Ruth 2 Artwork

"And Naomi had a kinsman of her husband’s, a mighty man of wealth, of the family of Elimelech; and his name was Boaz." - Ruth 2:1

Explore Ruth 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RuthRuth 2Ruth 2:1
Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:" An illustration of a scene from the Book of Ruth, specifically Ruth 2:15. In the scene, a woman called Ruth has risen up to glean in the fields. A man, Boaz, is commanding his young servants: he's stating that she should be allowed to glean even among the sheaves and not to reproach her. Render this image in vibrant colors, with a lot of detail and depth, reminiscent of some aspects of digital art. The setting should be an ancient Middle-Eastern field, offering a glimpse into agricultural life of the era. Ruth is a Middle-Eastern woman and Boaz is a Middle-Eastern man.

Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:"

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:2 - "And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter."

Ruth 2:2 - "And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter."

Ruth 2:3 – "So she went out, entered a field and began to glean behind the harvesters."

Ruth 2:3 – "So she went out, entered a field and began to glean behind the harvesters."

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 3:1 - "Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?" Depict a scene depicting a biblical event from the book of Ruth. Include the characters of Naomi and Ruth in an earnest conversation. Naomi, the older woman, is telling her daughter-in-law, Ruth, about her hopes for Ruth's future. The image should resemble the style of detailed illustrations found in ancient manuscripts, with attention to the color and texture typically observed in such artworks. Both Naomi and Ruth should exhibit features of ancient Middle-Eastern descent. The entire scene is to be encapsulated within an intricate ornamental border, similar to those found in illuminated manuscripts of the past. Strategically positioned within the artwork, include the quote from Ruth 3:1: 'Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?'

Ruth 3:1 - "Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?"

Ruth 3:9 - "And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman." A historical scene inspired by the scripture Ruth 3:9, where a man is asking a woman, who identifies herself as Ruth, her identity. Ruth, donned in traditional clothing, humbly requests protection, symbolized by him spreading his skirt over her. All this dialogue happens under the serene blue sky. The style should mimic the aesthetics and techniques used prior to 1912 but done in digital medium.

Ruth 3:9 - "And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman."

Ruth 1:14 - "And they lifted up their voice, and wept again: and Orpah kissed her mother in law; but Ruth clave unto her."

Ruth 1:14 - "And they lifted up their voice, and wept again: and Orpah kissed her mother in law; but Ruth clave unto her."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz." Illustrate a scene inspired by Ruth 2:1 from the Bible, where a man named Boaz, portrayed as a wealthy, powerful figure from the family of Elimelech, is introduced. Naomi, a woman presumably known to him through her husband, is also a central character. The imagery should hearken to traditional visuals associated with biblical narratives, yet revealed through a digital medium of art.

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 2:6 - "And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:" Visualize a scene from a biblical narration. A young woman with Middle-Eastern features, wearing traditional attire, stands in a vast field of tall golden grain, having just returned from Moab. Her face reflects resolve and determination as she steps into her new life with Naomi. The overseer of the reapers, a South Asian man with strong physique, dressed in rustic work clothes, watches her with curiosity. The scene is bathed in a warm, gentle, afternoon sunlight. Imagine this tableau in high resolution, depicting the merging of organic shapes and crisp lines, typical of traditional parchment illustrations but with the vibrancy and depth characteristic of modern digital art.

Ruth 2:6 - "And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:"

Ruth 3:2 - "And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor." An illustration of a scene from Ruth 3:2 in the vein of 19th-century lithography. In this scene, a man, possibly originating from the Middle Eastern descent is seen winnowing barley at night in a threshing floor. He wears traditional clothing suitable for the period and carries an air of quiet concentration. The maidens, a diverse group of women from various descents and age groups watch him from a distance, their expressions ranging from curiosity to admiration. The moonlight bathes the scene in a soft glow, casting long, dramatic shadows that merge with the mounds of grain. This is not a replication but an original interpretation of the biblical scene.

Ruth 3:2 - "And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor."

Ruth 2:17 - "So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley." A representation of a biblical scene inspired by Ruth 2:17 where a woman, possibly of Middle-Eastern descent to align with the geographical context, is seen gleaning in the field until evening. She is busy beating the grain she has collected, which amounts to about an ephah of barley. The lighting in the scene signifies the shift from daylight to dusk, casting elongated shadows and imbuing the landscape with a golden hue typical of a sunset. The style of the scene is reminiscent of pre-1912 works, especially those capturing rustic and rural scenery, and is executed in digital art.

Ruth 2:17 - "So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley."

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son." A digital art interpretation of a scene from the Bible, specifically Ruth 4:13. Depict an ancient Middle-Eastern setting with a landscape of rolling hills and olive trees under a crepuscular sky. Illustrate Boaz, a Middle-Eastern male with a full beard, wearing a simple, traditional robe of earthy colors, standing gently near Ruth. In the same frame, picture Ruth, a Middle-Eastern female, in a robe of rich, vibrant colors, holding an infant lovingly in her arms. Show a sense of contentment and blessing in their expressions. Embed symbolism of fertility such as sprouting plants or wheat fields.

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son."

Ruth 2:16 - "And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not."

Ruth 2:16 - "And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 1:22 - "So Naomi returned, and Ruth the Moabitess, her daughter in law, with her, which returned out of the country of Moab: and they came to Beth-lehem in the beginning of barley harvest."

Ruth 1:22 - "So Naomi returned, and Ruth the Moabitess, her daughter in law, with her, which returned out of the country of Moab: and they came to Beth-lehem in the beginning of barley harvest."

Ruth 2:23 - "So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law." Depict a traditional biblical scene inspired from the book of Ruth 2:23. The scene should reflect a young woman diligently working alongside other maidens in a lavish barley field stretching towards the horizon. The moment is captured towards the end of the harvest season where sheaves of golden wheat sway in the gentle breeze. In the periphery, her mother-in-law can be seen in a humble dwelling, observing the hardworking young woman. To replicate the look of digital art, emulate the vibrant color palette, detailed textures, and clear, sharp lines typically found in this medium.

Ruth 2:23 - "So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law."

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron," Visual representation of Ruth 4:18 from the Bible - 'Now these are the generations of Pharez: Pharez begat Hezron,' depicted in modern digital art form with emphasis on symbolic representation of generations

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron,"

Ruth 2:12 - "The LORD recompense thy work, and a full reward be given thee of the LORD God of Israel, under whose wings thou art come to trust."

Ruth 2:12 - "The LORD recompense thy work, and a full reward be given thee of the LORD God of Israel, under whose wings thou art come to trust."

Ruth 2:3 - "And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech."

Ruth 2:3 - "And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech."

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed," An intimate scene depicting a moment from Ruth 4:21 - 'And Salmon begat Boaz, and Boaz begat Obed,' but instead of traditional methods, the art is rendered in a digital fashion. This image maintains the essence of ancient times, with a contemporary touch from current digital techniques. Fine lines and soft colors compose the setting, characters, and objects from this biblical period.

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed,"

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance." An illustration from the book of Ruth, chapter 4 verse 5 featuring the dramatic moment when Boaz reveals the obligation to purchase the field from Naomi and Ruth the Moabitess, the wife of the deceased, in order to preserve the name of the dead on their inheritance. The image is set against a Middle Eastern landscape with a field as the focal point. The figures should be depicted in a way that captures their emotional exchange. They both appear to be in deep, serious conversation. Use a vibrant but dramatic color palette similar to that of digital art.

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance."

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 1:2 - "And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there." An image inspired by the biblical passage Ruth 1:2. Depict a family, consisting of a man, woman (his wife), and their two sons, originally from Bethlehem in Judah, now settling in the country of Moab. They are Ephrathites, highlighting their origins. The style should be resembling early 20th-century digital art, characterized by sharp, distinct line work, solid colors, and flat shading.

Ruth 1:2 - "And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there."