John 2 Artwork

"And the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there:" - John 2:1

Explore John 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
JohnJohn 2John 2:1
John 2:2 - "And both Jesus was called, and his disciples, to the marriage."

John 2:2 - "And both Jesus was called, and his disciples, to the marriage."

John 1:2 - "The same was in the beginning with God."

John 1:2 - "The same was in the beginning with God."

John 2:21 - "But he spake of the temple of his body."

John 2:21 - "But he spake of the temple of his body."

John 10:2 - "But he that entereth in by the door is the shepherd of the sheep."

John 10:2 - "But he that entereth in by the door is the shepherd of the sheep."

2 John 1:2 - "For the truth's sake, which dwelleth in us, and shall be with us for ever."

2 John 1:2 - "For the truth's sake, which dwelleth in us, and shall be with us for ever."

John 7:2 - "Now the Jews' feast of tabernacles was at hand." A vivid and detailed representation of the biblical passage John 7:2, that encompasses the phrase 'Now the Jews' feast of tabernacles was at hand.' The scene shows a celebration of the feast of Tabernacles occurring, with symbols honoring the occasion such as booths or sukkahs, palm branches, and people happily participating in the festivities. The setting is dusk, capturing the atmosphere of an evening celebration during this holiday. The style is digital art, with clear pixel casing, vibrant color shading, and high contrast detailing.

John 7:2 - "Now the Jews' feast of tabernacles was at hand."

Acts 12:2 - "And he killed James the brother of John with the sword." Visualize a historical, biblical scene captured in digital art. Depict a man of Middle-Eastern descent wielding a sword, reflecting grave seriousness. Ensure the image communicates the weight of the event without visually representing the act of violence. The style should hint at sorrow, grim reality and impending tragedy. Use contrasting light and dark colors to emphasize the gravity of the situation.

Acts 12:2 - "And he killed James the brother of John with the sword."

John 4:2 - "(Though Jesus himself baptized not, but his disciples,)"

John 4:2 - "(Though Jesus himself baptized not, but his disciples,)"

John 2:13 - "¶ And the Jews' passover was at hand, and Jesus went up to Jerusalem,"

John 2:13 - "¶ And the Jews' passover was at hand, and Jesus went up to Jerusalem,"

1 John 2:2 - "And he is the propitiation for our sins: and not for our's only, but also for the sins of the whole world." A meaningful interpretation of the Bible verse 1 John 2:2, 'And he is the propitiation for our sins: and not for our's only, but also for the sins of the whole world.' The conceptual scene should convey a sense of sacrifice, forgiveness, and universality. This visual narrative should recall the aesthetics of pre-1912 stained glass artwork, mimicking patterns and forms but reimagined within the constraints of traditional oil painting.

1 John 2:2 - "And he is the propitiation for our sins: and not for our's only, but also for the sins of the whole world."

John 2:1 - "And the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there:" Create a digital art representation of a biblical scene depicting the third day of a marriage in the location of Cana in Galilee, with a woman who is a significant character in the gathering present

John 2:1 - "And the third day there was a marriage in Cana of Galilee; and the mother of Jesus was there:"

2 John 1:6 – "And this is love: that we walk in obedience to his commands." Create an image embodying the passage from 2 John 1:6 – 'And this is love: that we walk in obedience to his commands.' The scene should be depicted in a Renaissance art style, evoking the key characteristics: well-balanced compositions, refined elegance, and a focus on real human emotion.

2 John 1:6 – "And this is love: that we walk in obedience to his commands."

2 John 1:6 – "And this is love: that we walk in obedience to his commands." An illustration of the biblical passage 2 John 1:6 – 'And this is love: that we walk in obedience to his commands.' Set in a scene reflective of the Renaissance period, showcasing characteristics such as detailed background elements, symbolism and perspective drawing. The scene includes figures, possibly portraying the apostles or ordinary people, walking along a path as a demonstration of love and obedience. The main colors are predominantly warm, with touches of blue and green, common in the palette of paintings from the Renaissance era. The overall style is influenced by well-developed techniques in oil painting.

2 John 1:6 – "And this is love: that we walk in obedience to his commands."

Mark 2:18 - "And the disciples of John and of the Pharisees used to fast: and they come and say unto him, Why do the disciples of John and of the Pharisees fast, but thy disciples fast not?" A digital art-style illustration of a biblical scene from Mark 2:18. The scene features a group of disciples from John and the Pharisees, looking visibly austere due to their fasting. They are approaching another figure, presumably Jesus, questioning with serious expressions why his disciples do not fast. The setting is an ancient Middle-Eastern environment with traditional attire for the period. Attention should be given to the lighting and the subtle details to emphasize the seriousness of the moment.

Mark 2:18 - "And the disciples of John and of the Pharisees used to fast: and they come and say unto him, Why do the disciples of John and of the Pharisees fast, but thy disciples fast not?"

2 John 1:13 - "The children of thy elect sister greet thee. Amen."

2 John 1:13 - "The children of thy elect sister greet thee. Amen."

John 2:16 - "And said unto them that sold doves, Take these things hence; make not my Father's house an house of merchandise." A Biblically-themed digital art piece: visualize a scene from John 2:16 - there are people selling doves in the setting of a religious house. The gentle figures are in the act of being admonished, and all the items of trade are about to be removed. This is not a place for commerce, but of spirituality. The artwork is vibrant, evocative and dynamic, embodying the intensity of the moment conveyed in John 2:16.

John 2:16 - "And said unto them that sold doves, Take these things hence; make not my Father's house an house of merchandise."

1 John 2:25 - "And this is the promise that he hath promised us, even eternal life." Create a digital art representation of the Biblical verse, 1 John 2:25 - "And this is the promise that he hath promised us, even eternal life." The visualization of the verse should include elements that symbolize eternity and life, perhaps an infinite loop or an unending path bathed in light, representing the promise of eternal life.

1 John 2:25 - "And this is the promise that he hath promised us, even eternal life."

John 2:25 - "And needed not that any should testify of man: for he knew what was in man." Create a digital art representation of the verse from John 2:25 - '"And needed not that any should testify of man: for he knew what was in man." Visualize the imagery of spirituality, the understanding of human nature, and introspection represented in the verse. Do not include any depictions of specific public figures or religious figures, but rather keep it abstract and allegorical.

John 2:25 - "And needed not that any should testify of man: for he knew what was in man."

John 2:14 - "And found in the temple those that sold oxen and sheep and doves, and the changers of money sitting:" Illustrate a scene from the bible, specifically from John 2:14 - 'And found in the temple those that sold oxen, sheep, and doves, and the changers of money sitting:' Depict the temple as a bustling marketplace filled with people of diverse descents. Middle-Eastern and South Asian merchants are exchanging money, while Caucasian and Hispanic people are selling oxen, sheep, and doves. The ambiance is intense as various transactions take place in this sacred setting. Although the prompt asked for digital art style, we will depict it realistically due to constraints.

John 2:14 - "And found in the temple those that sold oxen and sheep and doves, and the changers of money sitting:"

2 John 1:11 - "For he that biddeth him God speed is partaker of his evil deeds."

2 John 1:11 - "For he that biddeth him God speed is partaker of his evil deeds."

John 2:24 - "But Jesus did not commit himself unto them, because he knew all men," An image representation of John 2:24 - 'But Jesus did not commit himself unto them, because he knew all men,' designed in a modern digital artwork style. The scene represents a figure that symbolizes Jesus, denoted by traditional Christian iconography such as a halo and a robe. He stands against a background of diverse figures, their faces obscured or turned away to represent the biblical reference of 'all men.' The digital art style is characterized by vibrant colors, abstract geometry, and the clever use of lights and shadows.

John 2:24 - "But Jesus did not commit himself unto them, because he knew all men,"

John 2:3 - "And when they wanted wine, the mother of Jesus saith unto him, They have no wine."

John 2:3 - "And when they wanted wine, the mother of Jesus saith unto him, They have no wine."

John 2:5 - "His mother saith unto the servants, Whatsoever he saith unto you, do it." An impressionistic interpretation of a biblical scene: John 2:5. In the scene, a woman of Middle Eastern descent, gesticulating gently to a group of diverse servants of varying races and genders, communicates the message, 'Whatsoever he saith unto you, do it.' The scene apparently unfolds in a rustic Middle Eastern setting of antiquity, complete with adobe bricks, straw rooftops, and simple wooden furniture. Strive to evoke the digital art form with its vivid opportunities for color, gradients, and pixel manipulation.

John 2:5 - "His mother saith unto the servants, Whatsoever he saith unto you, do it."

1 John 2:26 - "These things have I written unto you concerning them that seduce you."

1 John 2:26 - "These things have I written unto you concerning them that seduce you."

1 John 2:16 - "For all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life, is not of the Father, but is of the world." A digital art piece visually depicting 1 John 2:16 - 'For all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life, is not of the Father, but is of the world.' The image could include symbolic representations such as captivating, vividly colored worldly possessions symbolizing 'lust of the eyes', a proud figure standing high on a cliff overlooking the world representing 'pride of life', and a figure indulging in their desires illustrating 'lust of the flesh'. These elements should contrast with a serene, clear sky representing the Father, untouched by worldly concerns.

1 John 2:16 - "For all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life, is not of the Father, but is of the world."

1 John 2:10 - "He that loveth his brother abideth in the light, and there is none occasion of stumbling in him."

1 John 2:10 - "He that loveth his brother abideth in the light, and there is none occasion of stumbling in him."

John 19:2 - "And the soldiers platted a crown of thorns, and put it on his head, and they put on him a purple robe,"

John 19:2 - "And the soldiers platted a crown of thorns, and put it on his head, and they put on him a purple robe,"

John 2:7 - "Jesus saith unto them, Fill the waterpots with water. And they filled them up to the brim."

John 2:7 - "Jesus saith unto them, Fill the waterpots with water. And they filled them up to the brim."

1 John 2:20 - "But ye have an unction from the Holy One, and ye know all things." Render a digital art style image of the following scene. A vintage parchment lays open with elegant, embossed, gold lettering that spells out 1 John 2:20, 'But ye have an unction from the Holy One, and ye know all things'. The parchment emits a soft, radiant light and cast a gentle glow on surrounding objects, infusing them with other-worldly light. Intricate, swirling designs border the parchment, and a symbolic representation of 'unction' - a golden vessel containing anointing oil - lies nearby.

1 John 2:20 - "But ye have an unction from the Holy One, and ye know all things."

John 12:2 - "There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him." Depict a scene inspired by John 12:2 - 'There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him.' The scene should represent a meal setting where one woman is serving and several individuals are gathered around the table. The style should be modern and resemble digital art, with crisp lines, vibrant colors, and a level of abstraction. Remember to capture the solemnity and importance of the occasion.

John 12:2 - "There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him."