Mark 12 Artwork

"And he began to speak unto them by parables. A certain man planted a vineyard, and set an hedge about it, and digged a place for the winefat, and built a tower, and let it out to husbandmen, and went into a far country." - Mark 12:1

Explore Mark 12 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Mark 12:11 - "This was the Lord's doing, and it is marvellous in our eyes?"

Mark 12:11 - "This was the Lord's doing, and it is marvellous in our eyes?"

Mark 1:12 - "And immediately the Spirit driveth him into the wilderness."

Create a digital art visual interpretation of Mark 1:12 - 'And immediately the Spirit driveth him into the wilderness.' The image should include a man being guided into wilderness by an ethereal, spiritual force.

Mark 1:12 - "And immediately the Spirit driveth him into the wilderness."

Mark 6:12 - "And they went out, and preached that men should repent."

Mark 6:12 - "And they went out, and preached that men should repent."

Mark 12:39 - "And the chief seats in the synagogues, and the uppermost rooms at feasts:"

A captivating depiction of a religious setting inspired by the scriptural text Mark 12:39 'And the chief seats in the synagogues, and the uppermost rooms at feasts'. The scene presents the principal seats in the synagogues, signifying places of importance and reverence. Adjacent to this, imagine the topmost rooms during celebratory feasts, filled with joy, laughter, and vibrant community spirit. This richly detailed scene is created in the modern concept of digital artistry showcasing the blend of traditional religious gears into the digital age.

Mark 12:39 - "And the chief seats in the synagogues, and the uppermost rooms at feasts:"

Mark 3:12 - "And he straitly charged them that they should not make him known."

A digital art interpretation of a historical scene from Mark 3:12 - 'And he straitly charged them that they should not make him known.' Picture a group of people being instructed by a central figure under an ancient middle eastern background setting.

Mark 3:12 - "And he straitly charged them that they should not make him known."

Mark 12:3 - "And they caught him, and beat him, and sent him away empty."

Mark 12:3 - "And they caught him, and beat him, and sent him away empty."

Mark 11:12 - "¶ And on the morrow, when they were come from Bethany, he was hungry:"

Mark 11:12 - "¶ And on the morrow, when they were come from Bethany, he was hungry:"

Mark 12:8 - "And they took him, and killed him, and cast him out of the vineyard."

Mark 12:8 - "And they took him, and killed him, and cast him out of the vineyard."

Lamentations 3:12 - "He hath bent his bow, and set me as a mark for the arrow."

Lamentations 3:12 - "He hath bent his bow, and set me as a mark for the arrow."

Acts 12:12 - "And when he had considered the thing, he came to the house of Mary the mother of John, whose surname was Mark; where many were gathered together praying."

Visualize the biblical scene from Acts 12:12 - 'And when he had considered the thing, he came to the house of Mary the mother of John, whose surname was Mark; where many were gathered together praying.' The composition should be depicted in a style typically associated with digital art, featuring vibrant colors, sharp contrasts, and geometric shapes to render the characters and environment.

Acts 12:12 - "And when he had considered the thing, he came to the house of Mary the mother of John, whose surname was Mark; where many were gathered together praying."

Mark 12:18 - "¶ Then come unto him the Sadducees, which say there is no resurrection; and they asked him, saying,"

Mark 12:18 - "¶ Then come unto him the Sadducees, which say there is no resurrection; and they asked him, saying,"

Mark 12:12 - "And they sought to lay hold on him, but feared the people: for they knew that he had spoken the parable against them: and they left him, and went their way."

Mark 12:12 - "And they sought to lay hold on him, but feared the people: for they knew that he had spoken the parable against them: and they left him, and went their way."

Mark 7:12 - "And ye suffer him no more to do ought for his father or his mother;"

Mark 7:12 - "And ye suffer him no more to do ought for his father or his mother;"

Mark 12:27 - "He is not the God of the dead, but the God of the living: ye therefore do greatly err."

Mark 12:27 - "He is not the God of the dead, but the God of the living: ye therefore do greatly err."

Mark 12:13 - "¶ And they send unto him certain of the Pharisees and of the Herodians, to catch him in his words."

Depict a scene encapsulating the essence of Mark 12:13, where representatives of the Pharisees and the Herodians are sent, plotting to trap a man with his own words. The depiction should resemble a digital art style, with clear lines, bold colors, and an aesthetic reminiscent of modern design techniques, excluding any specific artist or studio post 1912.

Mark 12:13 - "¶ And they send unto him certain of the Pharisees and of the Herodians, to catch him in his words."

Mark 12:22 - "And the seven had her, and left no seed: last of all the woman died also."

Mark 12:22 - "And the seven had her, and left no seed: last of all the woman died also."

Mark 12:20 - "Now there were seven brethren: and the first took a wife, and dying left no seed."

Mark 12:20 - "Now there were seven brethren: and the first took a wife, and dying left no seed."

Mark 10:12 - "And if a woman shall put away her husband, and be married to another, she committeth adultery."

Mark 10:12 - "And if a woman shall put away her husband, and be married to another, she committeth adultery."

Mark 12:10 - "And have ye not read this scripture; The stone which the builders rejected is become the head of the corner:"

Mark 12:10 - "And have ye not read this scripture; The stone which the builders rejected is become the head of the corner:"

Mark 16:12 - "¶ After that he appeared in another form unto two of them, as they walked, and went into the country."

Mark 16:12 - "¶ After that he appeared in another form unto two of them, as they walked, and went into the country."

Mark 12:21 - "And the second took her, and died, neither left he any seed: and the third likewise."

Mark 12:21 - "And the second took her, and died, neither left he any seed: and the third likewise."

Mark 12:42 - "And there came a certain poor widow, and she threw in two mites, which make a farthing."

Mark 12:42 - "And there came a certain poor widow, and she threw in two mites, which make a farthing."

Mark 12:5 - "And again he sent another; and him they killed, and many others; beating some, and killing some."

Mark 12:5 - "And again he sent another; and him they killed, and many others; beating some, and killing some."

Mark 5:12 - "And all the devils besought him, saying, Send us into the swine, that we may enter into them."

Depict an illustrious scene from biblical times. A congregation of spectral entities is beseeching a holy figure, pleading to be sent into a nearby herd of swine. Paint the scene full of fear and desperation evident on the faces of the spectral entities. The holy figure stands tall, emanating a divine magnitude, while the awed swine huddle together, their eyes widening with an eerie understanding. Display the whole event in a deep, vibrant range of colors, broadly composed pixels, and conspicuous digital brush strokes, eluding the atmosphere of a digital composition.

Mark 5:12 - "And all the devils besought him, saying, Send us into the swine, that we may enter into them."

Mark 12:2 - "And at the season he sent to the husbandmen a servant, that he might receive from the husbandmen of the fruit of the vineyard."

Create a digital art representation of a Biblical scene inspired by Mark 12:2: 'And at the season he sent to the husbandmen a servant, that he might receive from the husbandmen of the fruit of the vineyard.' This scene depicts a servant being sent to the husbandmen amid a flourishing vineyard, awaiting to collect the fruits of the seasonal harvest. The style should prominence the simplicity and vibrancy of colors, as well as the clarity of forms often observed in digital art.

Mark 12:2 - "And at the season he sent to the husbandmen a servant, that he might receive from the husbandmen of the fruit of the vineyard."

Mark 12:16 - "And they brought it. And he saith unto them, Whose is this image and superscription? And they said unto him, Caesar's."

A vividly detailed scene of a biblical setting visualising the verse Mark 12:16, not in the style of any specific modern digital artist, but rather with the textural smoothness, bright colors and sharp contrast often found in digital artwork. In this scene, a group of diverse men are seen presenting a coin to a central figure. The coin is a key focus of the image, highlighted in the central figure's hand with a superscription and an image engraved upon it. Around them, ancient architecture, flowing robes, and the light of an overhead sun create an atmosphere of antiquity.

Mark 12:16 - "And they brought it. And he saith unto them, Whose is this image and superscription? And they said unto him, Caesar's."

Mark 12:25 - "For when they shall rise from the dead, they neither marry, nor are given in marriage; but are as the angels which are in heaven."

A scene embodying the biblical verse, Mark 12:25 - 'For when they shall rise from the dead, they neither marry, nor are given in marriage; but are as the angels which are in heaven.' Visualized in a digital art style, the scene should depict individuals rising from an ethereal realm, appearing to transform into beings of light, similar to angels. There should be no marital symbolism, rather focus on their ascension and transformation. This is not a replication of a traditional marriage scene, but rather a metaphorical visual representation of the verse. This is all happening in a divine, celestial landscape reminiscent of what one might imagine as heaven.

Mark 12:25 - "For when they shall rise from the dead, they neither marry, nor are given in marriage; but are as the angels which are in heaven."

Mark 12:35 - "¶ And Jesus answered and said, while he taught in the temple, How say the scribes that Christ is the Son of David?"

Visualize a scene from a biblical story where a wise figure is teaching in a structure of grandeur, addressing how some scholars interpret that a divine being is the offspring of a historical figure. The figure is seen speaking with a charismatic aura, questioning the surrounding crowd in the classic gold-tinged, deeply shadowed, and thickly painted style of the late Romantic period. The medium of the image should resemble digital art.

Mark 12:35 - "¶ And Jesus answered and said, while he taught in the temple, How say the scribes that Christ is the Son of David?"

Mark 12:38 - "¶ And he said unto them in his doctrine, Beware of the scribes, which love to go in long clothing, and love salutations in the marketplaces,"

A scene inspired by Mark 12:38, featuring individuals walking around marketplaces clad in long, flowing clothing. They are engrossed in cordial greetings with each other. The image is to be created with the aesthetics of digital art form.

Mark 12:38 - "¶ And he said unto them in his doctrine, Beware of the scribes, which love to go in long clothing, and love salutations in the marketplaces,"

Mark 12:31 - "And the second is like, namely this, Thou shalt love thy neighbour as thyself. There is none other commandment greater than these."

Mark 12:31 - "And the second is like, namely this, Thou shalt love thy neighbour as thyself. There is none other commandment greater than these."