Numbers 22 Artwork

"And the children of Israel set forward, and pitched in the plains of Moab on this side Jordan by Jericho." - Numbers 22:1

Explore Numbers 22 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NumbersNumbers 22Numbers 22:1
Numbers 7:22 - "One kid of the goats for a sin offering:" Illustrate a scene from Numbers 7:22 in a digital art style. The image depicts one young goat, signifying a sin offering, in a peaceful landscape, awaiting its fate. The imagery should be symbolic and metaphorical, resonating the deep spiritual themes in the text.

Numbers 7:22 - "One kid of the goats for a sin offering:"

Numbers 6:22 - "¶ And the LORD spake unto Moses, saying,"

Numbers 6:22 - "¶ And the LORD spake unto Moses, saying,"

Numbers 33:22 - "And they journeyed from Rissah, and pitched in Kehelathah." Create a scene inspired by Numbers 33:22 - 'And they journeyed from Rissah, and pitched in Kehelathah.' in a style reminiscent of digital art. The scene should depict a vibrant landscape, with the transition from one place to another. The journey itself should be the focal point, possibly by showing traces or paths in the land. The land of Rissah may exhibit rocky and rough terrain while Kehelathah could display a peaceful and welcoming environment. Accentuate the contrast between the two areas while maintaining a digital art form.

Numbers 33:22 - "And they journeyed from Rissah, and pitched in Kehelathah."

Numbers 34:22 - "And the prince of the tribe of the children of Dan, Bukki the son of Jogli."

Numbers 34:22 - "And the prince of the tribe of the children of Dan, Bukki the son of Jogli."

Numbers 22:39 - "And Balaam went with Balak, and they came unto Kirjath-huzoth."

Numbers 22:39 - "And Balaam went with Balak, and they came unto Kirjath-huzoth."

Numbers 31:22 - "Only the gold, and the silver, the brass, the iron, the tin, and the lead," Visualize a collection of various metals including gold, silver, brass, iron, tin, and lead. Each metal should be distinct and unique and possibly represented in the form of ingots or raw form. The style will consist of modern digital artistry, with sharp, fine details, bright, vibrant colors to distinguish between the different metals.

Numbers 31:22 - "Only the gold, and the silver, the brass, the iron, the tin, and the lead,"

Numbers 28:22 - "And one goat for a sin offering, to make an atonement for you."

Numbers 28:22 - "And one goat for a sin offering, to make an atonement for you."

Numbers 22:9 - "And God came unto Balaam, and said, What men are these with thee?" A biblical scene illustrating Numbers 22:9 - 'And God came unto Balaam, and said, What men are these with thee?' The scene involves Balaam, who looks surprised by the divine apparition he's experiencing. An ethereal entity, supposedly representing God, approaches Balaam in a peaceful and calm manner and poses a question to him - 'What men are these with thee?' Balaam's companions stand in the background, as mystical and awed as the observer. Vivid colors should be used, with the digital art style emphasizing the other-worldly aspect of the scenario.

Numbers 22:9 - "And God came unto Balaam, and said, What men are these with thee?"

Numbers 2:22 - "Then the tribe of Benjamin: and the captain of the sons of Benjamin shall be Abidan the son of Gideoni." Create a digital art interpretation of a biblical scene inspired by Numbers 2:22. It should depict members of the tribe of Benjamin, with a distinct leader, referred to as the 'captain of the sons of Benjamin'. The leader, 'Abidan the son of Gideoni', should be prominently featured. Amidst an ancient setting, cultural elements distinctive to the tribe of Benjamin should be subtly incorporated. The art should convey a narrative of hierarchy, historical legacy, and the profound spirituality associated with the scene.

Numbers 2:22 - "Then the tribe of Benjamin: and the captain of the sons of Benjamin shall be Abidan the son of Gideoni."

Numbers 22:15 - "¶ And Balak sent yet again princes, more, and more honourable than they."

Numbers 22:15 - "¶ And Balak sent yet again princes, more, and more honourable than they."

Numbers 4:22 - "Take also the sum of the sons of Gershon, throughout the houses of their fathers, by their families;"

Numbers 4:22 - "Take also the sum of the sons of Gershon, throughout the houses of their fathers, by their families;"

Numbers 22:40 - "And Balak offered oxen and sheep, and sent to Balaam, and to the princes that were with him." An artistic interpretation of a biblical event from Numbers 22:40 - A scene shows Balak, a historic character, offering oxen and sheep. Next to him is Balaam, another historic figure, and various richly dressed princes. Their attire signifies them as nobility of their time. The overall style of the artwork should reflect the aesthetics of detailed digital art, with crisp lines and vibrant colors. The setting is a desert landscape during the late afternoon, with the sun setting in the distance, casting long shadows and bathing the scene in warm, golden hues.

Numbers 22:40 - "And Balak offered oxen and sheep, and sent to Balaam, and to the princes that were with him."

Numbers 22:2 - "¶ And Balak the son of Zippor saw all that Israel had done to the Amorites."

Numbers 22:2 - "¶ And Balak the son of Zippor saw all that Israel had done to the Amorites."

Numbers 22:24 - "But the angel of the LORD stood in a path of the vineyards, a wall being on this side, and a wall on that side." Render a scene in a digital art style that portrays the passage from Numbers 22:24 - 'But the angel of the LORD stood in a path of the vineyards, a wall being on this side, and a wall on that side.' The scene should feature a celestial figure, representing the angel of the Lord, standing in a narrow path carved between two verdant vineyards. On either side of the path, there should be robust stone walls creating a unique, secluded atmosphere.

Numbers 22:24 - "But the angel of the LORD stood in a path of the vineyards, a wall being on this side, and a wall on that side."

Numbers 22:1 - "And the children of Israel set forward, and pitched in the plains of Moab on this side Jordan by Jericho."

Numbers 22:1 - "And the children of Israel set forward, and pitched in the plains of Moab on this side Jordan by Jericho."

Numbers 23:22 - "God brought them out of Egypt; he hath as it were the strength of an unicorn."

Numbers 23:22 - "God brought them out of Egypt; he hath as it were the strength of an unicorn."

Numbers 22:21 - "And Balaam rose up in the morning, and saddled his ass, and went with the princes of Moab."

Numbers 22:21 - "And Balaam rose up in the morning, and saddled his ass, and went with the princes of Moab."

Numbers 26:22 - "These are the families of Judah according to those that were numbered of them, threescore and sixteen thousand and five hundred."

Numbers 26:22 - "These are the families of Judah according to those that were numbered of them, threescore and sixteen thousand and five hundred."

Numbers 24:22 - "Nevertheless the Kenite shall be wasted, until Asshur shall carry thee away captive."

Numbers 24:22 - "Nevertheless the Kenite shall be wasted, until Asshur shall carry thee away captive."

Numbers 22:3 - "And Moab was sore afraid of the people, because they were many: and Moab was distressed because of the children of Israel." Visualize a scene inspired by the verse from Numbers 22:3 - 'And Moab was sore afraid of the people, because they were many: and Moab was distressed because of the children of Israel.' The image should capture the emotional intensity of the event, showing the large congregation of people which instills fear in the inhabitants of Moab. The despair and trepidation experienced by the people of Moab should be showcased as a central theme. The image should be rendered in a modern, digital art style.

Numbers 22:3 - "And Moab was sore afraid of the people, because they were many: and Moab was distressed because of the children of Israel."

Numbers 15:22 - "¶ And if ye have erred, and not observed all these commandments, which the LORD hath spoken unto Moses," Create a digital art representation of a scene depicting the verse Numbers 15:22 - '"And if ye have erred, and not observed all these commandments, which the LORD hath spoken unto Moses."' The image should contain symbolic elements alluding to the commandments, the concept of error, and the divine communication between the Lord and Moses. Opt for a range of colors and a balance between abstract and figurative forms to evoke emotion and thought.

Numbers 15:22 - "¶ And if ye have erred, and not observed all these commandments, which the LORD hath spoken unto Moses,"

Numbers 22:14 - "And the princes of Moab rose up, and they went unto Balak, and said, Balaam refuseth to come with us."

Numbers 22:14 - "And the princes of Moab rose up, and they went unto Balak, and said, Balaam refuseth to come with us."

Numbers 19:22 - "And whatsoever the unclean person toucheth shall be unclean; and the soul that toucheth it shall be unclean until even." An abstract digital image interpretation of the biblical verse Numbers 19:22 - 'And whatsoever the unclean person toucheth shall be unclean; and the soul that toucheth it shall be unclean until even.' This could feature contrasting colors and visual elements symbolizing purity and impurity, with emphasis on the transition from one state to another. The overall tone could be retrospective fully embracing the gravitas of the verse. Use the broad strokes and impressive color contrasts to symbolize the unclean 'touch' transferring the unclean state.

Numbers 19:22 - "And whatsoever the unclean person toucheth shall be unclean; and the soul that toucheth it shall be unclean until even."

Numbers 20:22 - "¶ And the children of Israel, even the whole congregation, journeyed from Kadesh, and came unto mount Hor." An interpretation of a scene from Numbers 20:22, 'And the children of Israel, even the whole congregation, journeyed from Kadesh, and came unto mount Hor.' Visualize a large group of people of varying descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, both male and female, embarking on a journey. They are leaving a place called Kadesh, which is depicted as a bustling and densely populated ancient city, filled with marketplaces, homes, and temples. To their destination, you see mount Hor, a grand and majestic mountain, bathed in the shimmering golden sunlight of a setting sun, on the horizon. Capture this scene using sharp and vivid details characteristic of digital art.

Numbers 20:22 - "¶ And the children of Israel, even the whole congregation, journeyed from Kadesh, and came unto mount Hor."

Numbers 18:22 - "Neither must the children of Israel henceforth come nigh the tabernacle of the congregation, lest they bear sin, and die." A biblical scene illustrating Number 18:22 - 'Neither must the children of Israel henceforth come nigh the tabernacle of the congregation, lest they bear sin, and die.' Visualize this in a digital art style. The scene should contain children from a variety of descents including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, looking towards a distant tabernacle with a sense of longing but also fear. The tabernacle should be imposing, a symbol of the divine, while the children show varying emotions ranging from fear to curiosity. The sky above should be a mix of stormy clouds and rays of hope, reflecting the emotional tension.

Numbers 18:22 - "Neither must the children of Israel henceforth come nigh the tabernacle of the congregation, lest they bear sin, and die."

Numbers 22:12 - "And God said unto Balaam, Thou shalt not go with them; thou shalt not curse the people: for they are blessed." Create a digital art representation of a scene from the biblical narrative, Numbers 22:12. In the image, feature an ancient Middle-Eastern man, named Balaam, who is stern yet contemplative in appearance. He is listening to a voice from the heavens — symbolized by a radiant light beaming down on him. Nearby are a group of people, indicating the ones referred to in the verse, 'thou shalt not curse the people: for they are blessed'. They are a mixed group with varied ages and genders: men, women, children of Caucasian, Hispanic, Black, South Asian, and Middle-Eastern descents, all appearing blessed and peaceful.

Numbers 22:12 - "And God said unto Balaam, Thou shalt not go with them; thou shalt not curse the people: for they are blessed."

Numbers 22:22 - "¶ And God's anger was kindled because he went: and the angel of the LORD stood in the way for an adversary against him. Now he was riding upon his ass, and his two servants were with him." Illustrate a biblical passage, Numbers 22:22 - 'And God's anger was kindled because he went: and the angel of the LORD stood in the way for an adversary against him. Now he was riding upon his donkey, with his two servants accompanying him.' Depict this scene in a digital art style. Visualize God's anger through natural phenomena like storm clouds or lightning, an angel standing firm in the path, the man riding a donkey with a sense of confrontation in his features, and two servants at his side, sparsely illuminated by the stormy sky.

Numbers 22:22 - "¶ And God's anger was kindled because he went: and the angel of the LORD stood in the way for an adversary against him. Now he was riding upon his ass, and his two servants were with him."

Numbers 29:22 - "And one goat for a sin offering; beside the continual burnt offering, and his meat offering, and his drink offering." A visual representation of a scene interpreted from Numbers 29:22 - a single goat presented for a sin offering, accompanied by a continuous burnt offering, with images of food and drink offerings included. The style has to reflect the characteristics of digital art: created using digital tools, full of sharp lines and neon colors, without imitating any particular artist post 1912.

Numbers 29:22 - "And one goat for a sin offering; beside the continual burnt offering, and his meat offering, and his drink offering."

Numbers 22:10 - "And Balaam said unto God, Balak the son of Zippor, king of Moab, hath sent unto me, saying," Create an image depicting a scene from the biblical book of Numbers, chapter 22, verse 10 - 'And Balaam said unto God, Balak the son of Zippor, king of Moab, hath sent unto me, saying,'. Visualize this in a style reminiscent of the digital art medium.

Numbers 22:10 - "And Balaam said unto God, Balak the son of Zippor, king of Moab, hath sent unto me, saying,"

Numbers 10:22 - "¶ And the standard of the camp of the children of Ephraim set forward according to their armies: and over his host was Elishama the son of Ammihud." Create a digital art interpretation of a scene based on Numbers 10:22 - 'And the standard of the camp of the children of Ephraim set forward according to their armies: and over his host was Elishama the son of Ammihud.' Picture an encampment with a banner representing the children of Ephraim moving forward, with their armies in progressive order. Over the whole scene, visualize a figure assumed to be Elishama, son of Ammihud, overseeing the procession. Use contemporary digital art techniques to bring this ancient scene to life, with vivid colors, intricate details, and a symbolic representation of the standard.

Numbers 10:22 - "¶ And the standard of the camp of the children of Ephraim set forward according to their armies: and over his host was Elishama the son of Ammihud."