Nehemiah 11 Artwork

"And the rulers of the people dwelt at Jerusalem: the rest of the people also cast lots, to bring one of ten to dwell in Jerusalem the holy city, and nine parts to dwell in other cities." - Nehemiah 11:1

Explore Nehemiah 11 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NehemiahNehemiah 11Nehemiah 11:1
Nehemiah 11:34 - "Hadid, Zeboim, Neballat,"

Nehemiah 11:34 - "Hadid, Zeboim, Neballat,"

Nehemiah 10:11 - "Micha, Rehob, Hashabiah," An illustrative representation of a scriptural quote from Nehemiah 10:11 - 'Micha, Rehob, Hashabiah.' The letters are finely crafted and intricately detailed, designed with vibrant colors and dynamic shapes. The style used should be reminiscent of high-quality digital art where each detail is precisely and meticulously rendered.

Nehemiah 10:11 - "Micha, Rehob, Hashabiah,"

Nehemiah 11:33 - "Hazor, Ramah, Gittaim,"

Nehemiah 11:33 - "Hazor, Ramah, Gittaim,"

Nehemiah 11:32 - "And at Anathoth, Nob, Ananiah,"

Nehemiah 11:32 - "And at Anathoth, Nob, Ananiah,"

Nehemiah 11:29 - "And at En-rimmon, and at Zareah, and at Jarmuth," A vibrant, detailed image that depicts a scene inspired by Nehemiah 11:29 - 'And at En-rimmon, and at Zareah, and at Jarmuth,'. Envision this scene with rolling hills, lush trees, and intricate architecture, done in the medium of digital art.

Nehemiah 11:29 - "And at En-rimmon, and at Zareah, and at Jarmuth,"

Nehemiah 11:26 - "And at Jeshua, and at Moladah, and at Beth-phelet,"

Nehemiah 11:26 - "And at Jeshua, and at Moladah, and at Beth-phelet,"

Nehemiah 11:35 - "Lod, and Ono, the valley of craftsmen." Generate an artistic representation of the biblical scene from Nehemiah 11:35 - 'Lod, and Ono, the valley of craftsmen.' This scene depicts Lod and Ono, identified as places filled with workshops and craftsmen at work. The valley scene is characterized by the texture of hewn stones, and tools scattered around, with figures diligently involved in their craft. To visualize this in a medium akin to digital art, imagine the scene created with a contemporary crispness, vivid colors, and digital precision.

Nehemiah 11:35 - "Lod, and Ono, the valley of craftsmen."

Nehemiah 11:28 - "And at Ziklag, and at Mekonah, and in the villages thereof," Visualize a scene inspired by the biblical verse Nehemiah 11:28: "And at Ziklag, and at Mekonah, and in the villages thereof,". The artwork should be designed with the characteristics of early 20th century impressionist style paintings, using the primary medium of oil on canvas, but translated into a digital medium.

Nehemiah 11:28 - "And at Ziklag, and at Mekonah, and in the villages thereof,"

Nehemiah 11:36 - "And of the Levites were divisions in Judah, and in Benjamin."

Nehemiah 11:36 - "And of the Levites were divisions in Judah, and in Benjamin."

Nehemiah 11:10 - "Of the priests: Jedaiah the son of Joiarib, Jachin."

Nehemiah 11:10 - "Of the priests: Jedaiah the son of Joiarib, Jachin."

Nehemiah 12:11 - "And Joiada begat Jonathan, and Jonathan begat Jaddua." An artistic representation of the biblical verse Nehemiah 12:11 - 'And Joiada begat Jonathan, and Jonathan begat Jaddua.' Depict this scene as a stately transition of generations, with three distinct male figures set in ancient times. Each figure is passing on a symbolic item to the next, symbolizing the line of descent. Render this image in a digital art style, with clean lines, sharp details, and vibrant colors. The atmosphere should evoke reverence and respect for a long line of lineage.

Nehemiah 12:11 - "And Joiada begat Jonathan, and Jonathan begat Jaddua."

Nehemiah 11:27 - "And at Hazar-shual, and at Beer-sheba, and in the villages thereof," An interpretation of the landscape mentioned in Nehemiah 11:27 - 'At Hazar-shual, and at Beer-sheba, and in the villages thereof,'. Imagined as a peaceful pastoral scene with rolling hills, ancient buildings and vast deserts, created in the manner of digital art techniques.

Nehemiah 11:27 - "And at Hazar-shual, and at Beer-sheba, and in the villages thereof,"

Nehemiah 2:11 - "So I came to Jerusalem, and was there three days."

Nehemiah 2:11 - "So I came to Jerusalem, and was there three days."

Nehemiah 11:8 - "And after him Gabbai, Sallai, nine hundred twenty and eight." Create a digital art interpretation of Nehemiah 11:8 - 'And after him Gabbai, Sallai, nine hundred twenty and eight.' This image should embody the essence of this biblical passage.

Nehemiah 11:8 - "And after him Gabbai, Sallai, nine hundred twenty and eight."

Nehemiah 11:21 - "But the Nethinims dwelt in Ophel: and Ziha and Gispa were over the Nethinims." Visual representation of the biblical verse Nehemiah 11:21 'But the Nethinims dwelt in Ophel: and Ziha and Gispa were over the Nethinims.'. The scene should depict the Nethinims living in a location named Ophel, and two individuals, presumably leaders, named Ziha and Gispa, exhibiting a sense of authority over the Nethinims. Render this depiction in a digital art style.

Nehemiah 11:21 - "But the Nethinims dwelt in Ophel: and Ziha and Gispa were over the Nethinims."

Nehemiah 11:11 - "Seraiah the son of Hilkiah, the son of Meshullam, the son of Zadok, the son of Meraioth, the son of Ahitub, was the ruler of the house of God." Visualize a scene inspired by Nehemiah 11:11 - 'Seraiah the son of Hilkiah, the son of Meshullam, the son of Zadok, the son of Meraioth, the son of Ahitub, was the ruler of the house of God.' Set in an ancient era, depict Seraiah being a ruler in a grand house of worship, filled with ancient Hebrew symbols and architecture. Picture this in a modern digital art style but without referencing a specific artist.

Nehemiah 11:11 - "Seraiah the son of Hilkiah, the son of Meshullam, the son of Zadok, the son of Meraioth, the son of Ahitub, was the ruler of the house of God."

Nehemiah 11:2 - "And the people blessed all the men, that willingly offered themselves to dwell at Jerusalem."

Nehemiah 11:2 - "And the people blessed all the men, that willingly offered themselves to dwell at Jerusalem."

Nehemiah 11:16 - "And Shabbethai and Jozabad, of the chief of the Levites, had the oversight of the outward business of the house of God."

Nehemiah 11:16 - "And Shabbethai and Jozabad, of the chief of the Levites, had the oversight of the outward business of the house of God."

Nehemiah 11:9 - "And Joel the son of Zichri was their overseer: and Judah the son of Senuah was second over the city." Render an image inspired by the biblical verse Nehemiah 11:9 - 'And Joel the son of Zichri was their overseer: and Judah the son of Senuah was second over the city.' The scene should display two men, Joel and Judah, in a position of leadership in an ancient city. Each man should be unique in appearance, showing diverse descent, with Joel being Black and Judah being Caucasian. They should be depicted in antiquated attire reflecting their roles of power, against the backdrop of an expansive city under their oversight. Opt for a digital art aesthetic, without imitating a specific post-1912 artist or creative professional.

Nehemiah 11:9 - "And Joel the son of Zichri was their overseer: and Judah the son of Senuah was second over the city."

Nehemiah 7:11 - "The children of Pahath-moab, of the children of Jeshua and Joab, two thousand and eight hundred and eighteen."

Nehemiah 7:11 - "The children of Pahath-moab, of the children of Jeshua and Joab, two thousand and eight hundred and eighteen."

Nehemiah 11:19 - "Moreover the porters, Akkub, Talmon, and their brethren that kept the gates, were an hundred seventy and two." Create a historically inspired depiction based on the biblical verse Nehemiah 11:19: 'Moreover the porters, Akkub, Talmon, and their brethren that kept the gates, were an hundred seventy and two.' Highlight the historical essence and significance of this verse, with the key figures being gatekeepers during biblical times. Integrate elements such as ancient architecture, period-appropriate clothing, and a sense of duty as they stand guard. Please create this representation using a digital art style.

Nehemiah 11:19 - "Moreover the porters, Akkub, Talmon, and their brethren that kept the gates, were an hundred seventy and two."

Nehemiah 11:23 - "For it was the king's commandment concerning them, that a certain portion should be for the singers, due for every day."

Nehemiah 11:23 - "For it was the king's commandment concerning them, that a certain portion should be for the singers, due for every day."

Nehemiah 11:15 - "Also of the Levites: Shemaiah the son of Hashub, the son of Azrikam, the son of Hashabiah, the son of Bunni;" A visual interpretation of a biblical verse, specifically Nehemiah 11:15. It portrays the lineage of Shemaiah, which includes Hashub, Azrikam, Hashabiah, and Bunni. The design is to be modern though not digital since it's restricted. Hence, it can be portrayed in an intricate geometric style that maintains a sense of the ancient Near East setting. The detailing can be intricate where each person in the lineage can be represented with a different symbol. The color palette can be inspired by the earthy tones of the ancient Near East, incorporating hues of brown, gold, olive green and deep blue.

Nehemiah 11:15 - "Also of the Levites: Shemaiah the son of Hashub, the son of Azrikam, the son of Hashabiah, the son of Bunni;"

Nehemiah 11:31 - "The children also of Benjamin from Geba dwelt at Michmash, and Aija, and Beth-el, and in their villages,"

Nehemiah 11:31 - "The children also of Benjamin from Geba dwelt at Michmash, and Aija, and Beth-el, and in their villages,"

Nehemiah 11:20 - "¶ And the residue of Israel, of the priests, and the Levites, were in all the cities of Judah, every one in his inheritance." An artistic representation of the biblical verse from Nehemiah 11:20: 'And the residue of Israel, of the priests, and the Levites, were in all the cities of Judah, everyone in his inheritance.' The image should depict the individuals of different descents including Caucasian, Middle-Eastern, and Black, across the cities of Judah, each in their respective inherited lands. The image is conveyed in the delicate and expressive style of digital art.

Nehemiah 11:20 - "¶ And the residue of Israel, of the priests, and the Levites, were in all the cities of Judah, every one in his inheritance."

Nehemiah 11:6 - "All the sons of Perez that dwelt at Jerusalem were four hundred threescore and eight valiant men." Generate a digital art representation of a biblical scene inspired by Nehemiah 11:6. The scene should depict 'All the sons of Perez that dwelt at Jerusalem', specifically number at four hundred and sixty eight, and highlight their valiant personality. The backdrop to this display would be the ancient city of Jerusalem, featuring its characteristic architecture. Do not use modern digital art elements; instead, create a digital piece that draws influence from traditional biblical story illustrations.

Nehemiah 11:6 - "All the sons of Perez that dwelt at Jerusalem were four hundred threescore and eight valiant men."

Nehemiah 3:11 - "Malchijah the son of Harim, and Hashub the son of Pahath-moab, repaired the other piece, and the tower of the furnaces."

Nehemiah 3:11 - "Malchijah the son of Harim, and Hashub the son of Pahath-moab, repaired the other piece, and the tower of the furnaces."

Nehemiah 11:14 - "And their brethren, mighty men of valour, an hundred twenty and eight: and their overseer was Zabdiel, the son of one of the great men." Create a visualization of Nehemiah 11:14, which portrays 'their brethren, mighty men of valor, numbering one hundred and twenty-eight, with their overseer named Zabdiel, the son of one of the great men.' The image should be in a digitally created style.

Nehemiah 11:14 - "And their brethren, mighty men of valour, an hundred twenty and eight: and their overseer was Zabdiel, the son of one of the great men."

Nehemiah 11:24 - "And Pethahiah the son of Meshezabeel, of the children of Zerah the son of Judah, was at the king's hand in all matters concerning the people." Illustrate a vibrant, detailed, and captivating image depicting the scene from the biblical verse Nehemiah 11:24: 'And Pethahiah the son of Meshezabeel, of the children of Zerah the son of Judah, was at the king's hand in all matters concerning the people.' This image is to be imbued with a sense of responsibility and authority, showing Pethahiah, a Middle-Eastern man in his thirties, clothed in ancient garb, with thoughtful brown eyes and black hair, respectfully present at the side of an older, similarly Middle-Eastern king, who is seated on a throne, quietly discussing matters of state and welfare. The architectural setting and props should evoke the historical context of the Judah kingdom, and all should be rendered with the clarity and precision typical of digital art.

Nehemiah 11:24 - "And Pethahiah the son of Meshezabeel, of the children of Zerah the son of Judah, was at the king's hand in all matters concerning the people."

Nehemiah 11:18 - "All the Levites in the holy city were two hundred fourscore and four." respectful, symbolic bible verse art Visual interpretation of the bible verse Nehemiah 11:18 - 'All the Levites in the holy city were two hundred fourscore and four.' Designed to portray a respectful and symbolic scenario, illustrated in a digital art style. Imagine an ancient holy city, with 284 Levites, each person depicted with care and individuality. The city and people depicted in rich and contrasting hues, drawing on aesthetics from digital art.

Nehemiah 11:18 - "All the Levites in the holy city were two hundred fourscore and four." respectful, symbolic bible verse art