Nehemiah 7 Artwork

"Now it came to pass, when the wall was built, and I had set up the doors, and the porters and the singers and the Levites were appointed," - Nehemiah 7:1

Explore Nehemiah 7 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NehemiahNehemiah 7Nehemiah 7:1
Nehemiah 10:7 - "Meshullam, Abijah, Mijamin,"

Nehemiah 10:7 - "Meshullam, Abijah, Mijamin,"

Nehemiah 7:25 - "The children of Gibeon, ninety and five."

Nehemiah 7:25 - "The children of Gibeon, ninety and five."

Nehemiah 7:42 - "The children of Harim, a thousand and seventeen."

Nehemiah 7:42 - "The children of Harim, a thousand and seventeen."

Nehemiah 7:24 - "The children of Hariph, an hundred and twelve." Visual representation of a line from Nehemiah 7:24 - 'The children of Hariph, an hundred and twelve' in a medium reminiscent of art before 1912. Envision this scene in a detailed, rich biblical setting. Inspire from Renaissance era, focusing on the crowd of 112 children, showcasing diverse ethnicities, all under the banner of Hariph.

Nehemiah 7:24 - "The children of Hariph, an hundred and twelve."

Nehemiah 7:56 - "The children of Neziah, the children of Hatipha."

Nehemiah 7:56 - "The children of Neziah, the children of Hatipha."

Nehemiah 7:7 - "Who came with Zerubbabel, Jeshua, Nehemiah, Azariah, Raamiah, Nahamani, Mordecai, Bilshan, Mispereth, Bigvai, Nehum, Baanah. The number, I say, of the men of the people of Israel was this;" Depict an ancient scene inspired by the Biblical account in Nehemiah 7:7, where important figures such as Zerubbabel, Jeshua, Nehemiah, Azariah, Raamiah, Nahamani, Mordecai, Bilshan, Mispereth, Bigvai, Nehum, and Baanah, lead the people of Israel. Show a diverse array of men of varying descents, including but not limited to Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and White, all coming together. This should not emulate any contemporary art style (post 1912) or particular artist, but it should be rendered as digital art, lending a modern touch to this ancient narrative.

Nehemiah 7:7 - "Who came with Zerubbabel, Jeshua, Nehemiah, Azariah, Raamiah, Nahamani, Mordecai, Bilshan, Mispereth, Bigvai, Nehum, Baanah. The number, I say, of the men of the people of Israel was this;"

Nehemiah 7:28 - "The men of Beth-azmaveth, forty and two." A scene inspired by Nehemiah 7:28 - 'The men of Beth-azmaveth, forty and two.' Rendered in the style of digital art with contemporary techniques. This scenario showcases forty-two men standing in a group, each distinguishable by individual attire and features, representing diverse descent such as Hispanic, Middle-Eastern, South Asian, White, Black, and Caucasian. Each character exhibits a unique expression and stance, representing a harmonious blend of human variety. The background is an interpretation of the ancient town of Beth-azmaveth, illustrated with utmost care to depict a historical ambiance fused with modern digital rendering techniques.

Nehemiah 7:28 - "The men of Beth-azmaveth, forty and two."

Nehemiah 7:35 - "The children of Harim, three hundred and twenty."

Nehemiah 7:35 - "The children of Harim, three hundred and twenty."

Nehemiah 7:21 - "The children of Ater of Hezekiah, ninety and eight." Depict the phrase 'The children of Ater of Hezekiah, ninety and eight' as a digital artwork. This design absorbs inspiration from modern times, but is not affiliated to any specific digital artist. Include a vivid palette with sharp contrasts to emulate elements commonly seen in digital art. Try to express the idea of a large group, possibly symbolised by 'ninety and eight', through abstract permutations or repetitions in the composition. The vibe should be historical, capturing the essence of the Biblical times, particularly the era of Hezekiah.

Nehemiah 7:21 - "The children of Ater of Hezekiah, ninety and eight."

Nehemiah 7:14 - "The children of Zaccai, seven hundred and threescore." A visual interpretation of the biblical passage from Nehemiah 7:14 - 'The children of Zaccai, seven hundred and threescore.' depicted in a digital art style. Imagine this scene as a large gathering of people in the middle eastern desert, with each individual representing one of the descendants of Zaccai. The scenario is set under a clear, starlit sky with the silhouette of a distant city seen from the hill they are standing on.

Nehemiah 7:14 - "The children of Zaccai, seven hundred and threescore."

Nehemiah 7:27 - "The men of Anathoth, an hundred twenty and eight." An image depicting the biblical scene from Nehemiah 7:27. Display a scene of 128 men from Anathoth. The men should have diverse descents, including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian. They should be represented in a range of ages and physical builds. The location should be indicative of the historical period and region, possibly including Middle Eastern architecture or landscapes. The style should be reflective of digital art, with clean lines, smooth gradients, and a vibrant color palette.

Nehemiah 7:27 - "The men of Anathoth, an hundred twenty and eight."

Nehemiah 7:33 - "The men of the other Nebo, fifty and two."

Nehemiah 7:33 - "The men of the other Nebo, fifty and two."

Nehemiah 7:31 - "The men of Michmas, an hundred and twenty and two."

Nehemiah 7:31 - "The men of Michmas, an hundred and twenty and two."

Nehemiah 7:40 - "The children of Immer, a thousand fifty and two." A visual representation of Nehemiah 7:40 - 'The children of Immer, a thousand fifty and two.' appearing in a digital art style. This image should show one thousand fifty-two children representing different descents such as Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and East Asian. Emphasize unity and diversity.

Nehemiah 7:40 - "The children of Immer, a thousand fifty and two."

Nehemiah 7:16 - "The children of Bebai, six hundred twenty and eight." Generate an image inspired by Nehemiah 7:16 - 'The children of Bebai, six hundred twenty and eight' in the style of digital art

Nehemiah 7:16 - "The children of Bebai, six hundred twenty and eight."

Nehemiah 7:51 - "The children of Gazzam, the children of Uzza, the children of Phaseah,"

Nehemiah 7:51 - "The children of Gazzam, the children of Uzza, the children of Phaseah,"

Nehemiah 7:22 - "The children of Hashum, three hundred twenty and eight."

Nehemiah 7:22 - "The children of Hashum, three hundred twenty and eight."

Nehemiah 7:50 - "The children of Reaiah, the children of Rezin, the children of Nekoda,"

Nehemiah 7:50 - "The children of Reaiah, the children of Rezin, the children of Nekoda,"

Nehemiah 7:47 - "The children of Keros, the children of Sia, the children of Padon," A representation of a verse from Nehemiah 7:47 - 'The children of Keros, the children of Sia, the children of Padon,' depicted in a contemporary digital art style. The metaphoric scene unfolds with three groups of children, each group distinct and rich with well-defined color palettes and textures. Each group could be represented by a unique symbol that corresponds to the names Keros, Sia, and Padon. The surrounding is serene and peaceful, eliciting a sense of tranquility and unity. The digital art style in question utilizes smooth gradients and striking contrast.

Nehemiah 7:47 - "The children of Keros, the children of Sia, the children of Padon,"

Nehemiah 7:53 - "The children of Bakbuk, the children of Hakupha, the children of Harhur," A digital vignette based on the biblical verse Nehemiah 7:53 - 'The children of Bakbuk, the children of Hakupha, the children of Harhur.' The scene should capture three groups of children, each belonging to Bakbuk, Hakupha, and Harhur respectively. They are engaged in playful activities typical of their era and region. The design is vibrant and uses modern digital textures and shading techniques for a contemporary aesthetic.

Nehemiah 7:53 - "The children of Bakbuk, the children of Hakupha, the children of Harhur,"

Nehemiah 7:54 - "The children of Bazlith, the children of Mehida, the children of Harsha," An image illustrating a biblical passage, Nehemiah 7:54, 'The children of Bazlith, the children of Mehida, the children of Harsha.' It should depict figures in an antique setting that reflects the ancient origins of the text, with an emphasis on harmonious and vivid colors often seen in digital art.

Nehemiah 7:54 - "The children of Bazlith, the children of Mehida, the children of Harsha,"

Nehemiah 7:36 - "The children of Jericho, three hundred forty and five." A scene inspired by Nehemiah 7:36, representing three hundred and forty-five children belonging to the ancient city of Jericho. Display a substantial variety of descent and gender for the children; for example, depict Caucasian children, Hispanic children, Black children, Middle-Eastern children, South Asian children, and East Asian children with equal probability. Additionally, be sure to include both boys and girls equally. Create an atmosphere reminiscent of the biblical era, rich in warm hues, with the significant walled city as their backdrop. Most importantly, design this scene with the artistry and precision of a digital artist.

Nehemiah 7:36 - "The children of Jericho, three hundred forty and five."

Nehemiah 7:23 - "The children of Bezai, three hundred twenty and four." An interpretation of the biblical verse Nehemiah 7:23 stating 'The children of Bezai, three hundred twenty and four.' This scene portrays 324 distinct individuals, symbolizing the children of Bezai, displayed in a digitized visual art style. They are scattered in various sizes, positions and interactions, maintaining harmony within the image. The style being used here, reminiscent of early digital art, is characterized by precise lines, solid color blocks, and an overall feeling of continuity and connection.

Nehemiah 7:23 - "The children of Bezai, three hundred twenty and four."

Nehemiah 7:52 - "The children of Besai, the children of Meunim, the children of Nephishesim," A vibrant digital art interpretation of a scene inspired by Nehemiah 7:52, illustrating 'The children of Besai, the children of Meunim, the children of Nephishesim'. The diverse crowd is filled with children of different descents including Caucasian, Hispanic, Black, Middle-Eastern, South Asian and more. They are dressed in clothes that reflect their cultural background, playing and interacting in a sprawling landscape that symbolizes unity and harmony.

Nehemiah 7:52 - "The children of Besai, the children of Meunim, the children of Nephishesim,"

Nehemiah 7:10 - "The children of Arah, six hundred fifty and two."

Nehemiah 7:10 - "The children of Arah, six hundred fifty and two."

Nehemiah 7:48 - "The children of Lebana, the children of Hagaba, the children of Shalmai,"

Nehemiah 7:48 - "The children of Lebana, the children of Hagaba, the children of Shalmai,"

Nehemiah 7:20 - "The children of Adin, six hundred fifty and five."

Nehemiah 7:20 - "The children of Adin, six hundred fifty and five."

Nehemiah 7:58 - "The children of Jaala, the children of Darkon, the children of Giddel,"

Nehemiah 7:58 - "The children of Jaala, the children of Darkon, the children of Giddel,"

Nehemiah 7:44 - "¶ The singers: the children of Asaph, an hundred forty and eight."

Nehemiah 7:44 - "¶ The singers: the children of Asaph, an hundred forty and eight."

Nehemiah 7:19 - "The children of Bigvai, two thousand threescore and seven."

Nehemiah 7:19 - "The children of Bigvai, two thousand threescore and seven."