Revelation 4 Artwork

"After this I looked, and, behold, a door was opened in heaven: and the first voice which I heard was as it were of a trumpet talking with me; which said, Come up hither, and I will shew thee things which must be hereafter." - Revelation 4:1

Explore Revelation 4 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RevelationRevelation 4Revelation 4:1
REVELATION 4:8 A watercolor painting that interprets the biblical scene described in Revelation 4:8. It features four distinct creatures, each with six wings, and covered in eyes all around and within. These creatures hover around a majestic, divine throne in the heavenly landscape, continuously proclaiming 'Holy, Holy, Holy, Lord God Almighty, who was and is and is to come.'

REVELATION 4:8

Revelation 20:4 Create a digital art representation of the theme from Revelation 20:4 without using any text or words. The image should reflect the themes of judgement, thrones, souls, and martyrdom mentioned in the passage, but should not have any visible text in it.

Revelation 20:4

REVELATION 4:8 Visual representation of the biblical verse Revelation 4:8, depicted in a profound watercolor style. The scene portrays four living creatures, each covered with eyes, and six wings, full of eyes around and within. Underneath each creature, there is a sea of crystal-like glass. They rest not, uttering the phrase, 'Holy, holy, holy, Lord God Almighty, who was, and is, and is to come.' Capture the essence of the verse, its mysticism and divine aura in the subtle, expressive strokes of watercolor.

REVELATION 4:8

Revelation 20:4 Create an interpretation of Revelation 20:4 in an abstract form, utilizing geometric shapes and vibrant colors, reminiscent of pre-1912 artworks such as impressionism, but in the medium of digital art. Please ensure no textual elements or words are included.

Revelation 20:4

REVELATION 4:8 An artistic interpretation of Revelation 4:8. It's inspired by late 19th-century impressionist painting styles, prioritizing the softness and fluidity associated with watercolor. The scene encompasses four living creatures adorned with eyes, each having six wings, and they continually chant, 'Holy, holy, holy, Lord God Almighty, who was and is and is to come'. The impressionist technique aims to capture the ethereal, otherworldly essence of the scene, with soft hues, gentle transitions, and an emphasis on the overall aura over meticulous detailing.

REVELATION 4:8

REVELATION 4:8 A watercolor depiction of the scene from REVELATION 4:8, portraying a vision of celestial beings with six wings, covered in eyes, and continually praising the eternal divine entity.

REVELATION 4:8

REVELATION 4:8 An illustration of REVELATION 4:8 as seen in the Bible. The scene captures the verses in vibrant watercolor paint. Each of the four living creatures have six wings, covered with eyes, and they do not cease to say, 'Holy, Holy, Holy is the Lord God, the Almighty, who was and is and is to come.'

REVELATION 4:8

REVELATION 4:8 An interpretation of the biblical passage REVELATION 4:8 using watercolor-like textures and aesthetics. The scene depicts four distinct creatures each covered with eyes in front and in back. The first creature, similar to a lion; the second creature, resembling a calf; the third creature, with the face as of a man; and finally, the fourth creature resembling a flying eagle. Each notably has six wings, and they appear to chant a hymn invoking the eternal holiness of the Supreme Being.

REVELATION 4:8

REVELATION 4:8 A watercolor depiction of Revelation 4:8, showing 'Four living creatures, each having six wings, full of eyes around and within. They do not rest day or night, saying: Holy, holy, holy, Lord God Almighty, who was and is and is to come.' Imagine the divine scene rendered in soft, faded hues typical to watercolors. The ethereal beauty of the heavenly creatures is emphasized by their numerous wings and eyes. Their continuous praises resonate in the form of subtle, flowing lines and bright, radiant colors enveloping the phrases they utter.

REVELATION 4:8

Revelation 20:4 An image representing Revelation 20:4 from the Bible, recreated in a modern, digital art style. The scene features people coming back to life and sitting on thrones, implying judgement. It also depicts one person holding a rolled parchment. Ensure that the image communicates the themes of revelation, resurrection, judgement, and kingship without using any text or words.

Revelation 20:4

Revelation 20:4 Visual representation of the biblical verse Revelation 20:4 without the use of text or words. The scene should convey the highly symbolic and allegorical nature of the passage. Avoid specific religious symbols or identifiable figures and instead focus on the thematic elements and emotional content. Please note that despite it being a modern scene rendering, it cannot exhibit features associated or affiliated with digital art.

Revelation 20:4

Revelation 20:4 Visualize the scene depicted in Revelation 20:4, 'I saw thrones on which were seated those who had been given authority to judge. And I saw the souls of those who had been beheaded because of their testimony about Jesus and because of the word of God. They had not worshiped the beast or its image and had not received its mark on their foreheads or their hands. They came to life and reigned with Christ a thousand years.' This should be presented in contemporary digital art style devoid of any text or words.

Revelation 20:4

Revelation 17:3-4 Visual representation of Revelation 17:3-4, shown in a respectful and devotional context towards Christianity. Adopt a visual style characterized by high contrast, vibrant hues, and detailed brush strokes, reflecting the aesthetic sensibilities of Pre-1912 art movements. No text or words should be present in the image. The scene should be rich in symbolism as described in the book of Revelation, but artistically realized in a way that is spiritually meaningful and respectful.

Revelation 17:3-4

Revelation 17:3-4 A visual interpretation of Revelation 17:3-4. The art should imbue deep reverence towards Christianity, entirely devoid of any textual or verbal elements. Render this scene with heightened detail and sharp contrasts, in a timeless, classic way that resonates the feeling of devotion.

Revelation 17:3-4

Revelation 4:3 – "And he who sat there had the appearance of jasper and carnelian."

Revelation 4:3 – "And he who sat there had the appearance of jasper and carnelian."

Revelation 22:4 - "And they shall see his face; and his name shall be in their foreheads."

Revelation 22:4 - "And they shall see his face; and his name shall be in their foreheads."

Revelation 11:4 - "These are the two olive trees, and the two candlesticks standing before the God of the earth."

Revelation 11:4 - "These are the two olive trees, and the two candlesticks standing before the God of the earth."

Revelation 4:2 - "And immediately I was in the spirit: and, behold, a throne was set in heaven, and one sat on the throne." Generate an image representing a passage from Revelation 4:2 - 'And immediately I was in the spirit: and, behold, a throne was set in heaven, and one sat on the throne.' The image should have elements of etheric spirituality, a mighty throne set against the celestial backdrop, and a figure of divine essence seated on the throne, blending hues of cosmic colors to render a digital art flavor.

Revelation 4:2 - "And immediately I was in the spirit: and, behold, a throne was set in heaven, and one sat on the throne."

Revelation 16:4 - "And the third angel poured out his vial upon the rivers and fountains of waters; and they became blood." Visualize a scene from Revelation 16:4 - 'And the third angel poured out his vial upon the rivers and fountains of waters; and they became blood.' This imagery should be in a surreal and painterly style reminiscent of pre-1912 artwork, using the medium of digital art. Show a celestial figure, identified as the 'angel', pouring a vial into a river which transforms into a vivid, flowing substance of crimson, similar to blood. The transformation of the water should be a dramatic focal point, creating a sense of profound spiritual context.

Revelation 16:4 - "And the third angel poured out his vial upon the rivers and fountains of waters; and they became blood."

Revelation 8:4 - "And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand."

Revelation 8:4 - "And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand."

Revelation 2:4 - "Nevertheless I have somewhat against thee, because thou hast left thy first love."

Revelation 2:4 - "Nevertheless I have somewhat against thee, because thou hast left thy first love."

Revelation 5:4 - "And I wept much, because no man was found worthy to open and to read the book, neither to look thereon."

Revelation 5:4 - "And I wept much, because no man was found worthy to open and to read the book, neither to look thereon."

Revelation 4:9 - "And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever," Visual representation of Revelation 4:9, depicting a scene where beasts are giving glory, honour, and thanks to a figure seated on the throne. The figure is signified to be one who lives for eternity. Craft this scenario with the essence of digital art.

Revelation 4:9 - "And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever,"

Revelation 7:4 - "And I heard the number of them which were sealed: and there were sealed an hundred and forty and four thousand of all the tribes of the children of Israel." A conceptual interpretation of the biblical verse Revelations 7:4 - 'And I heard the number of them which were sealed: and there were sealed an hundred and forty and four thousand of all the tribes of the children of Israel.' This should be presented in a modern, digital art style. The image could show a celestial scene with 144,000 figures, symbolic of the children of Israel, all being sealed, depicting a moment of divine revelation and spiritual unity.

Revelation 7:4 - "And I heard the number of them which were sealed: and there were sealed an hundred and forty and four thousand of all the tribes of the children of Israel."

Revelation 19:4 - "And the four and twenty elders and the four beasts fell down and worshipped God that sat on the throne, saying, Amen; Alleluia."

Revelation 19:4 - "And the four and twenty elders and the four beasts fell down and worshipped God that sat on the throne, saying, Amen; Alleluia."

Revelation 4:4 - "And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold." A majestic throne at the center of a grand setting, surrounded by twenty-four ornate seats occupied by elders of diverse descents. These elders, an equal mix of men and women from ethnicities such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, are depicted in shimmering white garments, their heads adorned with resplendent golden crowns. The scene is captured in a delicate, digital art style which emphasizes bright colors and sharp lines.

Revelation 4:4 - "And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold."

Revelation 3:4 - "Thou hast a few names even in Sardis which have not defiled their garments; and they shall walk with me in white: for they are worthy."

Revelation 3:4 - "Thou hast a few names even in Sardis which have not defiled their garments; and they shall walk with me in white: for they are worthy."

1 Corinthians‬ ‭4‬:‭5‬ “Therefore judge nothing before the appointed time; wait until the Lord comes. He will bring to light what is hidden in darkness and will expose the motives of the heart. At that time each will receive their praise from God.” Represent the essence of a biblical scene inspired by 1 Corinthians 4:5. This portrays the moment of divine revelation, where secrets hidden in the darkness are brought to light and true intentions are exposed. It's a scene of waiting patiently for divine guidance and judgement. The protagonists should look forward to receiving praise at the appointed time. The style of the scene should be suggestive of watercolor medium with its fluid, transitory nature capturing the essence of revelation and disclosure.

1 Corinthians‬ ‭4‬:‭5‬ “Therefore judge nothing before the appointed time; wait until the Lord comes. He will bring to light what is hidden in darkness and will expose the motives of the heart. At that time each will receive their praise from God.”

Revelation 4:3 - "And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald."

Revelation 4:3 - "And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald."

Revelation 4:5 - "And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven Spirits of God." Visualize a throne, from which emanates an electrifying display of lightnings, thunderings, and ethereal voices. In front of this throne, seven lamps ablaze with fire, symbolizing the seven Spirits of God, as per Revelation 4:5 in the Bible. This depiction is in the medium of digital art.

Revelation 4:5 - "And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven Spirits of God."