Joshua 22 Artwork

"Then Joshua called the Reubenites, and the Gadites, and the half tribe of Manasseh," - Joshua 22:1

Explore Joshua 22 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Joshua 22:1 - "Then Joshua called the Reubenites, and the Gadites, and the half tribe of Manasseh,"

Joshua 22:1 - "Then Joshua called the Reubenites, and the Gadites, and the half tribe of Manasseh,"

Joshua 15:22 - "And Kinah, and Dimonah, and Adadah,"

A digital art representation of three Biblical towns: Kinah, Dimonah, and Adadah from the verse Joshua 15:22. Kinah, possibly in a desert environment with low-lying buildings made of stone and clay. Dimonah, perhaps near an oasis with vegetation and palm trees. Adadah, possibly in a mountainous region with rugged terrain and isolated dwellings. The words 'And Kinah, and Dimonah, and Adadah,' are subtly incorporated into the landscape design of each of the towns.

Joshua 15:22 - "And Kinah, and Dimonah, and Adadah,"

Joshua 22:6 - "So Joshua blessed them, and sent them away: and they went unto their tents."

An illustration depicting a moment from the religious text 'Joshua 22:6 - 'So Joshua blessed them, and sent them away: and they went unto their tents.' The scene captures Joshua, a Middle-Eastern man with a steady gaze and flowing robes, as he pronounces his blessing on a diverse group of people. They, in turn, are beginning to disperse towards their individual habitats, defined by their distinct clothes and features. They are composed of individuals of different genders - men and women, and descents - Caucasian, Black, Hispanic, Middle-Eastern, South Asian, and East Asian. The effect is akin to digital art, characterized by sharp lines, vibrant colours, and surreal elements.

Joshua 22:6 - "So Joshua blessed them, and sent them away: and they went unto their tents."

Joshua 18:22 - "And Beth-arabah, and Zemaraim, and Beth-el,"

A digital art depiction of Joshua 18:22, presenting an abstract visualization of the biblical locations 'Beth-arabah', 'Zemaraim', and 'Beth-el'. The composition explores the historical context of these places with an emphasis on their spiritual and cultural importance. Each place is represented by their probable topography and unique elements consistent with the era. The 'Beth-arabah' should be a flat, arid region with sparse vegetation. 'Zemaraim' might contain vast plains and hills, while 'Beth-el' is presented as a thriving settlement with structures hinting at the period's architectural style.

Joshua 18:22 - "And Beth-arabah, and Zemaraim, and Beth-el,"

Joshua 7:22 - "¶ So Joshua sent messengers, and they ran unto the tent; and, behold, it was hid in his tent, and the silver under it."

Joshua 7:22 - "¶ So Joshua sent messengers, and they ran unto the tent; and, behold, it was hid in his tent, and the silver under it."

Joshua 10:22 - "Then said Joshua, Open the mouth of the cave, and bring out those five kings unto me out of the cave."

Joshua 10:22 - "Then said Joshua, Open the mouth of the cave, and bring out those five kings unto me out of the cave."

Joshua 12:22 - "The king of Kedesh, one; the king of Jokneam of Carmel, one;"

Joshua 12:22 - "The king of Kedesh, one; the king of Jokneam of Carmel, one;"

Joshua 24:22 - "And Joshua said unto the people, Ye are witnesses against yourselves that ye have chosen you the LORD, to serve him. And they said, We are witnesses."

Joshua 24:22 - "And Joshua said unto the people, Ye are witnesses against yourselves that ye have chosen you the LORD, to serve him. And they said, We are witnesses."

Joshua 21:22 - "And Kibzaim with her suburbs, and Beth-horon with her suburbs; four cities."

Joshua 21:22 - "And Kibzaim with her suburbs, and Beth-horon with her suburbs; four cities."

Joshua 22:22 - "The LORD God of gods, the LORD God of gods, he knoweth, and Israel he shall know; if it be in rebellion, or if in transgression against the LORD, (save us not this day,)"

Create a digital art style depiction of a visually rich interpretation of a biblical verse, specifically Joshua 22:22 - 'The LORD God of gods, the LORD God of gods, he knoweth, and Israel he shall know; if it be in rebellion, or if in transgression against the LORD, (save us not this day,)'. Consider including images related to faith, divinity, rebellion, and absolution.

Joshua 22:22 - "The LORD God of gods, the LORD God of gods, he knoweth, and Israel he shall know; if it be in rebellion, or if in transgression against the LORD, (save us not this day,)"

Joshua 9:22 - "¶ And Joshua called for them, and he spake unto them, saying, Wherefore have ye beguiled us, saying, We are very far from you; when ye dwell among us?"

Generate a digital art-inspired image based on a biblical scene. Joshua, identifiable by a Middle-Eastern descent is speaking pointedly to a group, their expressions showing astonishment and surprise. Joshua is addressing these people, quoting Joshua 9:22, 'Wherefore have ye beguiled us, saying, We are very far from you; when ye dwell among us'?. The setting for the image is an undulating desert with pairs of eyes peering above the dunes with a large crowd witnessing the event with a silhouette image of a distant city in the backdrop.

Joshua 9:22 - "¶ And Joshua called for them, and he spake unto them, saying, Wherefore have ye beguiled us, saying, We are very far from you; when ye dwell among us?"

Joshua 22:7 - "¶ Now to the one half of the tribe of Manasseh Moses had given possession in Bashan: but unto the other half thereof gave Joshua among their brethren on this side Jordan westward. And when Joshua sent them away also unto their tents, then he blessed them,"

A biblical scene based on Joshua 22:7. Portray a divided tribe with one half settled in the lush green landscapes of Bashan, and the other half journeying westward towards the Jordan with their possible belongings. Capture the moment of farewell as their leader, a Middle-Eastern male dressed in traditional biblical attire, speaks words of blessing and sends them away to their tents. This scene should be conveyed in bright hues, sharp lines, and realistic textures reminiscent of digital art.

Joshua 22:7 - "¶ Now to the one half of the tribe of Manasseh Moses had given possession in Bashan: but unto the other half thereof gave Joshua among their brethren on this side Jordan westward. And when Joshua sent them away also unto their tents, then he blessed them,"

Joshua 11:22 - "There was none of the Anakims left in the land of the children of Israel: only in Gaza, in Gath, and in Ashdod, there remained."

Visualize a historic scene based on a biblical event from Joshua 11:22 - 'There was none of the Anakims left in the land of the children of Israel: only in Gaza, in Gath, and in Ashdod, there remained.' rendered in a style that mimics digital art. Illustrate an empty landscape symbolizing the land of Israel, with perhaps an abandoned city or settlement in the background. In contrast, depict far-off areas like Gaza, Gath, and Ashdod teeming with activity and life, signifying that the Anakims still resided there. Use lines, shapes, and colors in a way true to basic digital artwork.

Joshua 11:22 - "There was none of the Anakims left in the land of the children of Israel: only in Gaza, in Gath, and in Ashdod, there remained."

Joshua 6:22 - "But Joshua had said unto the two men that had spied out the country, Go into the harlot's house, and bring out thence the woman, and all that she hath, as ye sware unto her."

Joshua 6:22 - "But Joshua had said unto the two men that had spied out the country, Go into the harlot's house, and bring out thence the woman, and all that she hath, as ye sware unto her."

Joshua 22:34 - "And the children of Reuben and the children of Gad called the altar Ed: for it shall be a witness between us that the LORD is God."

Joshua 22:34 - "And the children of Reuben and the children of Gad called the altar Ed: for it shall be a witness between us that the LORD is God."

Joshua 4:22 - "Then ye shall let your children know, saying, Israel came over this Jordan on dry land."

Depict a biblical scene inspired by Joshua 4:22 - 'Then ye shall let your children know, saying, Israel came over this Jordan on dry land.' The scene should be filled with drama and intensity, demonstrating a historic crossing over the Jordan river on dry land, as if a miracle unfolded to part the waters. In the foreground, envision an audience of young children of diverse ethnic backgrounds listened intently to the narration of this extraordinary tale. Instead of replicating classical art styles, let the rendering be in a digital medium, employing sharp lines, vibrant colors, and eye-catching contrasts.

Joshua 4:22 - "Then ye shall let your children know, saying, Israel came over this Jordan on dry land."

Joshua 22:21 - "¶ Then the children of Reuben and the children of Gad and the half tribe of Manasseh answered, and said unto the heads of the thousands of Israel,"

Joshua 22:21 - "¶ Then the children of Reuben and the children of Gad and the half tribe of Manasseh answered, and said unto the heads of the thousands of Israel,"

Joshua 19:22 - "And the coast reacheth to Tabor, and Shahazimah, and Beth-shemesh; and the outgoings of their border were at Jordan: sixteen cities with their villages."

A vivid illustration depicting a scene from the Biblical passage - Joshua 19:22. The setting includes Tabor, Shahazimah, and Beth-shemesh. The landscape is marked by the boundary that ends at Jordan with sixteen distinguishable cities and their respective picturesque villages. Each city and village is uniquely designed, showcasing diversified architecture, and is surrounded by lush greenery. The river Jordan is flowing through this landscape, serving as an outgoing border. The art is rendered in a digital art style.

Joshua 19:22 - "And the coast reacheth to Tabor, and Shahazimah, and Beth-shemesh; and the outgoings of their border were at Jordan: sixteen cities with their villages."

Joshua 22:26 - "Therefore we said, Let us now prepare to build us an altar, not for burnt offering, nor for sacrifice:"

Joshua 22:26 - "Therefore we said, Let us now prepare to build us an altar, not for burnt offering, nor for sacrifice:"

Joshua 22:17 - "Is the iniquity of Peor too little for us, from which we are not cleansed until this day, although there was a plague in the congregation of the LORD,"

Joshua 22:17 - "Is the iniquity of Peor too little for us, from which we are not cleansed until this day, although there was a plague in the congregation of the LORD,"

Joshua 13:22 - "¶ Balaam also the son of Beor, the soothsayer, did the children of Israel slay with the sword among them that were slain by them."

An illustration of a moment from the ancient text in the book of Joshua 13:22, specifically, 'Balaam also the son of Beor, the soothsayer, did the children of Israel slay with the sword among them that were slain by them.' The image should convey the intensity of this event, with figures clad in traditional attire, engaged in the act of the ancient battle with swords. Emphasize the figure of Balaam, the soothsayer, showcasing the crucial moment of his fate among the slain. Render the scene in a style that evokes digital art, emphasizing sharp lines, vibrant colors, and detailed textures.

Joshua 13:22 - "¶ Balaam also the son of Beor, the soothsayer, did the children of Israel slay with the sword among them that were slain by them."

Joshua 22:3 - "Ye have not left your brethren these many days unto this day, but have kept the charge of the commandment of the LORD your God."

An evocative digital rendition of a scene inspired by Joshua 22:3 from the Bible, 'Ye have not left your brethren these many days unto this day, but have kept the charge of the commandment of the LORD your God.' This digital artwork should reflect the deep spirituality and commitment symbolized in the biblical passage.

Joshua 22:3 - "Ye have not left your brethren these many days unto this day, but have kept the charge of the commandment of the LORD your God."

Joshua 22:15 - "¶ And they came unto the children of Reuben, and to the children of Gad, and to the half tribe of Manasseh, unto the land of Gilead, and they spake with them, saying,"

A detailed visual interpretation of the biblical scene from Joshua 22:15. In this scene, elders approach the tribes of Reuben, Gad, and the half tribe of Manasseh in the land of Gilead. The elders are amidst a conversation with the tribespeople. The image style should be reminiscent of a digital art piece with high-definition details, vivid colors and intricate textures. No specific artist's style is required, just the broad use of the digital medium.

Joshua 22:15 - "¶ And they came unto the children of Reuben, and to the children of Gad, and to the half tribe of Manasseh, unto the land of Gilead, and they spake with them, saying,"

Joshua 22:12 - "And when the children of Israel heard of it, the whole congregation of the children of Israel gathered themselves together at Shiloh, to go up to war against them."

Please create a piece of artwork illustrating the scene from the Book of Joshua, chapter 22, verse 12. It mentions the children of Israel congregating at Shiloh, readying themselves to go to war. Capture the drama and tension of this moment, the unity of the people, their determination, and resilient spirit. The style should be reminiscent of an older digital art: bright colors, sharp lines, and some pixelation for a retro feel.

Joshua 22:12 - "And when the children of Israel heard of it, the whole congregation of the children of Israel gathered themselves together at Shiloh, to go up to war against them."

Numbers 27:22 - "And Moses did as the LORD commanded him: and he took Joshua, and set him before Eleazar the priest, and before all the congregation:"

Numbers 27:22 - "And Moses did as the LORD commanded him: and he took Joshua, and set him before Eleazar the priest, and before all the congregation:"

Joshua 22:13 - "And the children of Israel sent unto the children of Reuben, and to the children of Gad, and to the half tribe of Manasseh, into the land of Gilead, Phinehas the son of Eleazar the priest,"

A biblical scene inspired by Joshua 22:13, set in the land of Gilead. In this image, the children from three tribes of Israel—Reuben, Gad, and the half tribe of Manasseh—are seen sending Phinehas, the son of Eleazar the priest, into their lands. The aesthetic should mirror the vivid storytelling and detailed imagery characteristic of pre-1912 artistic movements, though brought to life through the medium of digital art.

Joshua 22:13 - "And the children of Israel sent unto the children of Reuben, and to the children of Gad, and to the half tribe of Manasseh, into the land of Gilead, Phinehas the son of Eleazar the priest,"

Joshua 22:20 - "Did not Achan the son of Zerah commit a trespass in the accursed thing, and wrath fell on all the congregation of Israel? and that man perished not alone in his iniquity."

Render a visual interpretation of Joshua 22:20 from the Bible: 'Did not Achan the son of Zerah commit a trespass in the accursed thing, and wrath fell on all the congregation of Israel? and that man perished not alone in his iniquity.' Symbolize these elements in a digital art style. Show the son of Zerah committing a trespass in an accursed thing with wrath falling on the congregation of Israel, and a man perishing in his iniquity. Depict the congregation as diverse, encompassing a range of descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian. Keep all elements abstract and symbolic, rather than realistically detailed.

Joshua 22:20 - "Did not Achan the son of Zerah commit a trespass in the accursed thing, and wrath fell on all the congregation of Israel? and that man perished not alone in his iniquity."

Joshua 9:22-23 - "Joshua summoned them and said to them, “Why did you deceive us, saying, ‘We are very far from you,’ while in fact you are living among us? Now therefore you are cursed, and some of you shall always be slaves, hewers of wood and drawers of water for the house of my God.""

A historical scene involving Joshua, a prominent figure from Biblical times, depicted in a dramatic moment of confrontation. Joshua, a Middle-Eastern man, is gesturing towards a group of diverse people hailing from various races and ethnicities. He questions their deceit, accusing them of claiming to be distant while living amidst them. The mood is tense, but Joshua stands firm, dictating a curse that condemns part of the group to servitude, specifically hewing wood and drawing water for his deity's abode. The style of the image should capture the intensity of the moment and the contours of the human form, reflecting characteristics of early 20th century digital parody of art, using pixel art, a medium associated with digital art.

Joshua 9:22-23 - "Joshua summoned them and said to them, “Why did you deceive us, saying, ‘We are very far from you,’ while in fact you are living among us? Now therefore you are cursed, and some of you shall always be slaves, hewers of wood and drawers of water for the house of my God.""

Acts 2:2

A watercolor painting interpretation of Acts 2:2 from the Bible. The scene shows a heavenly spectacle happening in a humble home as described in the verse. The Holy Spirit, depicted as a strong gust of wind, fills the house. The atmosphere is filled with awe, reverence, and vibrancy, enhancing the spiritual essence of the biblical event.

Acts 2:2

Joshua 22:18 - "But that ye must turn away this day from following the LORD? and it will be, seeing ye rebel to day against the LORD, that to morrow he will be wroth with the whole congregation of Israel."

A digital art representation of the biblical passage from Joshua 22:18 - 'But that ye must turn away this day from following the LORD? and it will be, seeing ye rebel to day against the LORD, that to morrow he will be wroth with the whole congregation of Israel.' The artwork may reflect elements of the scripture, such as people turning away, implying rebellion, and the anticipation of divine wrath.

Joshua 22:18 - "But that ye must turn away this day from following the LORD? and it will be, seeing ye rebel to day against the LORD, that to morrow he will be wroth with the whole congregation of Israel."