Luke 21:1 Artwork

"And he looked up, and saw the rich men casting their gifts into the treasury." - Luke 21:1

Explore Luke 21:1 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
LukeLuke 21Luke 21:1
Luke 21:1 - "And he looked up, and saw the rich men casting their gifts into the treasury."

Luke 21:1 - "And he looked up, and saw the rich men casting their gifts into the treasury."

Luke 21:1-4 - "As Jesus looked up, he saw the rich putting their gifts into the temple treasury. He also saw a poor widow put in two very small copper coins. “Truly I tell you,” he said, “this poor widow has put in more than all the others. All these people gave their gifts out of their wealth; but she out of her poverty put in all she had to live on.”" Create a digital art representation of a religious scene. The setting is an old temple, with architectural elements typical of the Middle Eastern culture during the era of Jesus. In the foreground, a Caucasian man with a gentle expression and dressed in plain robes is observing the scene. He sees wealthy individuals of varying descents and genders, adorned in extravagant clothing, depositing their gifts in the temple treasury. Also in his sight, a poor widow of a certain descent, dressed in worn out clothing, is seen putting two small copper coins into the same treasury. The scene illustrates the disparity between wealth and poverty and an act of profound generosity.

Luke 21:1-4 - "As Jesus looked up, he saw the rich putting their gifts into the temple treasury. He also saw a poor widow put in two very small copper coins. “Truly I tell you,” he said, “this poor widow has put in more than all the others. All these people gave their gifts out of their wealth; but she out of her poverty put in all she had to live on.”"

Luke 1:21 - "And the people waited for Zacharias, and marvelled that he tarried so long in the temple." Create a digital artwork capturing a scene from the Biblical verse Luke 1:21 - 'And the people waited for Zacharias, and marvelled that he tarried so long in the temple.' A crowd composed of a diverse range of people of various genders and descents, including Black, Caucasian, Hispanic, Middle-Eastern, and South Asian individuals, patiently wait outside an ancient, majestically towering temple, their concerned faces looking simultaneously at the temple's entrance. They are surrounded by an ambiance of suspense and quiet astonishment, as Zacharias continues to spend an unusually long time inside the temple than expected.

Luke 1:21 - "And the people waited for Zacharias, and marvelled that he tarried so long in the temple."

Luke 13:20-21 Depict Luke 13:20-21 using the watercolor technique. This section of the Bible narrates the parable of the mustard seed by Jesus. It should include a small mustard seed being planted in the ground, and gradually growing into a large, lush tree, symbolizing the Kingdom of Heaven. Representative elements of the era and context like, ancient Middle-Eastern attire and architecture should be visible. All elements should display the distinctive light and fluid appearance characteristic of watercolor paintings.

Luke 13:20-21

Luke 13:20-21 A depiction of Luke 13:20-21 from the Bible. The scene illustrates the biblical parable where Jesus compares the Kingdom of God to yeast that woman mixed into a large amount of flour until it worked all through the dough. The scene incorporates a Middle-Eastern woman doing the act of kneading dough in a large bowl, with a subtle golden glow symbolizing the Kingdom of God permeating the dough. This interpretation must be rendered in a soft, fluid and transparent style reminiscent of watercolor paintings.

Luke 13:20-21

Luke 13:20-21 Interpret the biblical passage from Luke 13:20-21 using a visual art style typical of watercolor paintings. This scene should portray the comparison of the kingdom of God to a mustard seed, which upon being sowed in the garden, grows and becomes a tree, and the birds of the air nest in its branches. This scene should have the soft, blended colors and gentle tonal variations that are characteristic of watercolor medium.

Luke 13:20-21

Luke 13:20-21 Illustrate Luke 13:20-21 from the Bible in a watercolor style. The scene interprets the following passage: 'Again he asked, “What shall I compare the kingdom of God to? It is like yeast that a woman took and mixed into about sixty pounds of flour until it worked all through the dough.' Show a Middle Eastern woman kneading a large mound of dough in a rustic kitchen setting, capturing the texture of the yeast working its way through the dough.

Luke 13:20-21

Luke 13:20-21 A visual representation of Luke 13:20-21 from the Bible, displayed in a romantic-style suggestive of the 19th century, utilizing watercolor technique. The scene shows a woman hiding leaven with flour till it was leavened, signifying the kingdom of God. A subtle color palette dominated by rustic earth tones and a serene atmosphere ought to be emphasized.

Luke 13:20-21

Luke 21:13 - "And it shall turn to you for a testimony." Create a digital art depiction of this concept: a religious text or verse from Luke 21:13, stating 'And it shall turn to you for a testimony.' The setting could be reminiscent of an ancient manuscript page, adorned with carefully crafted digital embellishments such as golden filigree, luminescent scrolls, or abstract sacred symbols. The text could be imparted in elegant, faded black calligraphy, suggestive of a faithful testament. The background texture could mimic weathered parchment for an added touch of antiquity. Emanating from the text or the symbols, you may show gentle pulses of faint, ethereal light, portraying the divine nature of the testimony.

Luke 21:13 - "And it shall turn to you for a testimony."

Luke 21:18 - "But there shall not an hair of your head perish."

Luke 21:18 - "But there shall not an hair of your head perish."

Luke 23:21 - "But they cried, saying, Crucify him, crucify him." Generate a respectful and devotional digital-art inspired piece portraying a biblical scene from Luke 23:21, where a multitude pleads passionately. The mean faces in the crowd are expressing their strong sentiments, but no words or text are included in the image. In the focal point, a man in historical Middle Eastern attire, possibly Jesus, stands, displaying an expression of resignation and solace. The atmosphere is tense, and the background should include elements typical of the historical period, such as Roman architecture and the dry, desert-like landscape.

Luke 23:21 - "But they cried, saying, Crucify him, crucify him."

Luke 23:21 - "But they cried, saying, Crucify him, crucify him."

Luke 23:21 - "But they cried, saying, Crucify him, crucify him."

Luke 21:19 - "In your patience possess ye your souls." Make a digital art-style interpretation of a scene inspired by the Bible verse Luke 21:19 - "In your patience possess ye your souls." Visualize a tranquil setting with a lone person, seemingly deep in thought or meditation, symbolizing patience and self-possession.

Luke 21:19 - "In your patience possess ye your souls."

Luke 22:21 - "¶ But, behold, the hand of him that betrayeth me is with me on the table." Create a digital art-style image capturing the essence of the verse from Luke 22:21 - "¶ But, behold, the hand of him that betrayeth me is with me on the table." The image should feature a table scene with a hand reaching out signifying betrayal. Use appropriate symbolism to represent the theme of betrayal in the context of the verse.

Luke 22:21 - "¶ But, behold, the hand of him that betrayeth me is with me on the table."

Luke 1:1

Luke 1:1

Luke 21:22 - "For these be the days of vengeance, that all things which are written may be fulfilled." Visual representation of Luke 21:22 - 'For these be the days of vengeance, that all things which are written may be fulfilled.' in the form of digital art. The scene should depict dark stormy skies with sparking lightning. In the foreground, a large leather-bound book with ancient texts is open, symbolising the fulfillment of written prophecies. The atmosphere should convey a sense of solemnity, foreboding, and awe.

Luke 21:22 - "For these be the days of vengeance, that all things which are written may be fulfilled."

Luke 21:17 - "And ye shall be hated of all men for my name's sake."

Luke 21:17 - "And ye shall be hated of all men for my name's sake."

Luke 21:38 - "And all the people came early in the morning to him in the temple, for to hear him."

Luke 21:38 - "And all the people came early in the morning to him in the temple, for to hear him."

Luke 21:29 - "And he spake to them a parable; Behold the fig tree, and all the trees;"

Luke 21:29 - "And he spake to them a parable; Behold the fig tree, and all the trees;"

Luke 21:21 - "Then let them which are in Judaea flee to the mountains; and let them which are in the midst of it depart out; and let not them that are in the countries enter thereinto."

Luke 21:21 - "Then let them which are in Judaea flee to the mountains; and let them which are in the midst of it depart out; and let not them that are in the countries enter thereinto."

Luke 21:27 - "And then shall they see the Son of man coming in a cloud with power and great glory." Visualize a biblical scene inspired by Luke 21:27. Depict the Son of man descending from the sky, shrouded in a cloud, radiating power and immense glory. This picture should evoke an ethereal atmosphere, filled with awe and reverence. Instead of a traditional style, adopt a modern approach by simulating digital art's characteristics like pixelation, vivid colors, and streamlined shapes.

Luke 21:27 - "And then shall they see the Son of man coming in a cloud with power and great glory."

Luke 9:21 - "And he straitly charged them, and commanded them to tell no man that thing;"

Luke 9:21 - "And he straitly charged them, and commanded them to tell no man that thing;"

Luke 21:35 - "For as a snare shall it come on all them that dwell on the face of the whole earth."

Luke 21:35 - "For as a snare shall it come on all them that dwell on the face of the whole earth."

Luke 12:21 - "So is he that layeth up treasure for himself, and is not rich toward God."

Luke 12:21 - "So is he that layeth up treasure for himself, and is not rich toward God."

Luke 24:1 Watercolor depiction of the biblical scene from Luke 24:1. The image should portray respectful and devotional themes of Christianity. This scene is set at the break of dawn with three women of three different descents (Caucasian, Hispanic, and Middle-Eastern), each carrying spices they've prepared. Their expressions are a mix of reverence and surprise as they approach a large, empty tomb set against a soft, glowing light of sunrise. The scene is serene and full of anticipation, with a beautifully painted sky reflecting the time of day. Please remember, no text or words should be present in the image.

Luke 24:1

Luke 1:32 A Classical Renaissance depiction of the concept inspired from Luke 1:32, without any text or words. The scene portrays an angel relaying a message to a young woman, signifying the divine announcement, often symbolized in Renaissance art by a ray of light or a small dove.

Luke 1:32

Luke 1:32 Illustration of the biblical scene mentioned in Luke 1:32, depicted as a Renaissance era painting. In this scene, the angel Gabriel announces to Mary that her son will be great and will be called the Son of the Most High. It should encompass the setting, attire, and style of the Renaissance period, paying attention to characteristics such as use of perspective, light, shadow and vibrant colors. There should be no text or words in the image.

Luke 1:32

Luke 1:32 An artwork depicting the biblical scene from Luke 1:32, interpreted in the style typical of the Renaissance era, with an emphasis on realistic human figures, symmetrical layouts, and contrasting light and shadow. The primary theme should be the annunciation, with the angel delivering the message to Mary. The setting should be inside a room with classic architectural elements. Please refrain from including any text or words in the image.

Luke 1:32

Luke 1:32 A biblical scene inspired by the Renaissance era showing the annunciation of Christ's birth. The angel Gabriel is talking to a shocked Mary, pointing towards the heavens. Mary is seated, wrapped in simple clothing with her hands crossed over her chest. The angel stands in the dominating position with wings spread wide, covered in radiant, ethereal light. In the background, Italian city-state buildings can be seen. There is also a hint of golden aura enveloping the whole scene. The color palette is muted yet rich, emulating the techniques used before 1912, and the scene is infused with intense emotional expressions typical of that period.

Luke 1:32

Luke 1:39 Depict the scene from 'Luke 1:39', where Mary visits Elizabeth, in a respectful and devotional manner. The style should recall the intricate details, depth and realism typically found in the Renaissance era. Do not include any text or words in the image. Please use a medium similar to oil on canvas often used during that time.

Luke 1:39