Job 6 Artwork

"But Job answered and said," - Job 6:1

Explore Job 6 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
JobJob 6Job 6:1
Job 6:1 - "But Job answered and said,"

Job 6:1 - "But Job answered and said,"

Job 40:6 - "¶ Then answered the LORD unto Job out of the whirlwind, and said,"

Job 40:6 - "¶ Then answered the LORD unto Job out of the whirlwind, and said,"

Job 6:6 - "Can that which is unsavoury be eaten without salt? or is there any taste in the white of an egg?"

Job 6:6 - "Can that which is unsavoury be eaten without salt? or is there any taste in the white of an egg?"

Job 30:6 - "To dwell in the clifts of the valleys, in caves of the earth, and in the rocks." Visualize a charming scene representing Job 30:6 - 'To dwell in the clifts of the valleys, in caves of the earth, and in the rocks.' as a digital painting. Depict an expansive valley with clifts periodically scattered across its landscape. Show rustic caves carved into the earth and sturdy rocks towering proudly under the open sky. Make sure to capture the tranquility and solitude of the scene, representing it as though it's a haven away from the hustle and bustle of everyday life.

Job 30:6 - "To dwell in the clifts of the valleys, in caves of the earth, and in the rocks."

Job 28:6 - "The stones of it are the place of sapphires: and it hath dust of gold."

Job 28:6 - "The stones of it are the place of sapphires: and it hath dust of gold."

Job 26:6 - "Hell is naked before him, and destruction hath no covering."

Job 26:6 - "Hell is naked before him, and destruction hath no covering."

Job 42:6 - "Wherefore I abhor myself, and repent in dust and ashes."

Job 42:6 - "Wherefore I abhor myself, and repent in dust and ashes."

Job 6:16 - "Which are blackish by reason of the ice, and wherein the snow is hid:"

Job 6:16 - "Which are blackish by reason of the ice, and wherein the snow is hid:"

Job 36:6 - "He preserveth not the life of the wicked: but giveth right to the poor." Create a digital art representation of the scene inspired by Job 36:6 - 'He preserveth not the life of the wicked: but giveth right to the poor.' The image can involve a celestial entity denoting the force doing the preserving and giving and it should differentiate 'the wicked' and 'the poor' using distinctive characteristics. 'The wicked' could be depicted as a group of people shrouded in darkness or ominous colors, and 'the poor' as a group of people symbolized by simple clothing and humble appearance. The celestial entity might be characterized by warm and illuminating colors.

Job 36:6 - "He preserveth not the life of the wicked: but giveth right to the poor."

Job 6:12 - "Is my strength the strength of stones? or is my flesh of brass?" A conceptual digital artwork embodying the biblical verse Job 6:12 - 'Is my strength the strength of stones? Or is my flesh of brass?'. The detailed composition can feature a man caught mid-motion, showing the immense strength of his body, with muscles resembling stones in their firmness and solidity. His skin can be tinted in hues of brass, reflecting the durability and resistance of this metal. The background can be composed of an abstract but cosmic-like setting, adding an ethereal atmosphere to the scene.

Job 6:12 - "Is my strength the strength of stones? or is my flesh of brass?"

Job 6:19 - "The troops of Tema looked, the companies of Sheba waited for them."

Job 6:19 - "The troops of Tema looked, the companies of Sheba waited for them."

Job 6:18 - "The paths of their way are turned aside; they go to nothing, and perish."

Job 6:18 - "The paths of their way are turned aside; they go to nothing, and perish."

Job 13:6 - "Hear now my reasoning, and hearken to the pleadings of my lips." Illustrate a dynamic scene demonstrating the concept derived from Job 13:6 - 'Hear now my reasoning, and hearken to the pleadings of my lips.' Capture the intensity of the plea, the assertiveness in reasoning, and the solemn atmosphere of the moment. The scene could contain an individual, presumably the speaker, expressing their plea to an unseen entity. Make the style of the image reminiscent of digital art, with bold lines, vibrant colors, and a sense of depth and dimension.

Job 13:6 - "Hear now my reasoning, and hearken to the pleadings of my lips."

Job 6:13 - "Is not my help in me? and is wisdom driven quite from me?"

Job 6:13 - "Is not my help in me? and is wisdom driven quite from me?"

Job 6:7 - "The things that my soul refused to touch are as my sorrowful meat."

Job 6:7 - "The things that my soul refused to touch are as my sorrowful meat."

Job 6:30 - "Is there iniquity in my tongue? cannot my taste discern perverse things?"

Job 6:30 - "Is there iniquity in my tongue? cannot my taste discern perverse things?"

Job 6:27 - "Yea, ye overwhelm the fatherless, and ye dig a pit for your friend." Create a digital art representation of a scene inspired by Job 6:27, reading: 'Yea, ye overwhelm the fatherless, and ye dig a pit for your friend.' Here the scene should depict two actions: overwhelming the fatherless and digging a pit. It could be shown as two separate vignettes within the same scene.

Job 6:27 - "Yea, ye overwhelm the fatherless, and ye dig a pit for your friend."

Job 6:25 - "How forcible are right words! but what doth your arguing reprove?" A digital art representation of the biblical verse Job 6:25 - 'How forcible are right words! But what doth your arguing reprove?' The scene has grand, cosmic elements such as swirling galaxies and radiant light beams. It also incorporates a symbolic representation of two entities in peaceful dialogue, perhaps floating ethereal figures or abstract shapes to symbolize 'right words' and 'arguing'. Their interaction creates a tangible energy in the scene, reflecting the power of words and the force behind truth and reproof. The style is vibrant, expressive, and rich in color.

Job 6:25 - "How forcible are right words! but what doth your arguing reprove?"

Job 24:6 - "They reap every one his corn in the field: and they gather the vintage of the wicked."

Job 24:6 - "They reap every one his corn in the field: and they gather the vintage of the wicked."

Job 4:6 - "Is not this thy fear, thy confidence, thy hope, and the uprightness of thy ways?"

Job 4:6 - "Is not this thy fear, thy confidence, thy hope, and the uprightness of thy ways?"

Job 9:6 - "Which shaketh the earth out of her place, and the pillars thereof tremble."

Job 9:6 - "Which shaketh the earth out of her place, and the pillars thereof tremble."

Job 6:21 - "For now ye are nothing; ye see my casting down, and are afraid."

Job 6:21 - "For now ye are nothing; ye see my casting down, and are afraid."

Job 25:6 - "How much less man, that is a worm? and the son of man, which is a worm?" Visual representation of Job 25:6 - "How much less man, that is a worm? and the son of man, which is a worm?". The scene includes a distinctive human figure, transformed into a worm-like being, highlighting the humility of man, set against an abstract digital cosmic background to convey the immeasurable grandeur of the universe.

Job 25:6 - "How much less man, that is a worm? and the son of man, which is a worm?"

Job 38:6 - "Whereupon are the foundations thereof fastened? or who laid the corner stone thereof;" Depict the verse Job 38:6 - "Whereupon are the foundations thereof fastened? or who laid the corner stone thereof;" as a hyperrealistic depiction with metaphorical and symbolic elements. Draw upon the visual language of traditional biblical artworks, but transform it into a digital context. The cornerstone could be imagined as a gigantic stone embedded with ancient scripture, appearing solid and robust. The foundational structure is intricate and profound, revealing signs of complex engineering. The scene should illuminate the spiritual profundity of the verse, in a technologically imagined canvas.

Job 38:6 - "Whereupon are the foundations thereof fastened? or who laid the corner stone thereof;"

Job 10:6 - "That thou enquirest after mine iniquity, and searchest after my sin?" A scene from the biblical verse Job 10:6, which reads 'That thou enquirest after mine iniquity, and searchest after my sin?'. Depict a metaphorical interpretation, using a 19th-century style, as in the era of Romanticism, with fine brush strokes and intense emotional expression, primarily using oil on canvas medium, but transformed into a digital art medium. Set the scene in a heavenly environment with a divine figure examining a man like he's looking for something hidden. The overall mood should reflect a sense of interrogation and inspection.

Job 10:6 - "That thou enquirest after mine iniquity, and searchest after my sin?"

Job 7:6 - "My days are swifter than a weaver's shuttle, and are spent without hope." An image that captures the sentiment of Job 7:6 - 'My days are swifter than a weaver's shuttle, and are spent without hope.' It should include visual elements such as swiftly moving days symbolized by a fast-moving weaver's shuttle. Express the lack of hope with dark, somber colors. Get inspired by the structured precision and pixel-based work common in digital art. Ensure the image appears as though it would exist within a digital platform, with clear, crisp lines and a sense of artificiality.

Job 7:6 - "My days are swifter than a weaver's shuttle, and are spent without hope."

Job 6:20 - "They were confounded because they had hoped; they came thither, and were ashamed." Illustrate the verse Job 6:20 - "They were confounded because they had hoped; they came thither, and were ashamed." Digitally represent this scene to show people in assorted attires looking disappointed and embarrassed. Choose a setting that might have been the focus of their hopes, now delivering a stark contrast with their high expectations. Utilize a variety of colors and textures in creating a vivid depiction of their dismay.

Job 6:20 - "They were confounded because they had hoped; they came thither, and were ashamed."

Job 41:6 - "Shall the companions make a banquet of him? shall they part him among the merchants?" Visualize an artistic interpretation of Job 41:6 from the Bible. This scene exhibits a group of people gathered together, discussing on the idea of distributing something among themselves, in the context of a lively banquet setup. They appear to be traders or merchants, with indications of their profession subtly showcased. The style should be vibrant and dynamic akin to digitally created art.

Job 41:6 - "Shall the companions make a banquet of him? shall they part him among the merchants?"

Job 31:6 - "Let me be weighed in an even balance, that God may know mine integrity." A vivid and metaphorical representation of Job 31:6, 'Let me be weighed in an even balance, that God may know mine integrity.' Picture an old and well-used balance scale, perfectly even, center stage. Above the scale, visualize a divine, incorporeal figure representing a higher power, looking down upon the scale. Hints of celestial and ethereal elements, such as stars, clouds, or ethereal lights, could suggest the presence of the divine. The scene should express tranquility, fairness, and earnest devotion. The whole scene is rendered in the style of digital art.

Job 31:6 - "Let me be weighed in an even balance, that God may know mine integrity."

Job 6:23 - "Or, Deliver me from the enemy's hand? or, Redeem me from the hand of the mighty?"

Job 6:23 - "Or, Deliver me from the enemy's hand? or, Redeem me from the hand of the mighty?"