Isaiah’s Vision Artwork

"The vision of Isaiah the son of Amoz, which he saw concerning Judah and Jerusalem in the days of Uzziah, Jotham, Ahaz, and Hezekiah, kings of Judah." - Isaiah 1:1

Explore Isaiah’s Vision through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
IsaiahIsaiah 1Isaiah 1:1
Isaiah 39:5 - "Then said Isaiah to Hezekiah, Hear the word of the LORD of hosts:" Render a digital art style illustration that depicts the scene from the verse Isaiah 39:5 which states 'Then said Isaiah to Hezekiah, Hear the word of the LORD of hosts'. Show Isaiah, a Middle-Eastern man, dressed in traditional biblical attire, pointing towards the heavens. Next to him, depict Hezekiah, also a Middle-Eastern man, in royal attire, attentively listening to Isaiah's words. Use vivid contrasts and digital textures to recreate the scene.

Isaiah 39:5 - "Then said Isaiah to Hezekiah, Hear the word of the LORD of hosts:"

Isaiah 51:2 - "Look unto Abraham your father, and unto Sarah that bare you: for I called him alone, and blessed him, and increased him." Digital art interpretation of a biblical scene. The design should incorporate Isaiah's account from Chapter 51 Verse 2 'Look unto Abraham your father, and unto Sarah that bare you: for I called him alone, and blessed him, and increased him.' The image should depict an ancient desert scene, with Abraham and Sarah as the central figures, radiating an aura of divine blessing. The hint of divine intervention should be presented as a light source from the sky, illuminating the couple and emphasizing their blessings.

Isaiah 51:2 - "Look unto Abraham your father, and unto Sarah that bare you: for I called him alone, and blessed him, and increased him."

Ezekiel 43:3 - "And it was according to the appearance of the vision which I saw, even according to the vision that I saw when I came to destroy the city: and the visions were like the vision that I saw by the river Chebar; and I fell upon my face."

Ezekiel 43:3 - "And it was according to the appearance of the vision which I saw, even according to the vision that I saw when I came to destroy the city: and the visions were like the vision that I saw by the river Chebar; and I fell upon my face."

Daniel 8:26 - "And the vision of the evening and the morning which was told is true: wherefore shut thou up the vision; for it shall be for many days." Illustrate an artistic interpretation of Daniel 8:26 - 'And the vision of the evening and the morning which was told is true: wherefore shut thou up the vision; for it shall be for many days.' Visualize a blend of evening and morning in a symbolic representation. Emphasis on the vision that remains sealed, representing its endurance for many days. The art should show elements of digital art style with the characteristic use of sharp angles, bright colors, and pixel-like structures.

Daniel 8:26 - "And the vision of the evening and the morning which was told is true: wherefore shut thou up the vision; for it shall be for many days."

Daniel 10:7 - "And I Daniel alone saw the vision: for the men that were with me saw not the vision; but a great quaking fell upon them, so that they fled to hide themselves." A visual representation of the event described in Daniel 10:7 from the religious texts. The scene depicts Daniel, a Middle-Eastern man, standing alone, seeing a grand vision while around him are men of diverse descents - Caucasian, Hispanic, Black, South Asian - shivering in fear and starting to make their run for shelter. The scene should radiate an air of mystery and tension. This should be in digital art form but should still maintain a certain degree of realism.

Daniel 10:7 - "And I Daniel alone saw the vision: for the men that were with me saw not the vision; but a great quaking fell upon them, so that they fled to hide themselves."

Daniel 8:2 - "And I saw in a vision; and it came to pass, when I saw, that I was at Shushan in the palace, which is in the province of Elam; and I saw in a vision, and I was by the river of Ulai." Create a digital art representation of a scene inspired by Daniel 8:2 from the Bible. Showcase a vision taking place in a grand palace in the province of Elam at Shushan. The palace should be intricately designed, showcasing the architectural grandeur of ancient times. Nearby flows the river Ulai, its tranquil waters adding to the serenity of the scene. This visual narrative centers on the vision the observer is said to have witnessed, focusing on the awe they feel while being in this rich historical setting.

Daniel 8:2 - "And I saw in a vision; and it came to pass, when I saw, that I was at Shushan in the palace, which is in the province of Elam; and I saw in a vision, and I was by the river of Ulai."

Ezekiel 37:1-10 – The vision of the valley of dry bones.

Ezekiel 37:1-10 – The vision of the valley of dry bones.

Ezekiel 11:24 - "¶ Afterwards the spirit took me up, and brought me in a vision by the Spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from me." Visualize the Bible verse from Ezekiel 11:24: 'Afterwards the spirit took me up, and brought me in a vision by the Spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from me.' The scene should depict the spiritual ascent and emotional journey into Chaldea, reflecting the spirit of captives' longing for freedom. The visual representation should be done in a technologically-enabled art form that mimics the application of digital tools and techniques.

Ezekiel 11:24 - "¶ Afterwards the spirit took me up, and brought me in a vision by the Spirit of God into Chaldea, to them of the captivity. So the vision that I had seen went up from me."

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels. Depict Ezekiel 1:4-28 – The vision of four ethereal beings, each with unique faces and wings alongside interconnected, gleaming wheels. Visualize this biblical scene in a way that captures its divine aura without the use of any text or words, and imbued with the essence of contemporary digital art.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels. Illustrate a digital-art representation of the biblical scene from Ezekiel 1:4-28. Emphasize the essential elements from these verses, including the four mythic living creatures, each with four faces and four wings, their bodies full of eyes, and the adjacent high wheels. Each creature is related to an emblematic figure: a lion, an ox, a human, and an eagle. Also depict the overarching structure of the divine chariot throne above the creatures, dazzled in the ephemeral celestial glow. No text or words should be depicted in this imaginative rendering of an ancient prophetic vision.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Ezekiel 37:1-10 – The vision of the valley of dry bones. A depiction of a scene from Ezekiel 37:1-10, the vision of the valley of dry bones. The image draws on the aesthetic and technical components of watercolor painting, with its characteristic lightness and translucency. The landscape of the valley is sprinkled with dry bones, scattered across a desolate land. A gentle breeze is also illustrated, carrying a message of hope and life in a spiritual context. The colors are predominantly earthly tones, with soft hues of brown, beige, and a touch of blue for the sky. The painting style should evoke a sense of tranquillity and reverence towards the biblical message.

Ezekiel 37:1-10 – The vision of the valley of dry bones.

Acts 9:12 - "And hath seen in a vision a man named Ananias coming in, and putting his hand on him, that he might receive his sight." Create a digital art image based on Acts 9:12 from the Bible - 'A man named Ananias appears in a vision, he walks up to another man, and gently places his hand upon him with the intention that he may regain his vision.' Ensure to capture the ethereal and spiritual nature of the scene.

Acts 9:12 - "And hath seen in a vision a man named Ananias coming in, and putting his hand on him, that he might receive his sight."

Ezekiel 8:4 - "And, behold, the glory of the God of Israel was there, according to the vision that I saw in the plain." Create an interpretation of the vision described in Ezekiel 8:4 - 'And, behold, the glory of the God of Israel was there, according to the vision that I saw in the plain.' The image should capture the divine glory of a powerful being in a vast plain. Depict the scene in a distinct style that uses crisp lines, vibrant colors, sharp contrasts, and intricate details - reminiscent of digital art but without naming any specific post-1912 artist or style.

Ezekiel 8:4 - "And, behold, the glory of the God of Israel was there, according to the vision that I saw in the plain."

2 Corinthians 12:2-4 – Paul’s vision of the third heaven. Create a digital art interpretation of a biblical scene inspired by 2 Corinthians 12:2-4. The scene should depict the Apostle Paul's vision of the third heaven. Illuminate this heavenly realm with intense color and infinite beauty, adorned with celestial bodies and ephemeral architecture. Imagine Paul, in a humble robe, awe-struck and humbly observing. The art should have a mystical and otherworldly atmosphere, capturing the profound spiritual experience described in the verse.

2 Corinthians 12:2-4 – Paul’s vision of the third heaven.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels. Create a detailed interpretation of the biblical scene from Ezekiel 1:4-28, depicting the vision of the four living creatures and the wheels. This biblical image should be rendered in a contemporary style that alludes to the digital aesthetic. The scene should not contain any text or written words. It should capture the otherworldly spectacle of this vision, with the four living creatures and wheels possessing the glowy, luminous quality often seen in digital illustrations.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Nahum 1:1 - "The burden of Nineveh. The book of the vision of Nahum the Elkoshite." A visual representation of Nahum 1:1 from the Bible, portraying 'The burden of Nineveh. The book of the vision of Nahum the Elkoshite'. The scene can show the ancient Nineveh city depicted in a sad, weary state symbolizing its burden. Nearby, an old, weathered book is opened, revealing a mystic vision of Nahum, a prophet from Elkosh. Although originally described as digital art, be mindful to create this representation in a non-specific artistic style, capturing the essence of the text in an illustrative and vibrant manner.

Nahum 1:1 - "The burden of Nineveh. The book of the vision of Nahum the Elkoshite."

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels. A supernatural scene, depicted in visionary detail and adhering to the narrative from the book of Ezekiel 1:4-28. The primary focus is the image of the four mystical creatures, each unique in its own right, with human-like forms but laden with the eyes. These entities are accompanied by mysterious, interlocking wheels, brimming with eyes and motion. The whole environment pulsates with radiant energy. This concept does not incorporate any text or words, and is executed in a digital art styling, distinct for its clean lines, vibrant colors, and high resolution.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Isaiah 22:1 - "The burden of the valley of vision. What aileth thee now, that thou art wholly gone up to the housetops?" Create a digital art piece inspired by the verse Isaiah 22:1 - 'The burden of the valley of vision. What aileth thee now, that thou art wholly gone up to the housetops?'. Visualize a vast valley filled with symbolic visions or dreams, and a figure making their way to the housetops, their sense of burden represented by their posture or emotional expression.

Isaiah 22:1 - "The burden of the valley of vision. What aileth thee now, that thou art wholly gone up to the housetops?"

Proverbs 29:18 - "Where there is no vision, the people perish: but he that keepeth the law, happy is he."

Proverbs 29:18 - "Where there is no vision, the people perish: but he that keepeth the law, happy is he."

REVELATION 4:8 A watercolor depiction of the scene from REVELATION 4:8, portraying a vision of celestial beings with six wings, covered in eyes, and continually praising the eternal divine entity.

REVELATION 4:8

Hosea 12:10 - "I have also spoken by the prophets, and I have multiplied visions, and used similitudes, by the ministry of the prophets." An artistic rendering of Hosea 12:10 - "I have also spoken by the prophets, and I have multiplied visions, and used similitudes, by the ministry of the prophets." This piece showcases symbolic representations of prophets engaged in ministry, multiplied visions appearing in the scene, and similitudes used in different forms. It's styled with high-contrast, sharp shapes and bright, bold colors characteristic of digital art.

Hosea 12:10 - "I have also spoken by the prophets, and I have multiplied visions, and used similitudes, by the ministry of the prophets."

Numbers 24:4 - "He hath said, which heard the words of God, which saw the vision of the Almighty, falling into a trance, but having his eyes open:" A visual interpretation of Numbers 24:4 from the Bible: 'He who heard the words of God, who saw a vision from the Almighty, fell into a trance yet had his eyes open.' The image depicts this divine and transcendental experience. The styling is reminiscent of ancient etchings or woodblock prints, with key elements such as a person in a state of trance, open eyes filled with a vision, and ethereal light denoting divine presence. Although modern in medium, the aesthetics harken back to the introspective spiritual art of the Renaissance era.

Numbers 24:4 - "He hath said, which heard the words of God, which saw the vision of the Almighty, falling into a trance, but having his eyes open:"

Acts 9:10 - "¶ And there was a certain disciple at Damascus, named Ananias; and to him said the Lord in a vision, Ananias. And he said, Behold, I am here, Lord." Visual interpretation of Acts 9:10 biblical verse: 'And there was a certain disciple at Damascus, named Ananias; and to him said the Lord in a vision, Ananias. And he said, Behold, I am here, Lord.' Ananias, a Middle-Eastern man, is seen in a cityscape of Damascus during the antique period. He is looking towards the sky where the vision of the Lord is forming. The Lord is signified by a bright, ethereal light encompassing angelic figures. The style is influenced by the Christian religious art of the Byzantine era, taking on a digital, modern twist.

Acts 9:10 - "¶ And there was a certain disciple at Damascus, named Ananias; and to him said the Lord in a vision, Ananias. And he said, Behold, I am here, Lord."

Acts 26:19 - "Whereupon, O king Agrippa, I was not disobedient unto the heavenly vision:" Render the scene from Acts 26:19 'Whereupon, O king Agrippa, I was not disobedient unto the heavenly vision:' using a colorful, dynamic and innovative artistic style commonly used in the pre-1912 era. Ensure to depict rich textures and striking contrasts typical of oil paintings. Illustrate a king in regal attire, a person communicating this message and a heavenly vision in the form of an ethereal, divine light from above enveloping the figures.

Acts 26:19 - "Whereupon, O king Agrippa, I was not disobedient unto the heavenly vision:"

Acts 18:9 - "Then spake the Lord to Paul in the night by a vision, Be not afraid, but speak, and hold not thy peace:"

Acts 18:9 - "Then spake the Lord to Paul in the night by a vision, Be not afraid, but speak, and hold not thy peace:"

Daniel 2:19 - "¶ Then was the secret revealed unto Daniel in a night vision. Then Daniel blessed the God of heaven." A biblical scene representing Daniel 2:19. Feature Daniel in a night setting where a divine secret is being revealed to him. Daniel appears humble and grateful, blessing the God of heaven. The scene is characterized by rich, deep colors and light contrasts, common in biblical depictions. Please depict this image with the simplicity and precision of digital art.

Daniel 2:19 - "¶ Then was the secret revealed unto Daniel in a night vision. Then Daniel blessed the God of heaven."

Ezekiel‬ ‭1‬:‭1‬-‭28‬ A creative interpretation of the Prophet Ezekiel's spiritual vision as described in Ezekiel 1:1-28 with a watercolor style. The visualization should encapsulate the profundity of the vision, comprising four living creatures with four faces and four wings, besides wheels within wheels full of eyes, and the likeness of a man above upon a throne, appearing as glowing metal with a rainbow-like halo. The overall tone should be respectful and devotional showcasing the ethereal majesty of the divine revelation.

Ezekiel‬ ‭1‬:‭1‬-‭28‬

Habakkuk 2:2-3 - "And the Lord answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it. For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry." Portray a scene inspired by Habakkuk 2:2-3. A person, portraying a biblical figure, sits at a table in an old stone room with a pen and parchment. The figure is writing down a vision revealed to them. The writings are in an ancient script and there's an aura of divine revelation surrounding the table. A runner stands nearby anxious yet patient, ready to disseminate this vision when the time arrives. Note, the artwork should be comprehensible even to someone unfamiliar with the text. The digital style should incorporate elements of historical text and divine inspiration.

Habakkuk 2:2-3 - "And the Lord answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it. For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry."

Job 4:13 - "In thoughts from the visions of the night, when deep sleep falleth on men," Visualize the verse from Job 4:13, 'In thoughts from the visions of the night, when deep sleep falleth on men,' represented in a digital art style. The scene should capture the profound serenity and mystery of a deep sleep state, with ethereal night visions appearing like dreamscapes. An atmosphere of tranquility pervades, with soft colors and gentle lighting defining the digital artwork.

Job 4:13 - "In thoughts from the visions of the night, when deep sleep falleth on men,"