Revelation 9 Artwork

"And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit." - Revelation 9:1

Explore Revelation 9 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RevelationRevelation 9Revelation 9:1
Revelation 13:9 - "If any man have an ear, let him hear."

Revelation 13:9 - "If any man have an ear, let him hear."

Revelation 9:9 - "And they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots of many horses running to battle." An interpretation of the verse Revelation 9:9, with entities boasting iron breastplates. The winged figures produce sounds akin to the thunderous noise of many horses galloping towards a battle. This should be represented in a digital artwork style.

Revelation 9:9 - "And they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots of many horses running to battle."

Revelation 9:8 - "And they had hair as the hair of women, and their teeth were as the teeth of lions."

Revelation 9:8 - "And they had hair as the hair of women, and their teeth were as the teeth of lions."

Revelation 9:21 - "Neither repented they of their murders, nor of their sorceries, nor of their fornication, nor of their thefts." An abstract interpretation of the biblical passage Revelation 9:21 - 'Neither repented they of their murders, nor of their sorceries, nor of their fornication, nor of their thefts.' with using the techniques common in digital art. The image represents various symbolic elements associated with the text – a gloomy scene showcasing the absence of repentance, the depiction of wrongdoings such as murders, sorceries, fornication, and thefts, all blended together to evoke a powerful feeling of biblical narrative.

Revelation 9:21 - "Neither repented they of their murders, nor of their sorceries, nor of their fornication, nor of their thefts."

Revelation 9:12 - "One woe is past; and, behold, there come two woes more hereafter." An illustration visualizing the biblical quote from Revelation 9:12 - 'One woe is past; and, behold, there come two woes more hereafter.' Depict an allegorical scene with dark, gloomy skies to symbolize the past woe and two ominous clouds in the horizon representing the two future woes. The scene is to be brought alive using the medium of digital art.

Revelation 9:12 - "One woe is past; and, behold, there come two woes more hereafter."

Revelation 9:18 - "By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issued out of their mouths." A dramatic scene, inspired by Revelation 9:18 from the Bible, where a third of humanity is being eradicated through fire, smoke, and brimstone coming out of three mythical entities' mouths. The overall atmosphere should be filled with a sense of great turmoil, with the fire and smoke casting ominous shadows across the scene. The brimstone emanates from their mouths, symbolizing judgment. The style should be reminiscent of digital art with angular and precise geometry, sharp contrasts between light and shadow, and strategic use of color shifts.

Revelation 9:18 - "By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issued out of their mouths."

Revelation 17:9 - "And here is the mind which hath wisdom. The seven heads are seven mountains, on which the woman sitteth." Visualize a wisely conceptualized scene inspired by a verse from Revelation 17:9 - "And here is the mind which hath wisdom. The seven heads are seven mountains, on which the woman sitteth." The artwork should exude a digital art form with bright colors, sharp lines, and intricate details.

Revelation 17:9 - "And here is the mind which hath wisdom. The seven heads are seven mountains, on which the woman sitteth."

Revelation 9:16 - "And the number of the army of the horsemen were two hundred thousand thousand: and I heard the number of them." A vivid interpretation of the biblical scene from Revelation 9:16. It depicts an immense army of horsemen, numbering two hundred thousand thousand. The scene swirls with motion, as countless horsemen appear as though in the midst of a grand charge. The viewer feels the magnitude of the army's size and the energy of its movement. This should be depicted in the style of digital art, with high-resolution details, bold colors, and a precision that speaks of careful crafting.

Revelation 9:16 - "And the number of the army of the horsemen were two hundred thousand thousand: and I heard the number of them."

Revelation 9:10 - "And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months." Create a vivid and detailed representation of the biblical verse Revelation 9:10 - 'And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months.'. Illustrate this dramatic scene in a digital art style, featuring scorpion-like tails with stinging ends. The scene also conveys a sense of foreboding power which is used to harm people for a substantial period of time - five months. Capture the intensity and chromatic boldness usually present in digital art.

Revelation 9:10 - "And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months."

Revelation 9:19 - "For their power is in their mouth, and in their tails: for their tails were like unto serpents, and had heads, and with them they do hurt."

Revelation 9:19 - "For their power is in their mouth, and in their tails: for their tails were like unto serpents, and had heads, and with them they do hurt."

Revelation 4:9 - "And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever," Visual representation of Revelation 4:9, depicting a scene where beasts are giving glory, honour, and thanks to a figure seated on the throne. The figure is signified to be one who lives for eternity. Craft this scenario with the essence of digital art.

Revelation 4:9 - "And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever,"

Revelation 9:3 - "And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power."

Revelation 9:3 - "And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power."

Revelation 9:14 - "Saying to the sixth angel which had the trumpet, Loose the four angels which are bound in the great river Euphrates." A visual representation of the verse Revelation 9:14. It depicts the sixth angel possessing a trumpet, receiving a cosmic command to liberate the four angels who are metaphorically entwined in the expansive river Euphrates. The image should be detailed, with a strong emphasis on the divine, ethereal nature of these angels and the raw elemental power of the river. Visualize the theme as if it's a scene filled with mysticism and spiritual energy, reminiscent of digital art patterns.

Revelation 9:14 - "Saying to the sixth angel which had the trumpet, Loose the four angels which are bound in the great river Euphrates."

Revelation 8:9 - "And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed." Depict the biblical scene from Revelation 8:9: 'And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed.' The visual representation should embrace a digital art style. Show the sea filled with diverse marine life forms, some of them with lifeless bodies floating on the water surface. Additionally, depict fragments of ships, indicating that a third of them have been destroyed. The atmosphere should convey a sense of chaos and calamity.

Revelation 8:9 - "And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed."

Revelation 9:13 - "And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God," A vivid interpretation of the scene from Revelation 9:13. The sixth angel is sounding an ethereal trumpet. In the foreground, the four horns of a radiant golden altar catch the light. The altar is seen as if it is placed right before a divine presence, symbolizing God. This image presents the scene in a classic, high detail painting style, reminiscent of pre-1912 religious painters, with a focus on fantasy elements and an atmospheric use of light and shadow.

Revelation 9:13 - "And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God,"

Revelation 9:15 - "And the four angels were loosed, which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men."

Revelation 9:15 - "And the four angels were loosed, which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men."

Revelation 9:1 - "And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit."

Revelation 9:1 - "And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit."

Revelation 9:5 - "And to them it was given that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when he striketh a man." Create a complex scene inspired by the biblical verse Revelation 9:5. The scene should portray symbolic figures, who are given the command not to eliminate their adversaries, but rather subject them to sustained distress. To convey this harsh ordeal, use the metaphor of a scorpion stinging a man, representing five months of tormented agony. The entire scene should echo the qualities of digital art, with precision, vibrant colors and sharp lines.

Revelation 9:5 - "And to them it was given that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when he striketh a man."

Revelation 9:6 - "And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them."

Revelation 9:6 - "And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them."

Revelation 16:9 - "And men were scorched with great heat, and blasphemed the name of God, which hath power over these plagues: and they repented not to give him glory." Display a dramatic scene inspired by Revelation 16:9 from the Bible. Showcase individuals under extreme heat and displeasure, openly criticizing a superior being who apparently has control over their predicament. Yet, despite their torment, they do not change their ways to honor him. Compose this scene in a digital art style.

Revelation 16:9 - "And men were scorched with great heat, and blasphemed the name of God, which hath power over these plagues: and they repented not to give him glory."

Revelation 11:9 - "And they of the people and kindreds and tongues and nations shall see their dead bodies three days and an half, and shall not suffer their dead bodies to be put in graves."

Revelation 11:9 - "And they of the people and kindreds and tongues and nations shall see their dead bodies three days and an half, and shall not suffer their dead bodies to be put in graves."

Acts 9:42 - "And it was known throughout all Joppa; and many believed in the Lord." Illustration of a biblical scene from Acts 9:42 - 'And it was known throughout all Joppa; and many believed in the Lord.' There's a panoramic view of the ancient city of Joppa, showing people of various gender and descent such as Middle-Eastern men and Caucasian women. They're gathered in open spaces, at home, in marketplaces. Facial expressions and postures should indicate a state of revelation and newfound faith. The image should be vibrant but with an air of tranquility and peace, as this is a moment of collective spiritual enlightenment. The art should be in a digital medium.

Acts 9:42 - "And it was known throughout all Joppa; and many believed in the Lord."

Revelation 2:9 - "I know thy works, and tribulation, and poverty, (but thou art rich) and I know the blasphemy of them which say they are Jews, and are not, but are the synagogue of Satan." An illustrative representation of the Bible verse Revelation 2:9 - 'I know thy works, and tribulation, and poverty, (but thou art rich) and I know the blasphemy of them which say they are Jews, and are not, but are the synagogue of Satan.' The elements can include visual symbols depicting work, tribulation, and spiritual wealth. It can also include a structure to symbolize the idea of a 'synagogue of Satan'. These should not be literal but rather metaphorical representations. Apart from words, it should also include stylistic aspects of the digital art genre.

Revelation 2:9 - "I know thy works, and tribulation, and poverty, (but thou art rich) and I know the blasphemy of them which say they are Jews, and are not, but are the synagogue of Satan."

Revelation 9:2 - "And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit." Conjure a striking image inspired by Revelation 9:2: 'And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.' There is a depiction of a boundless abyss, out of which billows large plumes of smoke that blackens the sun and air, giving a sense of foreboding. Bear in mind, this should be rendered in the form of digital art.

Revelation 9:2 - "And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit."

Revelation 9:7 - "And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men." Generate an image depicting locusts akin to horses ready for battle, with crowns that resemble gold on their heads and faces similar to those of men. Please interpret this scene as though it's described in the biblical Book of Revelation, Chapter 9, Verse 7. The art style should resemble digital artwork.

Revelation 9:7 - "And the shapes of the locusts were like unto horses prepared unto battle; and on their heads were as it were crowns like gold, and their faces were as the faces of men."

Ezekiel 8:9 - "And he said unto me, Go in, and behold the wicked abominations that they do here." A depiction of the biblical scene from Ezekiel 8:9 - "And he said unto me, Go in, and behold the wicked abominations that they do here." This is a modern interpretation using medium usually associated with digital art. The scene should exude an atmosphere of revelation and condemnation, with a figure about to enter a place to witness something dreadful within, while a divine entity instructs them. Charles of lighting and color should convey significant mood and drama.

Ezekiel 8:9 - "And he said unto me, Go in, and behold the wicked abominations that they do here."

Revelation 19:9 - "And he saith unto me, Write, Blessed are they which are called unto the marriage supper of the Lamb. And he saith unto me, These are the true sayings of God." Illustrate a scene inspired by Revelation 19:9 - 'And he saith unto me, Write, Blessed are they who are called unto the marriage supper of the Lamb. And he saith unto me, These are the true sayings of God.' The artwork should depict a heavenly banquet table laden with food, but focus is on the divine light from above, illuminating the scene in ethereal glow. The lamb is symbolically represented, perhaps on a banner or piece of art at the setting. Everything is set within the context of a celestial landscape, with stars, soft clouds, and divine entities. Rendered in styles akin to traditional digital art.

Revelation 19:9 - "And he saith unto me, Write, Blessed are they which are called unto the marriage supper of the Lamb. And he saith unto me, These are the true sayings of God."

Revelation 9:11 - "And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon." A striking interpretation of Revelation 9:11, depicting an unusually distinguished angelic figure reigning over an abyss, presented in a digital art style. His name is inscribed in two languages, Hebrew as Abaddon, and in Greek as Apollyon. The image is filled with biblical symbolism magnifying the celestial ambiance. The angel emanates a subtle glow, signifying his divine status, even in the unfathomable depths, symbolic of the bottomless pit. The angel's wings are grand and voluminous, spanning the width of the towering abyss, signifying his dominion. The Hebrew and Greek scripts giving his name set a dramatic yet enlightening scenario.

Revelation 9:11 - "And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon."

Revelation 20:9 - "And they went up on the breadth of the earth, and compassed the camp of the saints about, and the beloved city: and fire came down from God out of heaven, and devoured them."

Revelation 20:9 - "And they went up on the breadth of the earth, and compassed the camp of the saints about, and the beloved city: and fire came down from God out of heaven, and devoured them."

Revelation 6:9 - "And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held:"

Revelation 6:9 - "And when he had opened the fifth seal, I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held:"