were servants, dressed in simple attire. Their eyes should beam trustworthiness, as they assure another person that they are not spies. The setting can be ancient, reflecting the biblical time period of this verse.

Genesis 42:11 - "We are all one man's sons; we are true men, thy servants are no spies."

Genesis 42:14 - "And Joseph said unto them, That is it that I spake unto you, saying, Ye are spies:" Create an interpretation of the biblical scene from Genesis 42:14. A Middle-Eastern man, presumably Joseph, is making an authoritative accusation towards two individuals, suggesting they're spies. He wears traditional attire from the era reflecting his status, and his facial expression is one of stern suspicion. The environment is consistent with the ancient architecture of the Middle East. The image should be rendered digitally, resembling a detailed, high-resolution image.

Genesis 42:14 - "And Joseph said unto them, That is it that I spake unto you, saying, Ye are spies:"

Genesis 42:5 - "And the sons of Israel came to buy corn among those that came: for the famine was in the land of Canaan." Craft a digital art-style visual representation of a passage from the Book of Genesis, 42:5 to be specific. It portrays the sons of Israel journeying to purchase grain amidst others who have come for the same purpose. This act is driven by the occurrence of famine in Canaan. The scene should embody the vast, arid landscapes representative of Canaan during a famine, the pressing desperation and struggle for survival among the individuals present, and the prevailing aura of desolation.

Genesis 42:5 - "And the sons of Israel came to buy corn among those that came: for the famine was in the land of Canaan."

Genesis 42:32 - "We be twelve brethren, sons of our father; one is not, and the youngest is this day with our father in the land of Canaan." A detailed digital art representation of a scene based on Genesis 42:32. Depict twelve men, brothers in various ages. Indicate their familial bond through their expressions and body language. One of them is absent, subtly implied in the scene. The youngest brother is visibly closer to an older man, assumed to be their father, in a setting that pays homage to the historical land of Canaan.

Genesis 42:32 - "We be twelve brethren, sons of our father; one is not, and the youngest is this day with our father in the land of Canaan."

Genesis 30:42 - "But when the cattle were feeble, he put them not in: so the feebler were Laban's, and the stronger Jacob's."

Genesis 30:42 - "But when the cattle were feeble, he put them not in: so the feebler were Laban's, and the stronger Jacob's."

Genesis 42:29 - "¶ And they came unto Jacob their father unto the land of Canaan, and told him all that befell unto them; saying,"

Genesis 42:29 - "¶ And they came unto Jacob their father unto the land of Canaan, and told him all that befell unto them; saying,"

Genesis 42:4 - "But Benjamin, Joseph's brother, Jacob sent not with his brethren; for he said, Lest peradventure mischief befall him."

Genesis 42:4 - "But Benjamin, Joseph's brother, Jacob sent not with his brethren; for he said, Lest peradventure mischief befall him."

Genesis 42:20 - "But bring your youngest brother unto me; so shall your words be verified, and ye shall not die. And they did so." Create an image of a biblical scene inspired by Genesis 42:20, 'But bring your youngest brother unto me; so shall your words be verified, and ye shall not die. And they did so.' The image should portray the intensity of the moment using techniques typical of the digital art medium. The scene should include an elder brother ushering his younger sibling towards a solemn figure, representative of 'me' in the verse, with a crowd of onlookers watching the exchange intentively.

Genesis 42:20 - "But bring your youngest brother unto me; so shall your words be verified, and ye shall not die. And they did so."

Genesis 42:13 - "And they said, Thy servants are twelve brethren, the sons of one man in the land of Canaan; and, behold, the youngest is this day with our father, and one is not." Generate an image illustrating Genesis 42:13 - 'And they said, Thy servants are twelve brethren, the sons of one man in the land of Canaan; and, behold, the youngest is this day with our father, and one is not.' The illustration should be like a digital painting. This biblical scene involves twelve brothers in Canaan. Describing the setting, imagine a historical Middle-Eastern landscape, with its typical geography and architecture. Then place the twelve brothers in this setting, each showing distinctive features and emotions. One of them is missing, and the youngest is depicted with their father, setting apart from the group. All elements should adhere to a traditional biblical aesthetic while using digital art techniques.

Genesis 42:13 - "And they said, Thy servants are twelve brethren, the sons of one man in the land of Canaan; and, behold, the youngest is this day with our father, and one is not."

Genesis 42:15 - "Hereby ye shall be proved: By the life of Pharaoh ye shall not go forth hence, except your youngest brother come hither." Illustrate a scene inspired by Genesis 42:15 - 'Hereby ye shall be proved: By the life of Pharaoh ye shall not go forth hence, except your youngest brother come hither.' This should evoke the tension and drama of the biblical era, depicted in a digital art style. Imagine a group of men standing in front of a pharaoh, concern and anticipation evident on their faces. The figure of authority stands firm, his words echoing in the grandeur of the Egyptian palace, creating a charged atmosphere. Use clear, vivid digital lines to capture the details and emotions of this scene.

Genesis 42:15 - "Hereby ye shall be proved: By the life of Pharaoh ye shall not go forth hence, except your youngest brother come hither."

Genesis 42:9 - "And Joseph remembered the dreams which he dreamed of them, and said unto them, Ye are spies; to see the nakedness of the land ye are come."

Genesis 42:9 - "And Joseph remembered the dreams which he dreamed of them, and said unto them, Ye are spies; to see the nakedness of the land ye are come."

Genesis 42:1 - "Now when Jacob saw that there was corn in Egypt, Jacob said unto his sons, Why do ye look one upon another?" A representation of a scene from the Bible, specifically Genesis 42:1: 'Now when Jacob, an older, bearded, Middle-Eastern man, saw that there was corn in Egypt, represented as a land with ancient buildings and a golden field of corn, Jacob turns to his sons, an ethnically diverse group of young men of varying heights and appearances, and asked, 'Why do ye look one upon another?' Create this scene in the style of digital art, making use of bright colors and clean lines.

Genesis 42:1 - "Now when Jacob saw that there was corn in Egypt, Jacob said unto his sons, Why do ye look one upon another?"

Genesis 42:27 - "And as one of them opened his sack to give his ass provender in the inn, he espied his money; for, behold, it was in his sack's mouth."

Genesis 42:27 - "And as one of them opened his sack to give his ass provender in the inn, he espied his money; for, behold, it was in his sack's mouth."

Genesis 42:19 - "If ye be true men, let one of your brethren be bound in the house of your prison: go ye, carry corn for the famine of your houses:" Create a digital art inspired scene illustrating Genesis 42:19. The depiction should show a group of people staring determinedly at a dusty road which leads away from a bleak-looking prison structure. One individual from the group remains, as if bound in place, in the shadow of the prison. The others carry sacks of corn, their faces marked by the far-reaching impacts of the looming famine. Their houses in the background appear meek and worn under the harsh weight of scarcity. The overall atmosphere emphasizes the strife, courage and brotherhood encapsulated in this biblical verse.

Genesis 42:19 - "If ye be true men, let one of your brethren be bound in the house of your prison: go ye, carry corn for the famine of your houses:"

Genesis 42:35 - "¶ And it came to pass as they emptied their sacks, that, behold, every man's bundle of money was in his sack: and when both they and their father saw the bundles of money, they were afraid."

Genesis 42:35 - "¶ And it came to pass as they emptied their sacks, that, behold, every man's bundle of money was in his sack: and when both they and their father saw the bundles of money, they were afraid."

Genesis 42:6 - "And Joseph was the governor over the land, and he it was that sold to all the people of the land: and Joseph's brethren came, and bowed down themselves before him with their faces to the earth." Generate a digital art composition that visualizes a scene from the biblical story Genesis 42:6. The scenario showcases a notable man of authority, Joseph, standing tall and firm as the governor of the land. He is in charge of selling commodities to the inhabitants of the territory. Joseph's brothers arrive on the scene and display their respect and submission by bowing deeply before him, their faces touching the ground. The artwork should heavily emphasize the power dynamics, the emotional gravity of the reunion, and the cultural context of the era.

Genesis 42:6 - "And Joseph was the governor over the land, and he it was that sold to all the people of the land: and Joseph's brethren came, and bowed down themselves before him with their faces to the earth."

Genesis 42:25 - "¶ Then Joseph commanded to fill their sacks with corn, and to restore every man's money into his sack, and to give them provision for the way: and thus did he unto them."

Genesis 42:25 - "¶ Then Joseph commanded to fill their sacks with corn, and to restore every man's money into his sack, and to give them provision for the way: and thus did he unto them."

Genesis 42:2 - "And he said, Behold, I have heard that there is corn in Egypt: get you down thither, and buy for us from thence; that we may live, and not die." Create a digital artwork inspired by Genesis 42:2 - 'And he said, Behold, I have heard that there is corn in Egypt: get you down thither, and buy for us from thence; that we may live, and not die.' The image should depict a scene conveying urgency and the need for survival, possibly with parched landscapes and stark contrasts. A group of Middle-Eastern individuals can be seen preparing for a journey, gazing towards the distant promise of abundant cornfields in Egypt.

Genesis 42:2 - "And he said, Behold, I have heard that there is corn in Egypt: get you down thither, and buy for us from thence; that we may live, and not die."

Genesis 42:24 - "And he turned himself about from them, and wept; and returned to them again, and communed with them, and took from them Simeon, and bound him before their eyes."

Genesis 42:24 - "And he turned himself about from them, and wept; and returned to them again, and communed with them, and took from them Simeon, and bound him before their eyes."