Nehemiah 6 Artwork

"Now it came to pass, when Sanballat, and Tobiah, and Geshem the Arabian, and the rest of our enemies, heard that I had builded the wall, and that there was no breach left therein; (though at that time I had not set up the doors upon the gates;)" - Nehemiah 6:1

Explore Nehemiah 6 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NehemiahNehemiah 6Nehemiah 6:1
Nehemiah 12:6 - "Shemaiah, and Joiarib, Jedaiah,"

Nehemiah 12:6 - "Shemaiah, and Joiarib, Jedaiah,"

Nehemiah 10:6 - "Daniel, Ginnethon, Baruch,"

Nehemiah 10:6 - "Daniel, Ginnethon, Baruch,"

Nehemiah 5:6 - "¶ And I was very angry when I heard their cry and these words." "Nehemiah 5:6 - 'And I was very angry when I heard their cry and these words.'" rendered in an abstract form, utilizing vibrant colors, geometric shapes, and digital textures to evoke the intense emotions heard in the cries and words. The scene can be encapsulated in a futuristic digital aesthetic, incorporating elements that represent sound waves and textual symbols.

Nehemiah 5:6 - "¶ And I was very angry when I heard their cry and these words."

Nehemiah 6:15 – "So the wall was completed on the twenty-fifth of Elul, in fifty-two days." An illustration that captures the spirit of Nehemiah 6:15 - 'So the wall was completed on the twenty-fifth of Elul, in fifty-two days.' The scene should convey the scale and grandeur of the completed wall, people celebrating, and a sense of time passing to express the fifty-two days. All in the detailed, realistic and grandiose style seen in the art during Renaissance period, primarily using oil on canvas.

Nehemiah 6:15 – "So the wall was completed on the twenty-fifth of Elul, in fifty-two days."

Nehemiah 6:15 – "So the wall was completed on the twenty-fifth of Elul, in fifty-two days."

Nehemiah 6:15 – "So the wall was completed on the twenty-fifth of Elul, in fifty-two days."

Nehemiah 6:15 - "¶ So the wall was finished in the twenty and fifth day of the month Elul, in fifty and two days." Illustrate a serene scene featuring a grandly constructed wall, finished and splendid in its completeness. The backdrop is set during the 25th day of a month, potentially hinting at the changing seasons. The style should emulate the characteristics of digital artwork, with sharp lines, vivid colors, and high contrast.

Nehemiah 6:15 - "¶ So the wall was finished in the twenty and fifth day of the month Elul, in fifty and two days."

Nehemiah 11:6 - "All the sons of Perez that dwelt at Jerusalem were four hundred threescore and eight valiant men." Generate a digital art representation of a biblical scene inspired by Nehemiah 11:6. The scene should depict 'All the sons of Perez that dwelt at Jerusalem', specifically number at four hundred and sixty eight, and highlight their valiant personality. The backdrop to this display would be the ancient city of Jerusalem, featuring its characteristic architecture. Do not use modern digital art elements; instead, create a digital piece that draws influence from traditional biblical story illustrations.

Nehemiah 11:6 - "All the sons of Perez that dwelt at Jerusalem were four hundred threescore and eight valiant men."

Nehemiah 6:6 - "Wherein was written, It is reported among the heathen, and Gashmu saith it, that thou and the Jews think to rebel: for which cause thou buildest the wall, that thou mayest be their king, according to these words." Illustrate a scene from the biblical book of Nehemiah, chapter 6, verse 6. The image should focus on the documented report of unrest among the heathen, and Gashmu's proclamation of rebellion against the Jews. The primary element should be the construction of a wall, symbolizing self-rule intentions. The words 'that thou mayest be their king, according to these words' need to be intricately interwoven into the image. The illustration should emulate the style of digital art, ensuring the aesthetics showcase contemporary digital rendering techniques.

Nehemiah 6:6 - "Wherein was written, It is reported among the heathen, and Gashmu saith it, that thou and the Jews think to rebel: for which cause thou buildest the wall, that thou mayest be their king, according to these words."

Nehemiah 6:5 - "Then sent Sanballat his servant unto me in like manner the fifth time with an open letter in his hand;"

Nehemiah 6:5 - "Then sent Sanballat his servant unto me in like manner the fifth time with an open letter in his hand;"

Nehemiah 6:4 - "Yet they sent unto me four times after this sort; and I answered them after the same manner."

Nehemiah 6:4 - "Yet they sent unto me four times after this sort; and I answered them after the same manner."

Nehemiah 4:6 - "So built we the wall; and all the wall was joined together unto the half thereof: for the people had a mind to work." Visualize a scene inspired by Nehemiah 4:6, 'So built we the wall; and all the wall was joined together unto the half thereof: for the people had a mind to work.' Picture a massive wall under construction, being diligently worked on by individuals from different descents and genders. They are joining the two halves of the wall together, animated by a strong determination to accomplish their task. The scene hints at a sense of unity and common purpose. Let's imagine this in the style of early 20th-century art, characterized by bright colors, exaggerated forms, and dramatic compositions, rendered in a digital medium.

Nehemiah 4:6 - "So built we the wall; and all the wall was joined together unto the half thereof: for the people had a mind to work."

Nehemiah 6:17 - "¶ Moreover in those days the nobles of Judah sent many letters unto Tobiah, and the letters of Tobiah came unto them." Depict a scene from a historic era showing nobles, identifiable by their resplendent attire and crowns, engaged in the act of sending and receiving letters. These nobles are meant to represent those from Biblical Judah, so they should look Middle-Eastern. One centrally placed figure should be carefully drafting a letter, whilst another close by should be intently reading a received parchment. Around them, their regal court pulses with activity, everyone engrossed in their own tasks. The style should incorporate the visual elements common to digital art: crisp lines, vibrant colors, and distinct forms.

Nehemiah 6:17 - "¶ Moreover in those days the nobles of Judah sent many letters unto Tobiah, and the letters of Tobiah came unto them."

Nehemiah 6:8 - "Then I sent unto him, saying, There are no such things done as thou sayest, but thou feignest them out of thine own heart."

Nehemiah 6:8 - "Then I sent unto him, saying, There are no such things done as thou sayest, but thou feignest them out of thine own heart."

Nehemiah 6:13 - "Therefore was he hired, that I should be afraid, and do so, and sin, and that they might have matter for an evil report, that they might reproach me." Illustrate the biblical verse Nehemiah 6:13 - 'Therefore was he hired, that I should be afraid, and do so, and sin, and that they might have matter for an evil report, that they might reproach me.' Convey it in the style of a digital work of art implying detailed linework, vivid color contrasts, and a sense of depth.

Nehemiah 6:13 - "Therefore was he hired, that I should be afraid, and do so, and sin, and that they might have matter for an evil report, that they might reproach me."

Nehemiah 6:11 - "And I said, Should such a man as I flee? and who is there, that, being as I am, would go into the temple to save his life? I will not go in." An image inspired by the quote from Nehemiah 6:11: 'And I said, Should such a man as I flee? and who is there, that, being as I am, would go into the temple to save his life? I will not go in.' Visualize this as a man standing firm in the face of adversity, refusing to enter an ancient temple amidst the backdrop of turmoil and chaos. The scene should have the aesthetics of digital art.

Nehemiah 6:11 - "And I said, Should such a man as I flee? and who is there, that, being as I am, would go into the temple to save his life? I will not go in."

Nehemiah 6:19 - "Also they reported his good deeds before me, and uttered my words to him. And Tobiah sent letters to put me in fear." Portray the biblical scripture Nehemiah 6:19 - 'Also they reported his good deeds before me, and uttered my words to him. And Tobiah sent letters to put me in fear.' as an image. The scene should have the vibe of a narration unfolding, viz. a figure receiving word about someone's good deeds and letters with an undertone of fear. As an overall feeling of digital art is desired, use sharp lines, vivid colors, and intricate details reminiscent of pixelated artwork.

Nehemiah 6:19 - "Also they reported his good deeds before me, and uttered my words to him. And Tobiah sent letters to put me in fear."

Nehemiah 6:12 - "And, lo, I perceived that God had not sent him; but that he pronounced this prophecy against me: for Tobiah and Sanballat had hired him."

Nehemiah 6:12 - "And, lo, I perceived that God had not sent him; but that he pronounced this prophecy against me: for Tobiah and Sanballat had hired him."

Nehemiah 6:9 - "For they all made us afraid, saying, Their hands shall be weakened from the work, that it be not done. Now therefore, O God, strengthen my hands."

Nehemiah 6:9 - "For they all made us afraid, saying, Their hands shall be weakened from the work, that it be not done. Now therefore, O God, strengthen my hands."

Nehemiah 6:14 - "My God, think thou upon Tobiah and Sanballat according to these their works, and on the prophetess Noadiah, and the rest of the prophets, that would have put me in fear."

Nehemiah 6:14 - "My God, think thou upon Tobiah and Sanballat according to these their works, and on the prophetess Noadiah, and the rest of the prophets, that would have put me in fear."

Nehemiah 10:1 - "Now those that sealed were, Nehemiah, the Tirshatha, the son of Hachaliah, and Zidkijah," A highly detailed image depicting the moment of Nehemiah, the Tirshatha, the son of Hachaliah, and Zidkijah sealing a covenant as described in Nehemiah 10:1. This scene portrays these biblical figures in a solemn, ceremonial setting, with an atmosphere of gravity and reverence. Their expressions and body language should reflect their solemn commitment to the act of sealing the covenant. We do not need a digital style, but a classical, timeless representation of this biblical verse.

Nehemiah 10:1 - "Now those that sealed were, Nehemiah, the Tirshatha, the son of Hachaliah, and Zidkijah,"

Nehemiah 8:6 - "And Ezra blessed the LORD, the great God. And all the people answered, Amen, Amen, with lifting up their hands: and they bowed their heads, and worshipped the LORD with their faces to the ground."

Nehemiah 8:6 - "And Ezra blessed the LORD, the great God. And all the people answered, Amen, Amen, with lifting up their hands: and they bowed their heads, and worshipped the LORD with their faces to the ground."

Nehemiah 6:2 - "That Sanballat and Geshem sent unto me, saying, Come, let us meet together in some one of the villages in the plain of Ono. But they thought to do me mischief."

Nehemiah 6:2 - "That Sanballat and Geshem sent unto me, saying, Come, let us meet together in some one of the villages in the plain of Ono. But they thought to do me mischief."

Nehemiah 13:6 - "But in all this time was not I at Jerusalem: for in the two and thirtieth year of Artaxerxes king of Babylon came I unto the king, and after certain days obtained I leave of the king:"

Nehemiah 13:6 - "But in all this time was not I at Jerusalem: for in the two and thirtieth year of Artaxerxes king of Babylon came I unto the king, and after certain days obtained I leave of the king:"

Nehemiah 3:6 - "Moreover the old gate repaired Jehoiada the son of Paseah, and Meshullam the son of Besodeiah; they laid the beams thereof, and set up the doors thereof, and the locks thereof, and the bars thereof." An ancient gate being devoutly repaired, capturing the historical essence of the Biblical era. This scene features two Middle Eastern men: Jehoiada, the son of Paseah, who is energetically laying the beams, and Meshullam, the son of Besodeiah, who is meticulously setting up the doors, installing the locks, and arranging the bars. All around them is an atmosphere of diligence, reciprocity, and timelessness. Translated into a digital art context, the image gleams with precision lines, stark contrasts, and vibrant hues, following an old-meets-new aesthetic.

Nehemiah 3:6 - "Moreover the old gate repaired Jehoiada the son of Paseah, and Meshullam the son of Besodeiah; they laid the beams thereof, and set up the doors thereof, and the locks thereof, and the bars thereof."

Nehemiah 7:6 - "These are the children of the province, that went up out of the captivity, of those that had been carried away, whom Nebuchadnezzar the king of Babylon had carried away, and came again to Jerusalem and to Judah, every one unto his city;" An elaborate digital art interpretation of a moment from the Bible, specifically Nehemiah 7:6. The scene depicts a large group of individuals journeying from the depths of captivity, led away by the king of a powerful empire, and now returning triumphantly to their homeland, Jerusalem and Judah. They are seen traversing various terrains, each moving determinedly towards the city that signifies their own origin.

Nehemiah 7:6 - "These are the children of the province, that went up out of the captivity, of those that had been carried away, whom Nebuchadnezzar the king of Babylon had carried away, and came again to Jerusalem and to Judah, every one unto his city;"

Nehemiah 12:26 - "These were in the days of Joiakim the son of Jeshua, the son of Jozadak, and in the days of Nehemiah the governor, and of Ezra the priest, the scribe." Depict a scene from the period described in Nehemiah 12:26 from the Bible. Include figures such as Joiakim, Jeshua, Jozadak, Nehemiah the governor, and Ezra the priest. The style should recall the digital art technique, employing crisp lines, vibrant colors, and pixel-like structures.

Nehemiah 12:26 - "These were in the days of Joiakim the son of Jeshua, the son of Jozadak, and in the days of Nehemiah the governor, and of Ezra the priest, the scribe."

Nehemiah 6:18 - "For there were many in Judah sworn unto him, because he was the son in law of Shechaniah the son of Arah; and his son Johanan had taken the daughter of Meshullam the son of Berechiah."

Nehemiah 6:18 - "For there were many in Judah sworn unto him, because he was the son in law of Shechaniah the son of Arah; and his son Johanan had taken the daughter of Meshullam the son of Berechiah."

Nehemiah 1:1 - "The words of Nehemiah the son of Hachaliah. And it came to pass in the month Chisleu, in the twentieth year, as I was in Shushan the palace,"

Nehemiah 1:1 - "The words of Nehemiah the son of Hachaliah. And it came to pass in the month Chisleu, in the twentieth year, as I was in Shushan the palace,"

Nehemiah 6:7 - "And thou hast also appointed prophets to preach of thee at Jerusalem, saying, There is a king in Judah: and now shall it be reported to the king according to these words. Come now therefore, and let us take counsel together." Create a digital art inspired depiction of a scene based on Nehemiah 6:7. The scene shows prophets in traditional attire preaching in an ancient city, possibly Jerusalem, with architecture characteristic of Judah. The prophets are announcing the presence of a king in Judah. In the foreground, a group of people gather, seemingly involved in deep discussion, signifying the phrase 'let us take counsel together'. The color palette should be one befitting of an age-old tale, with rich earth tones, and the air should be filled with a sense of historical seriousness.

Nehemiah 6:7 - "And thou hast also appointed prophets to preach of thee at Jerusalem, saying, There is a king in Judah: and now shall it be reported to the king according to these words. Come now therefore, and let us take counsel together."

Nehemiah 10:18 - "Hodijah, Hashum, Bezai,"

Nehemiah 10:18 - "Hodijah, Hashum, Bezai,"