Ruth 4:5 Artwork

"Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance." - Ruth 4:5

Explore Ruth 4:5 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RuthRuth 4Ruth 4:5
Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance." An illustration from the book of Ruth, chapter 4 verse 5 featuring the dramatic moment when Boaz reveals the obligation to purchase the field from Naomi and Ruth the Moabitess, the wife of the deceased, in order to preserve the name of the dead on their inheritance. The image is set against a Middle Eastern landscape with a field as the focal point. The figures should be depicted in a way that captures their emotional exchange. They both appear to be in deep, serious conversation. Use a vibrant but dramatic color palette similar to that of digital art.

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance."

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron," Visual representation of Ruth 4:18 from the Bible - 'Now these are the generations of Pharez: Pharez begat Hezron,' depicted in modern digital art form with emphasis on symbolic representation of generations

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed," An intimate scene depicting a moment from Ruth 4:21 - 'And Salmon begat Boaz, and Boaz begat Obed,' but instead of traditional methods, the art is rendered in a digital fashion. This image maintains the essence of ancient times, with a contemporary touch from current digital techniques. Fine lines and soft colors compose the setting, characters, and objects from this biblical period.

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed,"

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son." A digital art interpretation of a scene from the Bible, specifically Ruth 4:13. Depict an ancient Middle-Eastern setting with a landscape of rolling hills and olive trees under a crepuscular sky. Illustrate Boaz, a Middle-Eastern male with a full beard, wearing a simple, traditional robe of earthy colors, standing gently near Ruth. In the same frame, picture Ruth, a Middle-Eastern female, in a robe of rich, vibrant colors, holding an infant lovingly in her arms. Show a sense of contentment and blessing in their expressions. Embed symbolism of fertility such as sprouting plants or wheat fields.

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son."

Ruth 4:16 - "And Naomi took the child, and laid it in her bosom, and became nurse unto it." A sentimental biblical scene inspired by Ruth 4:16 — 'And Naomi took the child, and laid it in her bosom, and became nurse unto it.' The image vividly displays Naomi, a middle-aged Middle-Eastern woman with tender eyes, cradling a newborn baby in her arms, her face radiating maternal warmth. The setting is a simple, humble dwelling typical of the ancient Middle East, providing a stark yet comforting backdrop. The use of energetic lines and stark contrasts resemble that of digital art. The overall essence of the image is a deep sense of compassion and motherly love.

Ruth 4:16 - "And Naomi took the child, and laid it in her bosom, and became nurse unto it."

Ruth 4:4 - "And I thought to advertise thee, saying, Buy it before the inhabitants, and before the elders of my people. If thou wilt redeem it, redeem it: but if thou wilt not redeem it, then tell me, that I may know: for there is none to redeem it beside thee; and I am after thee. And he said, I will redeem it." An illustration of a pivotal moment from the Book of Ruth, specifically Ruth 4:4. Show a traditional marketplace scene where two men are in earnest conversation, under the watchful gaze of nearby townsfolk and elders. One is offering the opportunity of redemption to the other, both contrasting against the bustling background. Emulate the style of stained glass to capture the almost spiritual solemnity of the situation with vibrant, sharply divided colors and bold outlines. Use geometrical patterns to portray the backdrop of the marketplace and the people to maintain the digital art theme.

Ruth 4:4 - "And I thought to advertise thee, saying, Buy it before the inhabitants, and before the elders of my people. If thou wilt redeem it, redeem it: but if thou wilt not redeem it, then tell me, that I may know: for there is none to redeem it beside thee; and I am after thee. And he said, I will redeem it."

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 3:5 - "And she said unto her, All that thou sayest unto me I will do."

Ruth 3:5 - "And she said unto her, All that thou sayest unto me I will do."

Matthew 1:5 - "And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;" An interpretation of the biblical passage, Matthew 1:5 which states 'And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;'. The depiction should ideally show three seminal moments in this lineage. The first moment where Salmon introduces Booz of Rachab, then Booz introducing Obed of Ruth, and finally, Obed introducing Jesse. Each male figure should appear Middle Eastern to align with the geographical region of these biblical figures. Preferably, there should be some visual representation of their respective mothers too. The artistic approach should be inspired by the realm of digital art, encapsulating the modernity of the medium while maintaining the ancient ethos of the text.

Matthew 1:5 - "And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;"

Ruth 1:5 - "And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband." Visual representation of Ruth 1:5 from the Bible: 'And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband.' Scene showcases a somber atmosphere, where a sorrowful Middle-Eastern woman is standing alone, clutching onto the clothing of what seems like abandoned men's attire. This suggests the departure of her two sons and husband, showcasing the interpretation of the biblical verse in a poignant digital art style.

Ruth 1:5 - "And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:8 - "Therefore the kinsman said unto Boaz, Buy it for thee. So he drew off his shoe."

Ruth 4:8 - "Therefore the kinsman said unto Boaz, Buy it for thee. So he drew off his shoe."

Ruth 4:10 - "Moreover Ruth the Moabitess, the wife of Mahlon, have I purchased to be my wife, to raise up the name of the dead upon his inheritance, that the name of the dead be not cut off from among his brethren, and from the gate of his place: ye are witnesses this day." Create a digital illustration showcasing a biblical scene inspired by the book of Ruth 4:10. In the scene, depict Ruth, a South Asian woman dressed in traditional Moabite garb, standing beside her husband Mahlon, a Caucasian man in ancient attire. Behind them is a symbolic gate to represent 'the gate of his place'. The atmosphere should be solemn and a small crowd of diverse witnesses, both men and women from different descents gathered around, observing testament to their union. The overall mood should be evoking compassion, loyalty and faithfulness towards traditions.

Ruth 4:10 - "Moreover Ruth the Moabitess, the wife of Mahlon, have I purchased to be my wife, to raise up the name of the dead upon his inheritance, that the name of the dead be not cut off from among his brethren, and from the gate of his place: ye are witnesses this day."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 4:3 - "And he said unto the kinsman, Naomi, that is come again out of the country of Moab, selleth a parcel of land, which was our brother Elimelech's:"

Ruth 4:3 - "And he said unto the kinsman, Naomi, that is come again out of the country of Moab, selleth a parcel of land, which was our brother Elimelech's:"

Ruth 4:14 - "And the women said unto Naomi, Blessed be the LORD, which hath not left thee this day without a kinsman, that his name may be famous in Israel."

Ruth 4:14 - "And the women said unto Naomi, Blessed be the LORD, which hath not left thee this day without a kinsman, that his name may be famous in Israel."

Ruth 4:17 - "And the women her neighbours gave it a name, saying, There is a son born to Naomi; and they called his name Obed: he is the father of Jesse, the father of David."

Ruth 4:17 - "And the women her neighbours gave it a name, saying, There is a son born to Naomi; and they called his name Obed: he is the father of Jesse, the father of David."

Ruth 4:12 - "And let thy house be like the house of Pharez, whom Tamar bare unto Judah, of the seed which the LORD shall give thee of this young woman."

Ruth 4:12 - "And let thy house be like the house of Pharez, whom Tamar bare unto Judah, of the seed which the LORD shall give thee of this young woman."

Ruth 4:9 - "¶ And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi." Visualize a biblical scene from Ruth 4:9, 'And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi'. The setting is an ancient marketplace with Boaz, a Middle-Eastern man, addressing a diverse crowd of elders and people which includes Black, Caucasian, Hispanic, and South Asian individuals. Boaz is seen in the act of making an important announcement. The art should resonate with the aesthetics and techniques of digital art, rich in color and detail.

Ruth 4:9 - "¶ And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi."

Ruth 4:6 - "¶ And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it." Illustrate the scene depicted in Ruth 4:6, which says 'And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it.'. Imagine two people situated in an Antiquity Middle-Eastern environment. The main character, a middle-aged Caucasian man with a long beard and dressed in traditional clothing, is expressing deep anguish and regret. The other character, a mature Hispanic man also in conventional apparel, is intently listening while radiating understanding and compassion. Remember to display in the detail the historical architectural structures, and the warm desert scene in the background, to convey the era and locale. Your illustration should be in a contemporary digital art format.

Ruth 4:6 - "¶ And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it."

Ruth 4:7 - "Now this was the manner in former time in Israel concerning redeeming and concerning changing, for to confirm all things; a man plucked off his shoe, and gave it to his neighbour: and this was a testimony in Israel."

Ruth 4:7 - "Now this was the manner in former time in Israel concerning redeeming and concerning changing, for to confirm all things; a man plucked off his shoe, and gave it to his neighbour: and this was a testimony in Israel."

Ephesians 4:1-5 An illustrative, digital art portrayal of the essence of Ephesians 4:1-5 from the Christian Bible. It's a scene depicting a traditionally dressed religious figure, who is the epitome of peace and piety, embodying the principles of humility, gentleness, and patience. He's standing beneath an olive tree, holding out a scroll inscribed with ancient scriptures, symbolic of unity and faith. The background fill with symbolic biblical elements such as doves, light rays, or olive branches. Capture the serene and inspirational essence of traditional biblical art.

Ephesians 4:1-5

Ephesians 4:1-5 Generate an image in the biblical art style depicting a scene inspired by Ephesians 4:1-5. The scene includes an embodiment of unity, calling, humility, gentleness, patience, bearing in love, and spiritual peace. The depiction of these virtues presents a montage that weaves together the ethos of the specified verses. The style encapsulates pre-1912 artistic techniques often used in biblical art such as contrast, emphasis on light and dark, as well as the use of colors to symbolize different virtues.

Ephesians 4:1-5

Ephesians 4:1-5 Create a respectful image in digital art form depicting the concept of 'Ephesians 4:1-5'. The artwork should borrow inspiration from biblical art and imagery. Show a symbolic figure wrapped in robes with a peaceful demeanor, standing against a serene backdrop. The figure could be holding an ancient scroll or book, a nod to the scripture, but the figure's face should remain unseen to respect religious sentiments. The wide blue sky in the background should blend with an ethereal light radiating from the book, symbolically expressing the spiritual essence of the scriptures.

Ephesians 4:1-5

Ephesians 4:1-5 Create an image that portrays the concept of Ephesians 4:1-5, capturing the essence of unity, humility, and patience. The stance should be set in a biblical era setting with a figure that embodies the spirit of a revered religious leader standing amidst a group of people of varied descents, age, and genders, indicating the inclusivity of the message. Allow the digital art style to shine through with pixelated details, bold colors, and geometric contours while still adhering to the solemn and spiritual themes of biblical art. In the background, let the sun pierce through the clouds, adding drama and divine light to the scene.

Ephesians 4:1-5

Acts 1:4-5 A visual interpretation of the biblical passage Acts 1:4-5, captured using the details and richness typically found in Renaissance art. The scene involves Jesus and the Apostles gathered around a wooden table, imbued with warm, earthy tones. Jesus is gesturing towards the heavens, indicating the promise of the Holy Spirit. The Apostles listen intently, their facial expressions reflecting a mix of awe and devotion. Their clothes are depicted in meticulous detail with vibrant colors typically used in this era, highlighting the importance of the event. The background features an ornate room, filled with classical architectural elements common during the Renaissance period.

Acts 1:4-5