Job 30 Artwork

"But now they that are younger than I have me in derision, whose fathers I would have disdained to have set with the dogs of my flock." - Job 30:1

Explore Job 30 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
JobJob 30Job 30:1
Job 30:30 - "My skin is black upon me, and my bones are burned with heat."

Job 30:30 - "My skin is black upon me, and my bones are burned with heat."

Job 34:30 - "That the hypocrite reign not, lest the people be ensnared." Create a thought provoking scene of a captioned quote, "That the hypocrite reign not, lest the people be ensnared." This reflects the essence of Job 34:30 from biblical literature. Capture this in the style of digital art with a vibrant color palette and modern abstract aesthetics, surrounded by symbolic objects like a crown and a trap symbolising hypocrisy and entrapment respectively. Make sure the scene is emotive and powerful, conveying the deep meaning of the quote.

Job 34:30 - "That the hypocrite reign not, lest the people be ensnared."

Job 30:6 - "To dwell in the clifts of the valleys, in caves of the earth, and in the rocks." Visualize a charming scene representing Job 30:6 - 'To dwell in the clifts of the valleys, in caves of the earth, and in the rocks.' as a digital painting. Depict an expansive valley with clifts periodically scattered across its landscape. Show rustic caves carved into the earth and sturdy rocks towering proudly under the open sky. Make sure to capture the tranquility and solitude of the scene, representing it as though it's a haven away from the hustle and bustle of everyday life.

Job 30:6 - "To dwell in the clifts of the valleys, in caves of the earth, and in the rocks."

Job 30:29 - "I am a brother to dragons, and a companion to owls." Represent the scene from Job 30:29 - 'I am a brother to dragons, and a companion to owls.' This image should have a lofty, mythical atmosphere with a hint of spirituality. The scene consists of a man standing tall alongside a majestic dragon and stoic owls. Though the style should be modern, try to capture the age-old grandeur and mysticism inherent in the concept. Use digital art techniques to render this scene vividly with a rich palette and intricate detail.

Job 30:29 - "I am a brother to dragons, and a companion to owls."

Job 38:30 - "The waters are hid as with a stone, and the face of the deep is frozen."

Job 38:30 - "The waters are hid as with a stone, and the face of the deep is frozen."

Job 30:9 - "And now am I their song, yea, I am their byword." Generate a conceptual image of a person becoming the subject of songs and bywords, inspired by the verse Job 30:9 in the digital art style.

Job 30:9 - "And now am I their song, yea, I am their byword."

Job 30:4 - "Who cut up mallows by the bushes, and juniper roots for their meat."

Job 30:4 - "Who cut up mallows by the bushes, and juniper roots for their meat."

Job 30:27 - "My bowels boiled, and rested not: the days of affliction prevented me." A dramatic interpretation of the Biblical verse Job 30:27 - 'My bowels boiled, and rested not: the days of affliction prevented me.' as a digitally created artwork. The scene could represent a strained figure, maybe in a moment of pain and internal struggle, with the symbolism of boiling and unrest depicted creatively. The atmosphere should reflect the struggle associated with 'the days of affliction'. Keep it figurative and open-ended rather than literally showing human bowels.

Job 30:27 - "My bowels boiled, and rested not: the days of affliction prevented me."

Job 30:7 - "Among the bushes they brayed; under the nettles they were gathered together."

Job 30:7 - "Among the bushes they brayed; under the nettles they were gathered together."

Job 6:30 - "Is there iniquity in my tongue? cannot my taste discern perverse things?"

Job 6:30 - "Is there iniquity in my tongue? cannot my taste discern perverse things?"

Job 30:13 - "They mar my path, they set forward my calamity, they have no helper." Create a dramatic digital art interpretation of a scene inspired by Job 30:13 - 'They mar my path, they set forward my calamity, they have no helper.' A lonely figure walks a path strewn with obstacles, while faceless entities push a looming misfortune - possibly a storm or gigantic wave, to symbolize calamity - towards them. Contrasting colors and somber tones accentuate the solitary struggle of the figure. The scene portrays the concept of feeling alone in the face of adversity, with no clear source of help.

Job 30:13 - "They mar my path, they set forward my calamity, they have no helper."

Job 22:30 - "He shall deliver the island of the innocent: and it is delivered by the pureness of thine hands."

Job 22:30 - "He shall deliver the island of the innocent: and it is delivered by the pureness of thine hands."

Job 30:25 - "Did not I weep for him that was in trouble? was not my soul grieved for the poor?" An artistic illustration of the biblical verse Job 30:25: 'Did not I weep for him that was in trouble? was not my soul grieved for the poor?'. The scene shows an empathetic figure with tear-filled eyes, expressing deep sorrow for another figure who is depicted as being in distress, radiating a sense of poverty. The scene could be set in an unspecified era, establishing a timeless feel. This image should echo the immersive detail found in digital art.

Job 30:25 - "Did not I weep for him that was in trouble? was not my soul grieved for the poor?"

Job 33:30 - "To bring back his soul from the pit, to be enlightened with the light of the living."

Job 33:30 - "To bring back his soul from the pit, to be enlightened with the light of the living."

Job 36:30 - "Behold, he spreadeth his light upon it, and covereth the bottom of the sea."

Job 36:30 - "Behold, he spreadeth his light upon it, and covereth the bottom of the sea."

Job 21:30 - "That the wicked is reserved to the day of destruction? they shall be brought forth to the day of wrath." A vivid interpretation of Job 21:30. Picture a turbulent scene, where troubled figures symbolizing the wicked, looming against a crimson sky filled with foreboding storm clouds. They are reserved for a day of utter destruction. On the horizon, a blinding display of power and rage hinting at the 'day of wrath' is seen visibly approaching. Please present this in the style of modern digital artwork with bold use of color, strong lines and dramatic contrasts.

Job 21:30 - "That the wicked is reserved to the day of destruction? they shall be brought forth to the day of wrath."

Job 30:3 - "For want and famine they were solitary; fleeing into the wilderness in former time desolate and waste." A digital art rendition of Job 30:3 bible verse, 'For want and famine they were solitary; fleeing into the wilderness in former time desolate and waste.' The scene displays a vast, desolate wilderness, untouched by time. Shimmering under a bleak sky, the landscape is barren, with no signs of life. Gaunt figures are shown retreating into this lonely wilderness, their desperate silhouette revealing their battle against want and famine. The overall mood is solemn and contemplative, encouraging the viewer to reflect on the philosophy and symbolism behind the passage.

Job 30:3 - "For want and famine they were solitary; fleeing into the wilderness in former time desolate and waste."

Job 30:31 - "My harp also is turned to mourning, and my organ into the voice of them that weep." A depiction of a scene inspired by Job 30:31 - 'My harp also is turned to mourning, and my organ into the voice of them that weep.' A harp and organ both symbolize sadness, maybe draped in black or surrounded by symbols of sorrow. The atmosphere is somber, with crystalline tear drops falling from an unseen source. The scene is depicted in a digitally rendered art style.

Job 30:31 - "My harp also is turned to mourning, and my organ into the voice of them that weep."

Job 30:10 - "They abhor me, they flee far from me, and spare not to spit in my face." Visualize the biblical verse from Job 30:10 - 'They abhor me, they flee far from me, and spare not to spit in my face.' featuring an abstract representation of a person in distress, being avoided by others, with elements signifying metaphorical spitting, rendered in a digital art medium. Use vibrant colors and stark contrasts to highlight the emotional gravity of the scene.

Job 30:10 - "They abhor me, they flee far from me, and spare not to spit in my face."

Job 30:17 - "My bones are pierced in me in the night season: and my sinews take no rest."

Job 30:17 - "My bones are pierced in me in the night season: and my sinews take no rest."

Job 30:28 - "I went mourning without the sun: I stood up, and I cried in the congregation." Visualize the biblical verse Job 30:28 - 'I went mourning without the sun: I stood up, and I cried in the congregation'. Show a figure in an act of mourning in a darkened environment, not lit by the sun but perhaps by dim, indirect lighting. The figure stands, their posture one of sorrow and grief. They are crying out among a gathered crowd, possibly in a religious setting such as a church or temple. Render this scene in a digital medium, with crisp lines, vibrant colors, and clear contrasts.

Job 30:28 - "I went mourning without the sun: I stood up, and I cried in the congregation."

Job 31:30 - "Neither have I suffered my mouth to sin by wishing a curse to his soul."

Job 31:30 - "Neither have I suffered my mouth to sin by wishing a curse to his soul."

Job 41:30 - "Sharp stones are under him: he spreadeth sharp pointed things upon the mire."

Job 41:30 - "Sharp stones are under him: he spreadeth sharp pointed things upon the mire."

Job 9:30 - "If I wash myself with snow water, and make my hands never so clean;"

Job 9:30 - "If I wash myself with snow water, and make my hands never so clean;"

Job 30:8 - "They were children of fools, yea, children of base men: they were viler than the earth." Create a digital art representation of the verse from Job 30:8, 'They were children of fools, yea, children of base men: they were viler than the earth.' The depiction should have a dramatic tone, featuring a chiaroscuro effect to illustrate the contrasts of the children's character. It should include people of various descents and genders, with an earthly backdrop to represent their base nature and inferiority to the earth itself.

Job 30:8 - "They were children of fools, yea, children of base men: they were viler than the earth."

Job 30:2 - "Yea, whereto might the strength of their hands profit me, in whom old age was perished?"

Job 30:2 - "Yea, whereto might the strength of their hands profit me, in whom old age was perished?"

Job 30:19 - "He hath cast me into the mire, and I am become like dust and ashes."

Job 30:19 - "He hath cast me into the mire, and I am become like dust and ashes."

Job 30:24 - "Howbeit he will not stretch out his hand to the grave, though they cry in his destruction."

Job 30:24 - "Howbeit he will not stretch out his hand to the grave, though they cry in his destruction."

Job 30:14 - "They came upon me as a wide breaking in of waters: in the desolation they rolled themselves upon me."

Job 30:14 - "They came upon me as a wide breaking in of waters: in the desolation they rolled themselves upon me."

Job 30:23 - "For I know that thou wilt bring me to death, and to the house appointed for all living."

Job 30:23 - "For I know that thou wilt bring me to death, and to the house appointed for all living."