Ruth 4:20 Artwork

"And Amminadab begat Nahshon, and Nahshon begat Salmon," - Ruth 4:20

Explore Ruth 4:20 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron,"

Visual representation of Ruth 4:18 from the Bible - 'Now these are the generations of Pharez: Pharez begat Hezron,' depicted in modern digital art form with emphasis on symbolic representation of generations

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron,"

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed,"

An intimate scene depicting a moment from Ruth 4:21 - 'And Salmon begat Boaz, and Boaz begat Obed,' but instead of traditional methods, the art is rendered in a digital fashion. This image maintains the essence of ancient times, with a contemporary touch from current digital techniques. Fine lines and soft colors compose the setting, characters, and objects from this biblical period.

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed,"

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son."

A digital art interpretation of a scene from the Bible, specifically Ruth 4:13. Depict an ancient Middle-Eastern setting with a landscape of rolling hills and olive trees under a crepuscular sky. Illustrate Boaz, a Middle-Eastern male with a full beard, wearing a simple, traditional robe of earthy colors, standing gently near Ruth. In the same frame, picture Ruth, a Middle-Eastern female, in a robe of rich, vibrant colors, holding an infant lovingly in her arms. Show a sense of contentment and blessing in their expressions. Embed symbolism of fertility such as sprouting plants or wheat fields.

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son."

Ruth 4:16 - "And Naomi took the child, and laid it in her bosom, and became nurse unto it."

A sentimental biblical scene inspired by Ruth 4:16 — 'And Naomi took the child, and laid it in her bosom, and became nurse unto it.' The image vividly displays Naomi, a middle-aged Middle-Eastern woman with tender eyes, cradling a newborn baby in her arms, her face radiating maternal warmth. The setting is a simple, humble dwelling typical of the ancient Middle East, providing a stark yet comforting backdrop. The use of energetic lines and stark contrasts resemble that of digital art. The overall essence of the image is a deep sense of compassion and motherly love.

Ruth 4:16 - "And Naomi took the child, and laid it in her bosom, and became nurse unto it."

Ruth 4:4 - "And I thought to advertise thee, saying, Buy it before the inhabitants, and before the elders of my people. If thou wilt redeem it, redeem it: but if thou wilt not redeem it, then tell me, that I may know: for there is none to redeem it beside thee; and I am after thee. And he said, I will redeem it."

An illustration of a pivotal moment from the Book of Ruth, specifically Ruth 4:4. Show a traditional marketplace scene where two men are in earnest conversation, under the watchful gaze of nearby townsfolk and elders. One is offering the opportunity of redemption to the other, both contrasting against the bustling background. Emulate the style of stained glass to capture the almost spiritual solemnity of the situation with vibrant, sharply divided colors and bold outlines. Use geometrical patterns to portray the backdrop of the marketplace and the people to maintain the digital art theme.

Ruth 4:4 - "And I thought to advertise thee, saying, Buy it before the inhabitants, and before the elders of my people. If thou wilt redeem it, redeem it: but if thou wilt not redeem it, then tell me, that I may know: for there is none to redeem it beside thee; and I am after thee. And he said, I will redeem it."

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance."

An illustration from the book of Ruth, chapter 4 verse 5 featuring the dramatic moment when Boaz reveals the obligation to purchase the field from Naomi and Ruth the Moabitess, the wife of the deceased, in order to preserve the name of the dead on their inheritance. The image is set against a Middle Eastern landscape with a field as the focal point. The figures should be depicted in a way that captures their emotional exchange. They both appear to be in deep, serious conversation. Use a vibrant but dramatic color palette similar to that of digital art.

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance."

Ruth 1:20 - "And she said unto them, Call me not Naomi, call me Mara: for the Almighty hath dealt very bitterly with me."

Ruth 1:20 - "And she said unto them, Call me not Naomi, call me Mara: for the Almighty hath dealt very bitterly with me."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:8 - "Therefore the kinsman said unto Boaz, Buy it for thee. So he drew off his shoe."

Ruth 4:8 - "Therefore the kinsman said unto Boaz, Buy it for thee. So he drew off his shoe."

Ruth 4:10 - "Moreover Ruth the Moabitess, the wife of Mahlon, have I purchased to be my wife, to raise up the name of the dead upon his inheritance, that the name of the dead be not cut off from among his brethren, and from the gate of his place: ye are witnesses this day."

Create a digital illustration showcasing a biblical scene inspired by the book of Ruth 4:10. In the scene, depict Ruth, a South Asian woman dressed in traditional Moabite garb, standing beside her husband Mahlon, a Caucasian man in ancient attire. Behind them is a symbolic gate to represent 'the gate of his place'. The atmosphere should be solemn and a small crowd of diverse witnesses, both men and women from different descents gathered around, observing testament to their union. The overall mood should be evoking compassion, loyalty and faithfulness towards traditions.

Ruth 4:10 - "Moreover Ruth the Moabitess, the wife of Mahlon, have I purchased to be my wife, to raise up the name of the dead upon his inheritance, that the name of the dead be not cut off from among his brethren, and from the gate of his place: ye are witnesses this day."

Revelation 20:4

Create a digital art representation of the theme from Revelation 20:4 without using any text or words. The image should reflect the themes of judgement, thrones, souls, and martyrdom mentioned in the passage, but should not have any visible text in it.

Revelation 20:4

Revelation 20:4

Create an interpretation of Revelation 20:4 in an abstract form, utilizing geometric shapes and vibrant colors, reminiscent of pre-1912 artworks such as impressionism, but in the medium of digital art. Please ensure no textual elements or words are included.

Revelation 20:4

Revelation 20:4

Visualize the scene depicted in Revelation 20:4, 'I saw thrones on which were seated those who had been given authority to judge. And I saw the souls of those who had been beheaded because of their testimony about Jesus and because of the word of God. They had not worshiped the beast or its image and had not received its mark on their foreheads or their hands. They came to life and reigned with Christ a thousand years.' This should be presented in contemporary digital art style devoid of any text or words.

Revelation 20:4

Revelation 20:4

An image representing Revelation 20:4 from the Bible, recreated in a modern, digital art style. The scene features people coming back to life and sitting on thrones, implying judgement. It also depicts one person holding a rolled parchment. Ensure that the image communicates the themes of revelation, resurrection, judgement, and kingship without using any text or words.

Revelation 20:4

Revelation 20:4

Visual representation of the biblical verse Revelation 20:4 without the use of text or words. The scene should convey the highly symbolic and allegorical nature of the passage. Avoid specific religious symbols or identifiable figures and instead focus on the thematic elements and emotional content. Please note that despite it being a modern scene rendering, it cannot exhibit features associated or affiliated with digital art.

Revelation 20:4

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 4:3 - "And he said unto the kinsman, Naomi, that is come again out of the country of Moab, selleth a parcel of land, which was our brother Elimelech's:"

Ruth 4:3 - "And he said unto the kinsman, Naomi, that is come again out of the country of Moab, selleth a parcel of land, which was our brother Elimelech's:"

1 Corinthians 4:20

A vivid, watercolor scene depicting the essence of the biblical verse 1 Corinthians 4:20 which reads, 'For the kingdom of God is not a matter of talk but of power.' Visualize a peaceful kingdom under a soft-hued sky, full of power and grandeur, where actions speak louder than words. Figures live in harmony, emanating inner strength, serving as a representation of powerful deeds rather than mere talk.

1 Corinthians 4:20

1 Corinthians 4:20

Render the scene described in 1 Corinthians 4:20 from the Bible, as if it was painted in watercolor. For the Kingdom of God is not about talk but about power - depict active, powerful scenes, with a heavenly aura. Show these notions rather than people talking, to demonstrate the verse visually.

1 Corinthians 4:20

1 Corinthians 4:20

Render the Bible verse 1 Corinthians 4:20: 'For the kingdom of God is not a matter of talk but of power.' Generate an image of this verse represented in a watercolor painting style with abstract elements that showcases the power and majesty described in the verse.

1 Corinthians 4:20

1 Corinthians 4:20

A visual representation of the Bible verse 1 Corinthians 4:20. The theme of the verse, 'For the kingdom of God is not a matter of talk but of power', should be creatively depicted. The scene should be portrayed in the style of traditional watercolor paintings, reminiscent of works created prior to 1912 with characteristics such as loose brush strokes, vibrant colors and the unique diffusion of pigment and water on paper.

1 Corinthians 4:20

Ruth 4:14 - "And the women said unto Naomi, Blessed be the LORD, which hath not left thee this day without a kinsman, that his name may be famous in Israel."

Ruth 4:14 - "And the women said unto Naomi, Blessed be the LORD, which hath not left thee this day without a kinsman, that his name may be famous in Israel."

Ruth 4:17 - "And the women her neighbours gave it a name, saying, There is a son born to Naomi; and they called his name Obed: he is the father of Jesse, the father of David."

Ruth 4:17 - "And the women her neighbours gave it a name, saying, There is a son born to Naomi; and they called his name Obed: he is the father of Jesse, the father of David."

Ruth 4:12 - "And let thy house be like the house of Pharez, whom Tamar bare unto Judah, of the seed which the LORD shall give thee of this young woman."

Ruth 4:12 - "And let thy house be like the house of Pharez, whom Tamar bare unto Judah, of the seed which the LORD shall give thee of this young woman."

Ruth 4:9 - "¶ And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi."

Visualize a biblical scene from Ruth 4:9, 'And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi'. The setting is an ancient marketplace with Boaz, a Middle-Eastern man, addressing a diverse crowd of elders and people which includes Black, Caucasian, Hispanic, and South Asian individuals. Boaz is seen in the act of making an important announcement. The art should resonate with the aesthetics and techniques of digital art, rich in color and detail.

Ruth 4:9 - "¶ And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi."

Ruth 4:6 - "¶ And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it."

Illustrate the scene depicted in Ruth 4:6, which says 'And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it.'. Imagine two people situated in an Antiquity Middle-Eastern environment. The main character, a middle-aged Caucasian man with a long beard and dressed in traditional clothing, is expressing deep anguish and regret. The other character, a mature Hispanic man also in conventional apparel, is intently listening while radiating understanding and compassion. Remember to display in the detail the historical architectural structures, and the warm desert scene in the background, to convey the era and locale. Your illustration should be in a contemporary digital art format.

Ruth 4:6 - "¶ And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it."