Numbers 2 Artwork

"And the LORD spake unto Moses and unto Aaron, saying," - Numbers 2:1

Explore Numbers 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NumbersNumbers 2Numbers 2:1
Numbers 2:1 - "And the LORD spake unto Moses and unto Aaron, saying,"

Numbers 2:1 - "And the LORD spake unto Moses and unto Aaron, saying,"

Numbers 2:33 - "But the Levites were not numbered among the children of Israel; as the LORD commanded Moses." Create a digital art interpretation of the biblical verse: Numbers 2:33 - 'But the Levites were not numbered among the children of Israel; as the LORD commanded Moses.' The scene should depict an ancient Middle-Eastern setting with Moses being in dialogue with a divine presence. The Levites could be represented as a distinct group of people set apart from the rest of the Hebrew tribes. Use rich and vibrant colors to differentiate between the individual groups and the environment.

Numbers 2:33 - "But the Levites were not numbered among the children of Israel; as the LORD commanded Moses."

Numbers 2:6 - "And his host, and those that were numbered thereof, were fifty and four thousand and four hundred." Create a digital illustration that represents the biblical quote from Numbers 2:6 - 'And his host, and those that were numbered thereof, were fifty and four thousand and four hundred.' Perhaps depict a grand host of figures standing triumphantly, to symbolize the large number referenced in the passage, against a celestial backdrop to signify the divine context. The figures can vary in appearance, symbolizing the diversity. Render the numbers '54,400' prominently somewhere within the scene, possibly integrated into the celestial background. Make sure the design is rendered in bright, vibrant colors commonly associated with digital art.

Numbers 2:6 - "And his host, and those that were numbered thereof, were fifty and four thousand and four hundred."

Numbers 2:19 - "And his host, and those that were numbered of them, were forty thousand and five hundred."

Numbers 2:19 - "And his host, and those that were numbered of them, were forty thousand and five hundred."

Numbers 2:26 - "And his host, and those that were numbered of them, were threescore and two thousand and seven hundred." A representation of a biblical verse, specifically Numbers 2:26, 'And his host, and those that were numbered of them, were threescore and two thousand and seven hundred.' as a digital art piece. The visual should portray the massive host of people, numbered at 62,700, under a divine light. The style should be modern, yet with a solemn tone, given the ancient source of inspiration, and should explore the visual shape of the numbers and the crowd embodied in this numerical value.

Numbers 2:26 - "And his host, and those that were numbered of them, were threescore and two thousand and seven hundred."

Numbers 2:8 - "And his host, and those that were numbered thereof, were fifty and seven thousand and four hundred." A digital art representation of a scene inspired by a biblical verse, Numbers 2:8 which states, 'And his host, and those that were numbered thereof, were fifty and seven thousand and four hundred.' Imagine numerous people uniformed in ancient attire, creating a massive army, ideally structured in various formations. Try to visibly incorporate the number '57,400' within the scene, perhaps artistically woven into the landscape or sky as an integrated part of the scene.

Numbers 2:8 - "And his host, and those that were numbered thereof, were fifty and seven thousand and four hundred."

Numbers 2:11 - "And his host, and those that were numbered thereof, were forty and six thousand and five hundred." An artistic representation of a biblical verse, Number 2:11 - 'And his host, and those that were numbered thereof, were forty and six thousand and five hundred.' The scene portrays a mass of individuals as subtle forms indicating their numerousness, all crafted in a modern, digital art style. The numbers 46,500 stand out prominently, symbolizing the count of the host. All elements are represented with electronic, pixel-inspired shapes and colors. Shadows, gradients and lighting effects enhance the digital environment.

Numbers 2:11 - "And his host, and those that were numbered thereof, were forty and six thousand and five hundred."

Numbers 3:2 - "And these are the names of the sons of Aaron; Nadab the firstborn, and Abihu, Eleazar, and Ithamar."

Numbers 3:2 - "And these are the names of the sons of Aaron; Nadab the firstborn, and Abihu, Eleazar, and Ithamar."

Numbers 2:13 - "And his host, and those that were numbered of them, were fifty and nine thousand and three hundred."

Numbers 2:13 - "And his host, and those that were numbered of them, were fifty and nine thousand and three hundred."

Numbers 2:28 - "And his host, and those that were numbered of them, were forty and one thousand and five hundred." Visualize a biblical scene. The passage to imagine is Numbers 2:28 - 'And his host, and those that were numbered of them, were forty and one thousand and five hundred.' Picture an ancient crowd of 41,500 people, in landscapes of the Middle-East during biblical times. The mass of people is huge and stretches as far as the eye can see. Translate this into the medium of modern, digital art but not in the style of any specific modern artist or creative professional.

Numbers 2:28 - "And his host, and those that were numbered of them, were forty and one thousand and five hundred."

Numbers 2:7 - "Then the tribe of Zebulun: and Eliab the son of Helon shall be captain of the children of Zebulun."

Numbers 2:7 - "Then the tribe of Zebulun: and Eliab the son of Helon shall be captain of the children of Zebulun."

Numbers 2:22 - "Then the tribe of Benjamin: and the captain of the sons of Benjamin shall be Abidan the son of Gideoni." Create a digital art interpretation of a biblical scene inspired by Numbers 2:22. It should depict members of the tribe of Benjamin, with a distinct leader, referred to as the 'captain of the sons of Benjamin'. The leader, 'Abidan the son of Gideoni', should be prominently featured. Amidst an ancient setting, cultural elements distinctive to the tribe of Benjamin should be subtly incorporated. The art should convey a narrative of hierarchy, historical legacy, and the profound spirituality associated with the scene.

Numbers 2:22 - "Then the tribe of Benjamin: and the captain of the sons of Benjamin shall be Abidan the son of Gideoni."

Numbers 20:2 - "And there was no water for the congregation: and they gathered themselves together against Moses and against Aaron." Create a digital illustration which narrates the biblical scene from Numbers 20:2. In this scene, there is a large congregation of people assembling out of despair due to a severe lack of water. Amongst them are two primary figures standing together, reacting to the crowd's agitation. They symbolize the characters of Moses and Aaron from the scripture. However, the environment is conspicuously dry and arid, emphasizing the thirst and desperation of the gathered crowd.

Numbers 20:2 - "And there was no water for the congregation: and they gathered themselves together against Moses and against Aaron."

Numbers 2:4 - "And his host, and those that were numbered of them, were threescore and fourteen thousand and six hundred."

Numbers 2:4 - "And his host, and those that were numbered of them, were threescore and fourteen thousand and six hundred."

Numbers 2:23 - "And his host, and those that were numbered of them, were thirty and five thousand and four hundred."

Numbers 2:23 - "And his host, and those that were numbered of them, were thirty and five thousand and four hundred."

Numbers 2:30 - "And his host, and those that were numbered of them, were fifty and three thousand and four hundred." An abstract digital art interpretation of an epic biblical scene inspired by Numbers 2:30. In the focus, a large host of people can be seen, accurately numbered to be fifty and three thousand and four hundred. They stand in a vast desert underneath a bright, burning sky. Each individual is represented, making the image incredibly detailed, and they are assembled in an orderly and disciplined manner that speaks to the idea of a well-organized host. Various shades of pixels and wires are used to evoke the themes of connection and unity.

Numbers 2:30 - "And his host, and those that were numbered of them, were fifty and three thousand and four hundred."

Numbers 2:21 - "And his host, and those that were numbered of them, were thirty and two thousand and two hundred." An artistic visual representation of a text from Numbers 2:21 - 'And his host, and those that were numbered of them, were thirty and two thousand and two hundred.' The style to emulate is that of digital art genre. It portrays precise, sharp and clear defined visual elements with vibrant colors that represents the given text. This may mean a crowd made up of digitized figures, where each figure embodies the idea of being 'numbered.' The multitude should illustrate the group of thirty-two thousand two hundred. The background could give a feeling of a serene, sacred space implying the historical biblical context.

Numbers 2:21 - "And his host, and those that were numbered of them, were thirty and two thousand and two hundred."

Numbers 2:29 - "¶ Then the tribe of Naphtali: and the captain of the children of Naphtali shall be Ahira the son of Enan." A digital art representation of a scene from the Bible, Numbers 2:29, depicting the tribe of Naphtali and their leader, Ahira, the son of Enan. The tribe is gathered together, showing strength and unity. In the middle stands their leader, Ahira, a brave figure guiding his tribe, standing tall and looking into the distance.

Numbers 2:29 - "¶ Then the tribe of Naphtali: and the captain of the children of Naphtali shall be Ahira the son of Enan."

Numbers 9:2 - "Let the children of Israel also keep the passover at his appointed season."

Numbers 9:2 - "Let the children of Israel also keep the passover at his appointed season."

Numbers 2:14 - "Then the tribe of Gad: and the captain of the sons of Gad shall be Eliasaph the son of Reuel." A scene inspired by Numbers 2:14 from the Bible. Depict a leader from the tribe of Gad, titled here as the captain and named Eliasaph, son of Reuel. Render this visualization as digital art with crisp lines, bright colors, and modern aesthetics. This captain should appear dignified and strong, embodying the leadership of his tribe, amidst a setting that reflects the historical and biblical era, filled with tents or structures suggesting a nomadic tribe

Numbers 2:14 - "Then the tribe of Gad: and the captain of the sons of Gad shall be Eliasaph the son of Reuel."

Numbers 22:2 - "¶ And Balak the son of Zippor saw all that Israel had done to the Amorites."

Numbers 22:2 - "¶ And Balak the son of Zippor saw all that Israel had done to the Amorites."

Numbers 2:15 - "And his host, and those that were numbered of them, were forty and five thousand and six hundred and fifty."

Numbers 2:15 - "And his host, and those that were numbered of them, were forty and five thousand and six hundred and fifty."

Numbers 31:2 - "Avenge the children of Israel of the Midianites: afterward shalt thou be gathered unto thy people." A scene inspired by Numbers 31:2 - 'Avenge the children of Israel of the Midianites: afterward shalt thou be gathered unto thy people.' Visualize a historical biblical moment, reflecting a scene of conflict and resolution. Depict it with strong colors, sharp angles, and high contrast lighting, similar to the bold characteristics of digital art. Gatherings of diverse people made up of Caucacian, Hispanic, Black, Middle-Eastern, South Asian men and women are shown, symbolizing the unity against the Midianites. At the center, an unseen force implies the divine intervention that drives the narrative of this ancient story.

Numbers 31:2 - "Avenge the children of Israel of the Midianites: afterward shalt thou be gathered unto thy people."

Numbers 11:2 - "And the people cried unto Moses; and when Moses prayed unto the LORD, the fire was quenched."

Numbers 11:2 - "And the people cried unto Moses; and when Moses prayed unto the LORD, the fire was quenched."

Numbers 25:2 - "And they called the people unto the sacrifices of their gods: and the people did eat, and bowed down to their gods."

Numbers 25:2 - "And they called the people unto the sacrifices of their gods: and the people did eat, and bowed down to their gods."

Numbers 2:20 - "And by him shall be the tribe of Manasseh: and the captain of the children of Manasseh shall be Gamaliel the son of Pedahzur." Generate a digital art representation of an ancient biblical scene featuring an implicit leader representing the tribe of Manasseh, focused on the character named Gamaliel, who is designated as the son of Pedahzur, a significant figure in the community. Highlight the dominant patriarchal society, with men clad in traditional garments and artifacts symbolic of their tribal affiliation.

Numbers 2:20 - "And by him shall be the tribe of Manasseh: and the captain of the children of Manasseh shall be Gamaliel the son of Pedahzur."

Numbers 2:2 - "Every man of the children of Israel shall pitch by his own standard, with the ensign of their father's house: far off about the tabernacle of the congregation shall they pitch." An evocative scene inspired by Numbers 2:2. Visualize each member of the children of Israel presenting by their own unique banner, intricately embroidered with symbols representing their respective ancestral homes. These banners are pitched away from the focus of the scene: a grand tabernacle. The congregation's tabernacle is characterized by its striking opulence and divine resonance, serving as a beacon in the vast serene desert landscape. This image is constructed with a digital art vibe: crisp lines, bold shapes, and saturated colours adding to the overall aesthetic.

Numbers 2:2 - "Every man of the children of Israel shall pitch by his own standard, with the ensign of their father's house: far off about the tabernacle of the congregation shall they pitch."

Numbers 33:2 - "And Moses wrote their goings out according to their journeys by the commandment of the LORD: and these are their journeys according to their goings out."

Numbers 33:2 - "And Moses wrote their goings out according to their journeys by the commandment of the LORD: and these are their journeys according to their goings out."

Numbers 4:2 - "Take the sum of the sons of Kohath from among the sons of Levi, after their families, by the house of their fathers,"

Numbers 4:2 - "Take the sum of the sons of Kohath from among the sons of Levi, after their families, by the house of their fathers,"

Numbers 23:2 - "And Balak did as Balaam had spoken; and Balak and Balaam offered on every altar a bullock and a ram." An ancient scene represented through the lens of digital art. Two individuals, one being Middle-Eastern man called Balak and the other being a South-Asian man named Balaam, engaged in a religious ceremony. They are seen offering a bullock and a ram on every altar they approach. The environment is solemn, filled with the wafting smoke from the offerings, bright flames dancing on the altars, and the sense of devotion and profound respect for their practice. The digital style should provide a modern touch to this historical moment.

Numbers 23:2 - "And Balak did as Balaam had spoken; and Balak and Balaam offered on every altar a bullock and a ram."