Numbers 12 Artwork

"And Miriam and Aaron spake against Moses because of the Ethiopian woman whom he had married: for he had married an Ethiopian woman." - Numbers 12:1

Explore Numbers 12 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NumbersNumbers 12Numbers 12:1
Numbers 1:12 - "Of Dan; Ahiezer the son of Ammishaddai." An image inspired by the biblical verse Numbers 1:12 - 'Of Dan; Ahiezer the son of Ammishaddai.' In the visual, there should be symbolic representations of the tribe of Dan (perhaps a snake or eagle), and a figure representing Ahiezer, the son of Ammishaddai. The scene should be rendered with the characteristics of digital art, including crisp lines, vibrant colors, and intricate detailing.

Numbers 1:12 - "Of Dan; Ahiezer the son of Ammishaddai."

Numbers 13:12 - "Of the tribe of Dan, Ammiel the son of Gemalli."

Numbers 13:12 - "Of the tribe of Dan, Ammiel the son of Gemalli."

Numbers 21:12 - "¶ From thence they removed, and pitched in the valley of Zared." Illustrate a digital art image capturing Numbers 21:12. The scene shows a historical group of people, of various descents and genders, relocating and setting up their housing in the valley of Zared. The valley is filled with a lush green landscape, with towering mountains on either side. In the background, a radiant sunset paints the sky in hues of orange and pink.

Numbers 21:12 - "¶ From thence they removed, and pitched in the valley of Zared."

Numbers 12:9 - "And the anger of the LORD was kindled against them; and he departed."

Numbers 12:9 - "And the anger of the LORD was kindled against them; and he departed."

Numbers 33:12 - "And they took their journey out of the wilderness of Sin, and encamped in Dophkah." Create a digital art-inspired depiction of Numbers 33:12 - 'And they took their journey out of the wilderness of Sin, and encamped in Dophkah.' Picture a group of people exiting a wild, foreboding wilderness and setting up their encampment on the outskirts of Dophkah. In the background, paint the wilderness to appear desolate and harsh, perhaps using shades of bleak gray and chilling blues. Contrast this with the scene of the camp near Dophkah showing warmth, perhaps with hues of orange and red for the setting sun and a welcoming campfire.

Numbers 33:12 - "And they took their journey out of the wilderness of Sin, and encamped in Dophkah."

Numbers 12:12 - "Let her not be as one dead, of whom the flesh is half consumed when he cometh out of his mother's womb."

Numbers 12:12 - "Let her not be as one dead, of whom the flesh is half consumed when he cometh out of his mother's womb."

Numbers 12:16 - "And afterward the people removed from Hazeroth, and pitched in the wilderness of Paran." A digital art depiction of a biblical scene inspired by Numbers 12:16. A bustling scene of people taking down their dwellings from Hazeroth, a place with rugged terrain and a mix of forms that could possibly resemble rocks and trees. Caravans are being loaded, animals harnessed, and belongings packed. There's a subtle aura of restlessness and anticipation in the air. In the backdrop, the wilderness of Paran can be seen stretching out into the distance - a wild landscape of rocky mountains, sparse vegetation, and unending skies.

Numbers 12:16 - "And afterward the people removed from Hazeroth, and pitched in the wilderness of Paran."

Numbers 12:7 - "My servant Moses is not so, who is faithful in all mine house."

Numbers 12:7 - "My servant Moses is not so, who is faithful in all mine house."

Numbers 25:12 - "Wherefore say, Behold, I give unto him my covenant of peace:"

Numbers 25:12 - "Wherefore say, Behold, I give unto him my covenant of peace:"

Numbers 15:12 - "According to the number that ye shall prepare, so shall ye do to every one according to their number."

Numbers 15:12 - "According to the number that ye shall prepare, so shall ye do to every one according to their number."

Numbers 12:13 - "And Moses cried unto the LORD, saying, Heal her now, O God, I beseech thee."

Numbers 12:13 - "And Moses cried unto the LORD, saying, Heal her now, O God, I beseech thee."

Numbers 7:12 - "¶ And he that offered his offering the first day was Nahshon the son of Amminadab, of the tribe of Judah:"

Numbers 7:12 - "¶ And he that offered his offering the first day was Nahshon the son of Amminadab, of the tribe of Judah:"

Numbers 10:12 - "And the children of Israel took their journeys out of the wilderness of Sinai; and the cloud rested in the wilderness of Paran." An interpretation of a scene inspired by the verse Numbers 10:12 - 'And the children of Israel took their journeys out of the wilderness of Sinai; and the cloud rested in the wilderness of Paran.' The scene should depict a group of people journeying through a wilderness that could resemble Sinai, barren and rocky. Heavenwards, a large cloud is seen resting over what could be imagined as the wilderness of Paran, a landscape filled with vast desert and sparse vegetation. The style should be reminiscent of digital art, with clean lines, vibrant colors, and clear details.

Numbers 10:12 - "And the children of Israel took their journeys out of the wilderness of Sinai; and the cloud rested in the wilderness of Paran."

Numbers 14:12 - "I will smite them with the pestilence, and disinherit them, and will make of thee a greater nation and mightier than they." Visual representation of a biblical scene inspired by Numbers 14:12 - 'I will smite them with the pestilence, and disinherit them, and will make of thee a greater nation and mightier than they', rendered in a richly detailed and vibrant digital art style. The image should convey a sense of divine wrath and power. This scene might include symbolic elements like a storm representing pestilence, and a looming larger figure suggesting a greater and mightier nation.

Numbers 14:12 - "I will smite them with the pestilence, and disinherit them, and will make of thee a greater nation and mightier than they."

Numbers 16:12 - "¶ And Moses sent to call Dathan and Abiram, the sons of Eliab: which said, We will not come up:" Digital art interpretation of the biblical scene from Numbers 16:12. The scene depicts Moses, a Middle-Eastern man with a thick, graying beard and stern gaze, dressed in traditional attire, reaching out to unseen figures. He is in a vast, barren desert under a dynamic, swirling cloud-filled sky. His call is directed towards Dathan and Abiram, the sons of Eliab, who stubbornly refuse to come forward, their responses echoed in the harsh winds of the desert.

Numbers 16:12 - "¶ And Moses sent to call Dathan and Abiram, the sons of Eliab: which said, We will not come up:"

Numbers 36:12 - "And they were married into the families of the sons of Manasseh the son of Joseph, and their inheritance remained in the tribe of the family of their father." Illustrate a scene inspired by a biblical passage, Numbers 36:12 - 'And they were married into the families of the sons of Manasseh the son of Joseph, and their inheritance remained in the tribe of the family of their father.' The scene should depict a historical event of a union between families with a focus on symbolism, heritage, and tradition. Convey a sense of togetherness within tribes and families, possibly through depictions of exchanged tokens, communal celebrations or joint family households. Create this depiction in a modern digital art style.

Numbers 36:12 - "And they were married into the families of the sons of Manasseh the son of Joseph, and their inheritance remained in the tribe of the family of their father."

Numbers 32:12 - "Save Caleb the son of Jephunneh the Kenezite, and Joshua the son of Nun: for they have wholly followed the LORD."

Numbers 32:12 - "Save Caleb the son of Jephunneh the Kenezite, and Joshua the son of Nun: for they have wholly followed the LORD."

Daniel 12:12 - "Blessed is he that waiteth, and cometh to the thousand three hundred and five and thirty days." A biblical scene inspired by Daniel 12:12 - 'Blessed is he that waiteth, and cometh to the thousand three hundred and five and thirty days.' could be visualized as follows: a solitary figure standing atop a hill, bathed in a soft, divine light, patiently looking towards the rising sun. The figure is surrounded by a passage of time symbolized by fast-moving clouds and changing seasons over a lush landscape. The numbers '1300', '5', and '30' subtly incorporated into the clouds, trees, or terrain. All this designed with the aesthetics of early 20th century digital art style.

Daniel 12:12 - "Blessed is he that waiteth, and cometh to the thousand three hundred and five and thirty days."

Numbers 26:12 - "¶ The sons of Simeon after their families: of Nemuel, the family of the Nemuelites: of Jamin, the family of the Jaminites: of Jachin, the family of the Jachinites:" A digital art representation of Numbers 26:12 from the Bible. The scene depicts the sons of Simeon, namely Nemuel, Jamin, and Jachin, surrounded by their respective families – the Nemuelites, the Jaminites, and the Jachinites. Each family is distinguishable through unique symbols associated with them. The art is in vibrant color, with attention to detail that makes this biblical verse come alive.

Numbers 26:12 - "¶ The sons of Simeon after their families: of Nemuel, the family of the Nemuelites: of Jamin, the family of the Jaminites: of Jachin, the family of the Jachinites:"

Numbers 22:12 - "And God said unto Balaam, Thou shalt not go with them; thou shalt not curse the people: for they are blessed." Create a digital art representation of a scene from the biblical narrative, Numbers 22:12. In the image, feature an ancient Middle-Eastern man, named Balaam, who is stern yet contemplative in appearance. He is listening to a voice from the heavens — symbolized by a radiant light beaming down on him. Nearby are a group of people, indicating the ones referred to in the verse, 'thou shalt not curse the people: for they are blessed'. They are a mixed group with varied ages and genders: men, women, children of Caucasian, Hispanic, Black, South Asian, and Middle-Eastern descents, all appearing blessed and peaceful.

Numbers 22:12 - "And God said unto Balaam, Thou shalt not go with them; thou shalt not curse the people: for they are blessed."

Numbers 12:5 - "And the LORD came down in the pillar of the cloud, and stood in the door of the tabernacle, and called Aaron and Miriam: and they both came forth." Generate a digital art representation of a scene from the Biblical passage, Numbers 12:5. Depict a majestic deity descending within a pillar of cloud, standing in the doorway of a tabernacle. Visualize Aaron with South Asian descent and Miriam with Middle-Eastern descent, both being called for and walking towards the deity.

Numbers 12:5 - "And the LORD came down in the pillar of the cloud, and stood in the door of the tabernacle, and called Aaron and Miriam: and they both came forth."

Numbers 23:12 - "And he answered and said, Must I not take heed to speak that which the LORD hath put in my mouth?" Visualize a scene that represents the biblical passage Numbers 23:12 - 'And he answered and said, Must I not take heed to speak that which the LORD hath put in my mouth?'. Use a style that illustrates vivid and defined shapes or figures, pay attention to gradients and consider bold and contrasting colors to mimic the style of modern digital art.

Numbers 23:12 - "And he answered and said, Must I not take heed to speak that which the LORD hath put in my mouth?"

Numbers 12:3 - "(Now the man Moses was very meek, above all the men which were upon the face of the earth.)"

Numbers 12:3 - "(Now the man Moses was very meek, above all the men which were upon the face of the earth.)"

Numbers 12:15 - "And Miriam was shut out from the camp seven days: and the people journeyed not till Miriam was brought in again." A dramatic biblical scene presenting Miriam, a Middle-Eastern woman, as she is being shut out from a vibrant and bustling camp. She stands alone outside the camp, looking towards it with sorrow in her eyes. In the background, the camp is full of people of various descents, Caucasian, Hispanic, South Asian, Black and more, all frozen in their journey, waiting. This poignant scene stretches across seven days with time appearing frozen. The digital art style is used to render the scene, featuring sharp lines, bright colors and a contemporary feel.

Numbers 12:15 - "And Miriam was shut out from the camp seven days: and the people journeyed not till Miriam was brought in again."

Numbers 2:12 - "And those which pitch by him shall be the tribe of Simeon: and the captain of the children of Simeon shall be Shelumiel the son of Zurishaddai." A scene from Numbers 2:12, 'And those which pitch by him shall be the tribe of Simeon: and the captain of the children of Simeon shall be Shelumiel the son of Zurishaddai.' Display an ancient encampment setting with tents spread out. One of these tents stands out with a banner signifying it as Simeon's tribe. In the center, you see a leader figure, Shelumiel, standing tall and dignified. He is depicted as a Middle-Eastern man with traditional attire of that era. Visibly inscribed in the sand below them is the quote. The style should be reminiscent of digital art.

Numbers 2:12 - "And those which pitch by him shall be the tribe of Simeon: and the captain of the children of Simeon shall be Shelumiel the son of Zurishaddai."

Numbers 12:2 - "And they said, Hath the LORD indeed spoken only by Moses? hath he not spoken also by us? And the LORD heard it." Depict an image inspired by Numbers 12:2 - "And they said, Hath the LORD indeed spoken only by Moses? hath he not spoken also by us? And the LORD heard it.". Show two people, a Middle-Eastern man and a Black woman, questioning in a biblical setting. They are looking towards the sky with a sense of wonder and curiosity. A soft divine glow emanates from above, signifying the presence of a higher power. Render this scene in the style of digital art.

Numbers 12:2 - "And they said, Hath the LORD indeed spoken only by Moses? hath he not spoken also by us? And the LORD heard it."

Numbers 17:12 - "And the children of Israel spake unto Moses, saying, Behold, we die, we perish, we all perish." A serene biblical scene encapsulating Numbers 17:12 - 'And the children of Israel spake unto Moses, saying, Behold, we die, we perish, we all perish.' The scene features multiple figures in ancient Israeli garments, speaking in earnest to a solemn figure representing Moses. A sense of urgency and despair is palpable. This scene is visually translated into digital art form, manifesting with clean lines, vibrant colors, and modern aesthetic touches.

Numbers 17:12 - "And the children of Israel spake unto Moses, saying, Behold, we die, we perish, we all perish."

Numbers 24:12 - "And Balaam said unto Balak, Spake I not also to thy messengers which thou sentest unto me, saying," An image representing the verse Numbers 24:12 - 'And Balaam said unto Balak, Spake I not also to thy messengers which thou sentest unto me, saying,'. The concept involves Balaam, an ancient religious figure, speaking to Balak. The depiction should be abstract, adapting the dynamic nature and vibrancy which is commonly associated with digital art. The scene is set in an olden context, giving the image a feel of being between ancient storytelling and modern digital aesthetics.

Numbers 24:12 - "And Balaam said unto Balak, Spake I not also to thy messengers which thou sentest unto me, saying,"

Numbers 9:12 - "They shall leave none of it unto the morning, nor break any bone of it: according to all the ordinances of the passover they shall keep it."

Numbers 9:12 - "They shall leave none of it unto the morning, nor break any bone of it: according to all the ordinances of the passover they shall keep it."

Numbers 35:12 - "And they shall be unto you cities for refuge from the avenger; that the manslayer die not, until he stand before the congregation in judgment."

Numbers 35:12 - "And they shall be unto you cities for refuge from the avenger; that the manslayer die not, until he stand before the congregation in judgment."