Isaiah 2 Artwork

"The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem." - Isaiah 2:1

Explore Isaiah 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
IsaiahIsaiah 2Isaiah 2:1
Isaiah 2:18 - "And the idols he shall utterly abolish." Create a vivid, digital art representation of Isaiah 2:18 - 'And the idols he shall utterly abolish.' The scene should depict various symbolic idols, perhaps representing different forms of worship or aspects of life. These idols shall display signs of being abolished or destroyed, emphasizing the transient nature of worldly attachments. Use strong contrasts and shattering effects to visualize the act of abolishing.

Isaiah 2:18 - "And the idols he shall utterly abolish."

Isaiah 2:1 - "The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem." A visual representation of Isaiah 2:1 - 'The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem.' conceived with modern, digital design techniques. The scene may portray ancient landscapes, with atmospheric suggestions of the divine. Possibly, a central figure looking pensive or in anticipation can be included, reflecting the prophet Isaiah. Elements related to Judah and Jerusalem, such as architectural outlines or symbols, may also be amid the composition, ideally representing the historical and spiritual context of the verse.

Isaiah 2:1 - "The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem."

Isaiah 2:15 - "And upon every high tower, and upon every fenced wall," An interpretation of the biblical verse, Isaiah 2:15 - 'And upon every high tower, and upon every fenced wall'. Visualize a tall and imposing tower, reaching upwards towards the sky. Surrounding it, a fortified wall, formidable and unyielding. The buildings are bathed in the hushed glow of twilight, casting long, shadowy forms against the landscape. The style should be reminiscent of digital art with precise and clean lines, intense lighting effects, and a vivid color palette.

Isaiah 2:15 - "And upon every high tower, and upon every fenced wall,"

Isaiah 2:16 - "And upon all the ships of Tarshish, and upon all pleasant pictures." Visualize the biblical passage 'Isaiah 2:16 - And upon all the ships of Tarshish, and upon all pleasant pictures.' The scene illustrates plentiful ships of Tarshish, majestically assembled on vast waters, offering a pleasing spectacle. The second part of the envisaged scene should give life to myriad pleasant pictures, each one depicting a different joyous, harmonious, and serene narrative. The unique framing and focus should give the impression of digital art, using vibrant colors, precision and definition in the portrayal.

Isaiah 2:16 - "And upon all the ships of Tarshish, and upon all pleasant pictures."

Isaiah 2:14 - "And upon all the high mountains, and upon all the hills that are lifted up," Visualize a scene depicting a biblical passage, specifically Isaiah 2:14 - 'And upon all the high mountains, and upon all the hills that are lifted up,'. The image features a vast landscape filled with towering mountains and elevated hills. The highest crests of the mountains are touched by sunlight, while the valleys below are draped in shadows, capturing the dramatic contrast. The view is magnificent, reminiscent of digital art with crisp, defined lines and bright, saturated colors.

Isaiah 2:14 - "And upon all the high mountains, and upon all the hills that are lifted up,"

Isaiah 2:5 - "O house of Jacob, come ye, and let us walk in the light of the LORD."

Isaiah 2:5 - "O house of Jacob, come ye, and let us walk in the light of the LORD."

Isaiah 2:9 - "And the mean man boweth down, and the great man humbleth himself: therefore forgive them not." Illustration of a biblical verse, Isaiah 2:9 - 'And the mean man boweth down, and the great man humbleth himself: therefore forgive them not.' Capture the essence of humility and penance through the depictions of two men, representing the 'mean' and the 'great'. The first man, of Black descent, shows subservience, bowing down. The second, a Hispanic man, express humility and remorse. The style should be reminiscent of digital art with clean lines, bright colors, and seamless gradients.

Isaiah 2:9 - "And the mean man boweth down, and the great man humbleth himself: therefore forgive them not."

2 Kings 19:5 - "So the servants of king Hezekiah came to Isaiah." Illustrate a biblical scene based on 2 Kings 19:5 - 'So the servants of king Hezekiah came to Isaiah.' Adhere to a vibrant and modern aesthetic, reminiscent of digital art. Visualise the ancient attire worn by the king's advisors as they appear before Isaiah, and capture the mood and dramatic moment of the theological narrative. Be sure to include a stone edifice in the background representing the era, and interpret the color scheme as bright and contrasting, akin to the vivid style of digital art.

2 Kings 19:5 - "So the servants of king Hezekiah came to Isaiah."

Isaiah 37:2 - "And he sent Eliakim, who was over the household, and Shebna the scribe, and the elders of the priests covered with sackcloth, unto Isaiah the prophet the son of Amoz."

Isaiah 37:2 - "And he sent Eliakim, who was over the household, and Shebna the scribe, and the elders of the priests covered with sackcloth, unto Isaiah the prophet the son of Amoz."

Isaiah 2:22 - "Cease ye from man, whose breath is in his nostrils: for wherein is he to be accounted of?"

Isaiah 2:22 - "Cease ye from man, whose breath is in his nostrils: for wherein is he to be accounted of?"

Isaiah 27:2 - "In that day sing ye unto her, A vineyard of red wine."

Isaiah 27:2 - "In that day sing ye unto her, A vineyard of red wine."

Isaiah 3:2 - "The mighty man, and the man of war, the judge, and the prophet, and the prudent, and the ancient,"

Isaiah 3:2 - "The mighty man, and the man of war, the judge, and the prophet, and the prudent, and the ancient,"

2 Kings 20:16 - "And Isaiah said unto Hezekiah, Hear the word of the LORD." Reimagine the biblical event from 2 Kings 20:16 where the prophet Isaiah addresses King Hezekiah, quoting 'Hear the word of the LORD.' Note that Isaiah, an Middle-Eastern male, stands with apparent reverence and authority. Hezekiah, also a Middle-Eastern male, is shown in a humble, listening posture. This composition emphasizes the grave importance of divine communication. Display the scene in its historical context - ancient Middle-Eastern architecture and attire. The scene has vibrant colors, clear figures, and sharp contrasts, similar to modern digital art.

2 Kings 20:16 - "And Isaiah said unto Hezekiah, Hear the word of the LORD."

Isaiah 38:2 - "Then Hezekiah turned his face toward the wall, and prayed unto the LORD,"

Isaiah 38:2 - "Then Hezekiah turned his face toward the wall, and prayed unto the LORD,"

Isaiah 2:13 - "And upon all the cedars of Lebanon, that are high and lifted up, and upon all the oaks of Bashan," Create an image depicting a scene from Isaiah 2:13 - 'And upon all the cedars of Lebanon, that are high and lifted up, and upon all the oaks of Bashan,'. The image should have towering cedars of Lebanon, standing majestic and tall, a symbol of strength and resiliency and intermixed are the mighty oaks of Bashan, their robust trunks and expansive canopies a testament to their enduring nature. The scene should evoke emotions of awe and reverence, as one would have towards these grand creations of nature. The image should appear as though it were done in a digital medium.

Isaiah 2:13 - "And upon all the cedars of Lebanon, that are high and lifted up, and upon all the oaks of Bashan,"

Isaiah 26:2 - "Open ye the gates, that the righteous nation which keepeth the truth may enter in."

Isaiah 26:2 - "Open ye the gates, that the righteous nation which keepeth the truth may enter in."

Isaiah 46:2 - "They stoop, they bow down together; they could not deliver the burden, but themselves are gone into captivity." An interpretive digital art representation of the biblical verse Isaiah 46:2 - 'They stoop, they bow down together; they could not deliver the burden, but themselves are gone into captivity.' The scene presents people stooping and bowing with an insurmountable burden, symbolic of their struggles, while also visually expressing their descent into captivity. This poignant depiction links the physical and the spiritual, emphasizing themes of endurance, struggle, and deliverance.

Isaiah 46:2 - "They stoop, they bow down together; they could not deliver the burden, but themselves are gone into captivity."

Isaiah 2:8 - "Their land also is full of idols; they worship the work of their own hands, that which their own fingers have made:" A visualization of the verse from Isaiah 2:8: 'Their land also is full of idols; they worship the work of their own hands, that which their own fingers have made'. Portray a landscape brimming with various handcrafted idols. Individuals are seen in reverence towards these objects they've made with their own hands. Despite being in the style of 'digital art', the use of textures and hues express the personal and intimate aspect of the hand-made idols. The present time period should reflect an era when idol worship was common.

Isaiah 2:8 - "Their land also is full of idols; they worship the work of their own hands, that which their own fingers have made:"

Isaiah 2:10 - "¶ Enter into the rock, and hide thee in the dust, for fear of the LORD, and for the glory of his majesty." A detailed digital art representation of a scene inspired by the biblical verse Isaiah 2:10. The illustration should depict a person entering into a rock and hiding in the dust. The environment around the person should reflect an intense, reverential fear yet a sense of magnificent awe, symbolizing 'the fear of the LORD and for the glory of his majesty'. The overall atmosphere should be evocative, and the color palette rich and dramatic.

Isaiah 2:10 - "¶ Enter into the rock, and hide thee in the dust, for fear of the LORD, and for the glory of his majesty."

2 Kings 19:2 - "And he sent Eliakim, which was over the household, and Shebna the scribe, and the elders of the priests, covered with sackcloth, to Isaiah the prophet the son of Amoz."

2 Kings 19:2 - "And he sent Eliakim, which was over the household, and Shebna the scribe, and the elders of the priests, covered with sackcloth, to Isaiah the prophet the son of Amoz."

Isaiah 29:2 - "Yet I will distress Ariel, and there shall be heaviness and sorrow: and it shall be unto me as Ariel." An abstract concept of Isaiah 29:2 - 'Yet I will distress Ariel, and there shall be heaviness and sorrow: and it shall be unto me as Ariel.' This image should capture the tone and sentiments of the verse, using visual elements like a distressed urban landscape symbolizing Ariel, heavy clouds representing heaviness, and rain signifying sorrow. This representation should be in the style of digital art with bold colors and sharp lines, still incorporating a sense of melancholy and distress.

Isaiah 29:2 - "Yet I will distress Ariel, and there shall be heaviness and sorrow: and it shall be unto me as Ariel."

2 Kings 20:7 - "And Isaiah said, Take a lump of figs. And they took and laid it on the boil, and he recovered."

2 Kings 20:7 - "And Isaiah said, Take a lump of figs. And they took and laid it on the boil, and he recovered."

2 Chronicles 32:20 - "And for this cause Hezekiah the king, and the prophet Isaiah the son of Amoz, prayed and cried to heaven." Illustrate a scene inspired by 2 Chronicles 32:20 - 'And for this cause Hezekiah, portrayed as a Middle-Eastern king, and an individual presented as Isaiah, a South Asian prophet, the son of Amoz, prayed and cried to heaven.' This scene should be visualized in the style of digital art. It should portray a heartfelt moment of prayer and supplication, with the two characters interacting in a shared scene of reverence and emotional intensity.

2 Chronicles 32:20 - "And for this cause Hezekiah the king, and the prophet Isaiah the son of Amoz, prayed and cried to heaven."

Isaiah 61:2 - "To proclaim the acceptable year of the LORD, and the day of vengeance of our God; to comfort all that mourn;" A digital artwork visualizing Isaiah 61:2 - 'To proclaim the acceptable year of the LORD, and the day of vengeance of our God; to comfort all that mourn;'. The setting is a serene landscape at dawn, indicating the 'acceptable year of the Lord'. Then, the scene transitions to a darker, fiery terrain, symbolizing the 'day of vengeance of our God'. Amidst this progression of light to dark, a calming figure is seen comforting those in mourning. The figure, nondescript and ethereal, their outreached arms seem to invite the mourners into a comforting embrace. Blend the light and dark imagery with a fluid transition to represent the divine balance between comfort and vengeance.

Isaiah 61:2 - "To proclaim the acceptable year of the LORD, and the day of vengeance of our God; to comfort all that mourn;"

Isaiah 63:2 - "Wherefore art thou red in thine apparel, and thy garments like him that treadeth in the winefat?"

Isaiah 63:2 - "Wherefore art thou red in thine apparel, and thy garments like him that treadeth in the winefat?"

Isaiah 8:2 - "And I took unto me faithful witnesses to record, Uriah the priest, and Zechariah the son of Jeberechiah."

Isaiah 8:2 - "And I took unto me faithful witnesses to record, Uriah the priest, and Zechariah the son of Jeberechiah."

2 Chronicles 26:22 - "¶ Now the rest of the acts of Uzziah, first and last, did Isaiah the prophet, the son of Amoz, write." Digitize a scene inspired by 2 Chronicles 26:22 - 'Now the rest of the acts of Uzziah, first and last, did Isaiah the prophet, the son of Amoz, write.' In the art style imagine an ancient scene with Uzziah, appearing as an elderly Middle-Eastern man, richly dressed, performing deeds throughout his life. Next to him, a younger Middle-Eastern man, Isaiah, sitting and diligently writing. The atmosphere should be filled with hues of sepia, to depict a 'digital old parchment', reflecting the ancient era.

2 Chronicles 26:22 - "¶ Now the rest of the acts of Uzziah, first and last, did Isaiah the prophet, the son of Amoz, write."

Isaiah 57:2 - "He shall enter into peace: they shall rest in their beds, each one walking in his uprightness."

Isaiah 57:2 - "He shall enter into peace: they shall rest in their beds, each one walking in his uprightness."

Isaiah 16:2 - "For it shall be, that, as a wandering bird cast out of the nest, so the daughters of Moab shall be at the fords of Arnon." Visualize a scene from Isaiah 16:2. Picture this: Imagine as if a wandering bird has been cast out of its nest, signifying the daughters of Moab situated at the fords of Arnon. The bird is in mid-air, wings spread wide with uncertainty in its eyes. Far below, the daughters of Moab are beside the river Arnon, their dresses billowing in the cool breeze. They appear anxious but resolute at the collective predicament. Render this scene in the medium of digital art, ensuring to maintain a vivid, dreamy quality.

Isaiah 16:2 - "For it shall be, that, as a wandering bird cast out of the nest, so the daughters of Moab shall be at the fords of Arnon."

Isaiah 42:2 - "He shall not cry, nor lift up, nor cause his voice to be heard in the street." A serene and powerful image inspired by the biblical verse Isaiah 42:2 - "He shall not cry, nor lift up, nor cause his voice to be heard in the street." The image portrays a figure of calm and composed strength in a busy street setting, silhouetted against a glowing sunset. Around him, the hustle and bustle of the street continues, but he remains undisturbed, exuding peace and silent authority. His mouth is closed, evoking a sense of quiet determination. The sunset imbues the scene with warm, vibrant colors contrasting with the figure's silhouette. The image is in a modern digital art style.

Isaiah 42:2 - "He shall not cry, nor lift up, nor cause his voice to be heard in the street."