Luke 3:1 Artwork

"Now in the fifteenth year of the reign of Tiberius Cæsar, Pontius Pilate being governor of Judæa, and Herod being tetrarch of Galilee, and his brother Philip tetrarch of Ituraea and of the region of Trachonitis, and Lysanias the tetrarch of Abilene," - Luke 3:1

Explore Luke 3:1 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Luke 3:1 - "Now in the fifteenth year of the reign of Tiberius Caesar, Pontius Pilate being governor of Judaea, and Herod being tetrarch of Galilee, and his brother Philip tetrarch of Ituraea and of the region of Trachonitis, and Lysanias the tetrarch of Abilene,"

Display a grand historical scene, possibly a panoramic view of landscapes, including places like Judaea, Galilee, Ituraea, region of Trachonitis, and Abilene during the fifteenth year of a ruler's reign. Include signs of Roman influence and leadership, with the presence of regional governors, and tetrarchs. Visualize this imagery in a digital art style, using prominent computer graphics techniques like vector art or pixel art methods.

Luke 3:1 - "Now in the fifteenth year of the reign of Tiberius Caesar, Pontius Pilate being governor of Judaea, and Herod being tetrarch of Galilee, and his brother Philip tetrarch of Ituraea and of the region of Trachonitis, and Lysanias the tetrarch of Abilene,"

Luke 1:1

Luke 1:1

Luke 24:3 - "And they entered in, and found not the body of the Lord Jesus."

A digital art interpretation of a moment from Luke 24:3 - 'And they entered in, and found not the body of the Lord Jesus.' The scene unfolds inside a dramatically lit, ancient structure, where several figures look around in disbelief and astonishment. Their robes cascade in dynamic swirls around their feet. In the center, the stone slab is empty, depicted with angular precision and sharp contrasts.

Luke 24:3 - "And they entered in, and found not the body of the Lord Jesus."

Luke 24:1

Watercolor depiction of the biblical scene from Luke 24:1. The image should portray respectful and devotional themes of Christianity. This scene is set at the break of dawn with three women of three different descents (Caucasian, Hispanic, and Middle-Eastern), each carrying spices they've prepared. Their expressions are a mix of reverence and surprise as they approach a large, empty tomb set against a soft, glowing light of sunrise. The scene is serene and full of anticipation, with a beautifully painted sky reflecting the time of day. Please remember, no text or words should be present in the image.

Luke 24:1

Luke 1:32

A Classical Renaissance depiction of the concept inspired from Luke 1:32, without any text or words. The scene portrays an angel relaying a message to a young woman, signifying the divine announcement, often symbolized in Renaissance art by a ray of light or a small dove.

Luke 1:32

Luke 1:32

Illustration of the biblical scene mentioned in Luke 1:32, depicted as a Renaissance era painting. In this scene, the angel Gabriel announces to Mary that her son will be great and will be called the Son of the Most High. It should encompass the setting, attire, and style of the Renaissance period, paying attention to characteristics such as use of perspective, light, shadow and vibrant colors. There should be no text or words in the image.

Luke 1:32

Luke 1:32

An artwork depicting the biblical scene from Luke 1:32, interpreted in the style typical of the Renaissance era, with an emphasis on realistic human figures, symmetrical layouts, and contrasting light and shadow. The primary theme should be the annunciation, with the angel delivering the message to Mary. The setting should be inside a room with classic architectural elements. Please refrain from including any text or words in the image.

Luke 1:32

Luke 1:32

A biblical scene inspired by the Renaissance era showing the annunciation of Christ's birth. The angel Gabriel is talking to a shocked Mary, pointing towards the heavens. Mary is seated, wrapped in simple clothing with her hands crossed over her chest. The angel stands in the dominating position with wings spread wide, covered in radiant, ethereal light. In the background, Italian city-state buildings can be seen. There is also a hint of golden aura enveloping the whole scene. The color palette is muted yet rich, emulating the techniques used before 1912, and the scene is infused with intense emotional expressions typical of that period.

Luke 1:32

Luke 1:39

Depict the scene from 'Luke 1:39', where Mary visits Elizabeth, in a respectful and devotional manner. The style should recall the intricate details, depth and realism typically found in the Renaissance era. Do not include any text or words in the image. Please use a medium similar to oil on canvas often used during that time.

Luke 1:39

Luke 1:32

Create a depiction of the scene from Luke 1:32, often interpreted as the moment of the Annunciation in Christian tradition, rendered in the detailed and realistic style characteristic of the Renaissance period. In this scene, envision an angel visiting a teenaged Caucasian woman in a humble rustic room, respecting the absence of text in communicate the narrative purely through visual elements.

Luke 1:32

Luke 1:32

A colorful and dramatic scene inspired by the renaissance period, depicting the biblical passage Luke 1:32. On the right, a humble yet radiant woman, who is of Middle-Eastern descent, is gazing with awe and wonder at a majestic celestial figure on the left. The figure, characterized by radiant light, outstretched wings, and a noble posture, conveys a message to the woman with a gentle hand gesture. Behind them, there's a backdrop of a tranquil domestic interior, showcasing the detailing and depth of perspective typical of Renaissance art. Please refrain from including any text or words, focusing solely on the visual storytelling.

Luke 1:32

Luke 3:3 - "And he came into all the country about Jordan, preaching the baptism of repentance for the remission of sins;"

An image illustrating Luke 3:3, 'And he came into all the country about Jordan, preaching the baptism of repentance for the remission of sins;' Conceptualize a Middle-Eastern man, presumably in biblical clothing, traveling through a typical Jordanian countryside environment. He's possibly standing on the banks of the Jordan River, speaking to a diverse group of people from different descents and genders. Emphasize a sense of humility and repentance in the crowd's demeanor. Render the scene in a digital art style, with a sense of vibrant colors and textures.

Luke 3:3 - "And he came into all the country about Jordan, preaching the baptism of repentance for the remission of sins;"

Luke 15:3 - "¶ And he spake this parable unto them, saying,"

Create a carefull digital art representation of the biblical scene where the parable from Luke 15:3 is being told. The scene should depict a gathering of people listening attentively to the speaker against a desert landscape.

Luke 15:3 - "¶ And he spake this parable unto them, saying,"

Luke 3:6 - "And all flesh shall see the salvation of God."

Visualize a digital art interpretation of Luke 3:6 - 'And all flesh shall see the salvation of God.'. The imagery could include multitudes of people from different descents such as Caucasian, Middle-Eastern, Hispanic, South Asian, and Black; each unfolding in awe and humility, witnessing a phenomenal scene of salvation. The overarching scene might capture a universal sentiment of hope and unity emanating from a central focus point, which could represent the symbolic 'salvation of God', depicted as a radiant and awe-inspiring light or energy.

Luke 3:6 - "And all flesh shall see the salvation of God."

Luke 11:3 - "Give us day by day our daily bread."

An image translating Luke 11:3 - 'Give us day by day our daily bread.' Conceptualize this in a style that is present in digital art. The scene should depict an ethereal landscape conveying daybreak, with the sun shining brightly. Against this backdrop, imagine a pair of hands reaching out towards the heavens, earnestly imploring. The showstopper of the image should be a loaf of bread, glowing in the morning sunlight with an aura of delightfulness around it. It should feel spiritual yet whimsical, paying homage to the prayer's essence.

Luke 11:3 - "Give us day by day our daily bread."

Luke 1:3 - "It seemed good to me also, having had perfect understanding of all things from the very first, to write unto thee in order, most excellent Theophilus,"

Luke 1:3 - "It seemed good to me also, having had perfect understanding of all things from the very first, to write unto thee in order, most excellent Theophilus,"

Luke 22:3 - "¶ Then entered Satan into Judas surnamed Iscariot, being of the number of the twelve."

Luke 22:3 - "¶ Then entered Satan into Judas surnamed Iscariot, being of the number of the twelve."

Luke 2:3 - "And all went to be taxed, every one into his own city."

Luke 2:3 - "And all went to be taxed, every one into his own city."

Luke 3:10 - "And the people asked him, saying, What shall we do then?"

An image which illustrates the biblical scripture, Luke 3:10 - 'And the people asked him, saying, What shall we do then?'. Capture the scene which perhaps displays a multitude of individuals gathered around a spiritual leader, discussing deep philosophical questions. Radiate a sense of anticipation, curiosity, and mild confusion in the crowd as they seek wisdom and guidance. Render this celestial scene in the style of digital art, with crisp lines and vibrant colors, while maintaining a classical composition.

Luke 3:10 - "And the people asked him, saying, What shall we do then?"

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”

Luke (1:37) For nothing will be impossible with God.”