Lamentations 4 Artwork

"How is the gold become dim! how is the most fine gold changed! the stones of the sanctuary are poured out in the top of every street." - Lamentations 4:1

Explore Lamentations 4 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
LamentationsLamentations 4Lamentations 4:1
Lamentations 4:4 - "The tongue of the sucking child cleaveth to the roof of his mouth for thirst: the young children ask bread, and no man breaketh it unto them." Visualize a biblical scene inspired by Lamentations 4:4: 'The tongue of the sucking child cleaveth to the roof of his mouth for thirst: the young children ask bread, and no man breaketh it unto them.' Depict a thirsty child and young children seeking bread, all pleading for food and water in a desperate situation. The style of the image should be clean lines, high contrast, bold colors and patterns, reminiscent of early 20th-century art movements focusing on digital medium.

Lamentations 4:4 - "The tongue of the sucking child cleaveth to the roof of his mouth for thirst: the young children ask bread, and no man breaketh it unto them."

Lamentations 4:5 - "They that did feed delicately are desolate in the streets: they that were brought up in scarlet embrace dunghills." An image interpretation of the biblical verse, Lamentations 4:5 - 'They that did feed delicately are desolate in the streets: they that were brought up in scarlet embrace dunghills.' Render the scene as a transformation: people who were once affluent, dressed in fine, scarlet clothing, now forlorn and alone in the city streets. Contrast their past lives, suggested by the remnants of opulence, such as discarded jewels or tattered expensive clothing, with their present state, huddled next to the city's refuse piles. Use vivid contrasts and striking colors to create this powerful narrative. The image should be digitally stylised.

Lamentations 4:5 - "They that did feed delicately are desolate in the streets: they that were brought up in scarlet embrace dunghills."

Lamentations 5:4 - "We have drunken our water for money; our wood is sold unto us." Visual representation of a biblical passage, specifically Lamentations 5:4 - 'We have drunken our water for money; our wood is sold unto us.' in the style of digital art. This should depict a scene where individuals are purchasing water and wood - important basic necessities, symbolic of commodification of natural resources. Bring out the sense of strife and struggle associated with this scenario. Create this interpretation in a digital medium, with vividly colored and textured elements to capture this essence of the passage.

Lamentations 5:4 - "We have drunken our water for money; our wood is sold unto us."

Lamentations 4:13 - "¶ For the sins of her prophets, and the iniquities of her priests, that have shed the blood of the just in the midst of her,"

Lamentations 4:13 - "¶ For the sins of her prophets, and the iniquities of her priests, that have shed the blood of the just in the midst of her,"

Lamentations 3:4 - "My flesh and my skin hath he made old; he hath broken my bones." Generate a digital art representation of the biblical verse Lamentations 3:4 - 'My flesh and my skin hath he made old; he hath broken my bones.' The artwork should portray a sense of age and decrepitude, symbolizing the breaking down of the body.

Lamentations 3:4 - "My flesh and my skin hath he made old; he hath broken my bones."

Lamentations 4:8 - "Their visage is blacker than a coal; they are not known in the streets: their skin cleaveth to their bones; it is withered, it is become like a stick." A scene that visualizes Lamentations 4:8 - 'Their faces are darker than soot; they are unrecognizable in the streets; their skin adheres to their bones, it has dried up, it has become like a twig.' depicted with an atmospheric, ethereal and emotionally charged technique associated with traditional religious art but recreated with modern media like digital illustration.

Lamentations 4:8 - "Their visage is blacker than a coal; they are not known in the streets: their skin cleaveth to their bones; it is withered, it is become like a stick."

Lamentations 4:9 - "They that be slain with the sword are better than they that be slain with hunger: for these pine away, stricken through for want of the fruits of the field." A depiction of Lamentations 4:9 - 'They that be slain with the sword are better than they that be slain with hunger: for these pine away, stricken through for want of the fruits of the field.' The image should be visually arresting, with spectral figures representing those slain by both sword and hunger. In the foreground, a figure pines away, their outstretched hand reaching towards a field in the distance, the fruits of which remain tantalizingly out of reach. Accompany these elements with a harmonious blend of colors to embody the essence of the verse. Create this scene in the style of digital art.

Lamentations 4:9 - "They that be slain with the sword are better than they that be slain with hunger: for these pine away, stricken through for want of the fruits of the field."

Lamentations 4:10 - "The hands of the pitiful women have sodden their own children: they were their meat in the destruction of the daughter of my people."

Lamentations 4:10 - "The hands of the pitiful women have sodden their own children: they were their meat in the destruction of the daughter of my people."

Lamentations 4:2 - "The precious sons of Zion, comparable to fine gold, how are they esteemed as earthen pitchers, the work of the hands of the potter!"

Lamentations 4:2 - "The precious sons of Zion, comparable to fine gold, how are they esteemed as earthen pitchers, the work of the hands of the potter!"

Lamentations 4:16 - "The anger of the LORD hath divided them; he will no more regard them: they respected not the persons of the priests, they favoured not the elders." Illustrate the following verse from the Bible, Lamentations 4:16: 'The anger of the LORD hath divided them; he will no more regard them: they respected not the persons of the priests, they favoured not the elders.' Render this scene as a detailed digital artwork, showing the division, the divine anger, the disregarded priests, and the unfavoured elders. Let the digital medium accentuate the emotions in the scene and add depth to the narrative.

Lamentations 4:16 - "The anger of the LORD hath divided them; he will no more regard them: they respected not the persons of the priests, they favoured not the elders."

Lamentations 4:19 - "Our persecutors are swifter than the eagles of the heaven: they pursued us upon the mountains, they laid wait for us in the wilderness." A vivid interpretation of Lamentations 4:19 - 'Our persecutors are swifter than the eagles of the heaven: they pursued us upon the mountains, they laid wait for us in the wilderness.' The scene features fast-moving figures symbolizing persecutors darting across the sky, proving quicker than the soaring eagles. The mountains, craggy and grand, act as a backdrop to the eerie chase. The wilderness stretches out below, a perfect hunting ground complete with an ominous sense of anticipation. Capture this narrative using a detailed, vibrant style reminiscent of pre-1912 artworks but in the digital medium.

Lamentations 4:19 - "Our persecutors are swifter than the eagles of the heaven: they pursued us upon the mountains, they laid wait for us in the wilderness."

Lamentations 4:14 - "They have wandered as blind men in the streets, they have polluted themselves with blood, so that men could not touch their garments." Depict the biblical scene from Lamentations 4:14 - 'They have wandered as blind men in the streets, they have polluted themselves with blood, so that men could not touch their garments.' The setting is an ancient city with cobblestone streets. Blind men are wandering around aimlessly, their clothes stained with blood. The other townsfolk keep their distance, avoiding any contact with their blood-soaked garments. The style should be reminiscent of digital art with bold and vibrant colors.

Lamentations 4:14 - "They have wandered as blind men in the streets, they have polluted themselves with blood, so that men could not touch their garments."

Lamentations 4:6 - "For the punishment of the iniquity of the daughter of my people is greater than the punishment of the sin of Sodom, that was overthrown as in a moment, and no hands stayed on her."

Lamentations 4:6 - "For the punishment of the iniquity of the daughter of my people is greater than the punishment of the sin of Sodom, that was overthrown as in a moment, and no hands stayed on her."

Lamentations 4:12 - "The kings of the earth, and all the inhabitants of the world, would not have believed that the adversary and the enemy should have entered into the gates of Jerusalem." Visual representation of the Biblical verse from Lamentations 4:12 - 'The rulers of the world, and all its inhabitants, could not believe that the antagonist and the foe have gone through the gates of the great city.' This image should be created in a digital art style, with attention to detail for the shock and awe on the faces of the world's inhabitants and the triumphant entrance of the antagonists, all set against the backdrop of the historic city's gates.

Lamentations 4:12 - "The kings of the earth, and all the inhabitants of the world, would not have believed that the adversary and the enemy should have entered into the gates of Jerusalem."

Lamentations 4:1 - "How is the gold become dim! how is the most fine gold changed! the stones of the sanctuary are poured out in the top of every street."

Lamentations 4:1 - "How is the gold become dim! how is the most fine gold changed! the stones of the sanctuary are poured out in the top of every street."

Lamentations 4:17 - "As for us, our eyes as yet failed for our vain help: in our watching we have watched for a nation that could not save us."

Lamentations 4:17 - "As for us, our eyes as yet failed for our vain help: in our watching we have watched for a nation that could not save us."

Lamentations 4:18 - "They hunt our steps, that we cannot go in our streets: our end is near, our days are fulfilled; for our end is come."

Lamentations 4:18 - "They hunt our steps, that we cannot go in our streets: our end is near, our days are fulfilled; for our end is come."

Lamentations 4:3 - "Even the sea monsters draw out the breast, they give suck to their young ones: the daughter of my people is become cruel, like the ostriches in the wilderness."

Lamentations 4:3 - "Even the sea monsters draw out the breast, they give suck to their young ones: the daughter of my people is become cruel, like the ostriches in the wilderness."

Lamentations 4:7 - "Her Nazarites were purer than snow, they were whiter than milk, they were more ruddy in body than rubies, their polishing was of sapphire:"

Lamentations 4:7 - "Her Nazarites were purer than snow, they were whiter than milk, they were more ruddy in body than rubies, their polishing was of sapphire:"

Lamentations 4:20 - "The breath of our nostrils, the anointed of the LORD, was taken in their pits, of whom we said, Under his shadow we shall live among the heathen."

Lamentations 4:20 - "The breath of our nostrils, the anointed of the LORD, was taken in their pits, of whom we said, Under his shadow we shall live among the heathen."

Lamentations 4:15 - "They cried unto them, Depart ye; it is unclean; depart, depart, touch not: when they fled away and wandered, they said among the heathen, They shall no more sojourn there."

Lamentations 4:15 - "They cried unto them, Depart ye; it is unclean; depart, depart, touch not: when they fled away and wandered, they said among the heathen, They shall no more sojourn there."

Lamentations 4:11 - "The LORD hath accomplished his fury; he hath poured out his fierce anger, and hath kindled a fire in Zion, and it hath devoured the foundations thereof." Depict a symbolic representation of the biblical verse Lamentations 4:11 quoted as 'The LORD hath accomplished his fury; he hath poured out his fierce anger, and hath kindled a fire in Zion, and it hath devoured the foundations thereof.' The scene should involve a metaphorical interpretation where a fire is consuming the base of a structure, symbolizing Zion. Please make sure to render it in a contrasting, dynamic and vivid manner that mimics the intensity of digital art.

Lamentations 4:11 - "The LORD hath accomplished his fury; he hath poured out his fierce anger, and hath kindled a fire in Zion, and it hath devoured the foundations thereof."

Lamentations 4:22 - "¶ The punishment of thine iniquity is accomplished, O daughter of Zion; he will no more carry thee away into captivity: he will visit thine iniquity, O daughter of Edom; he will discover thy sins." A digital art interpretation of a biblical verse, specifically Lamentations 4:22. The scene captures the contrast between Zion and Edom, as the latter faces exposure and reckoning. An impression of punishment being accomplished, suggesting a divine action completed or justice served, with tones of relief for Zion but warning for Edom. Remember to encapsulate the dramatic essence and the solemn tone of the biblical narrative.

Lamentations 4:22 - "¶ The punishment of thine iniquity is accomplished, O daughter of Zion; he will no more carry thee away into captivity: he will visit thine iniquity, O daughter of Edom; he will discover thy sins."

Lamentations 1:4 - "The ways of Zion do mourn, because none come to the solemn feasts: all her gates are desolate: her priests sigh, her virgins are afflicted, and she is in bitterness." A moving interpretation of the biblical verse, Lamentations 1:4. Depict a desolate scene of Zion, with empty pathways indicating mourning. The solemnity of the uncrowded feasts is palpable. The gates are abandoned, emitting a sense of solitude. Priests are visibly sighing, expressing their sorrow. Innocent young women, who can be imagined as holding the traditional purity of virgins, appear distressed. The overall tone of the composition is engulfed in bitterness. Render this scene in a vivid, digital art style.

Lamentations 1:4 - "The ways of Zion do mourn, because none come to the solemn feasts: all her gates are desolate: her priests sigh, her virgins are afflicted, and she is in bitterness."

Lamentations 3:31 - "For the Lord will not cast off for ever:" Create a digital art style depiction of the Bible verse Lamentations 3:31 - 'For the Lord will not cast off for ever:'. Visualize it as vibrant, bold, and impactful, illustrating the eternal faith of divine presence. Use modern techniques to portray the scene where the phrase is metaphorically being engraved in a massive stone structure under the divine light.

Lamentations 3:31 - "For the Lord will not cast off for ever:"

Lamentations 4:21 - "¶ Rejoice and be glad, O daughter of Edom, that dwellest in the land of Uz; the cup also shall pass through unto thee: thou shalt be drunken, and shalt make thyself naked."

Lamentations 4:21 - "¶ Rejoice and be glad, O daughter of Edom, that dwellest in the land of Uz; the cup also shall pass through unto thee: thou shalt be drunken, and shalt make thyself naked."

2 Chronicles 35:25 - "¶ And Jeremiah lamented for Josiah: and all the singing men and the singing women spake of Josiah in their lamentations to this day, and made them an ordinance in Israel: and, behold, they are written in the lamentations."

2 Chronicles 35:25 - "¶ And Jeremiah lamented for Josiah: and all the singing men and the singing women spake of Josiah in their lamentations to this day, and made them an ordinance in Israel: and, behold, they are written in the lamentations."

Lamentations 3:23 - "They are new every morning: great is thy faithfulness." A digital artwork illustrating the biblical verse Lamentations 3:23 - 'They are new every morning: great is thy faithfulness.' Bring to life the concept of rejuvenation every morning and the unwavering faithfulness that is described in the verse.

Lamentations 3:23 - "They are new every morning: great is thy faithfulness."

Lamentations 5:11 - "They ravished the women in Zion, and the maids in the cities of Judah." An emotion-stirring representation of the biblical verse Lamentations 5:11. It should portray the women from Zion and the maids from Judah's cities, in a moment of deep distress, their faces filled with sorrow and pain. The style should be inspired by digital art with intense colors, dynamic compositions, and meticulous attention to detail.

Lamentations 5:11 - "They ravished the women in Zion, and the maids in the cities of Judah."

Lamentations 5:3 - "We are orphans and fatherless, our mothers are as widows." A solemn scene interpreting Lamentations 5:3 - 'We are orphans and fatherless, our mothers are as widows.' The scene shows three figures: two children and a woman. The children stand alone, looking forlorn and in need of care, to elicit the feeling of being orphans. The woman sits away from them, her face full of sorrow and solitude to symbolize her widowhood. It's a poignant, emotional display with contrasting colors and digital effects coming together to create an evocative artwork.

Lamentations 5:3 - "We are orphans and fatherless, our mothers are as widows."