Zechariah 6 Artwork

"And I turned, and lifted up mine eyes, and looked, and, behold, there came four chariots out from between two mountains; and the mountains were mountains of brass." - Zechariah 6:1

Explore Zechariah 6 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
ZechariahZechariah 6Zechariah 6:1
Zechariah 3:6 - "And the angel of the LORD protested unto Joshua, saying," Visualize the following scene: 'And the angel of the LORD protested unto Joshua, saying,' as per Zechariah 3:6. The image represents a biblical scene featuring a celestial angel and Joshua, in a style prominent in the period before 1912, with a clear, vivid, and detailed look that could be seen as ahead of its time, similar to the precision and clarity of digital art.

Zechariah 3:6 - "And the angel of the LORD protested unto Joshua, saying,"

Zechariah 6:9 - "¶ And the word of the LORD came unto me, saying," Visualize an ancient scroll opened to reveal the text from Zechariah 6:9, 'And the word of the LORD came unto me, saying,'. The scroll lays on a wooden table lit by a soft candlelight. The letters on the scroll are of a dark, rich ink, elegant and sharp. The surroundings are in a Renaissance era, with motifs typical of the period. The style to be portrayed is similar to digital art with a vivid color palette and smooth textures. Please exclude any human figures from the image.

Zechariah 6:9 - "¶ And the word of the LORD came unto me, saying,"

Zechariah 6:14 - "And the crowns shall be to Helem, and to Tobijah, and to Jedaiah, and to Hen the son of Zephaniah, for a memorial in the temple of the LORD."

Zechariah 6:14 - "And the crowns shall be to Helem, and to Tobijah, and to Jedaiah, and to Hen the son of Zephaniah, for a memorial in the temple of the LORD."

Zechariah 6:2 - "In the first chariot were red horses; and in the second chariot black horses;" Imagine an interpretation of the biblical passage from Zechariah 6:2, where the first chariot carries vibrant red horses, while the second holds sleek black horses. They are rendered majestic and powerful, galloping amidst a surreal, mystical background. The star of this portrayal isn't any human figure but these divine chariots and their majestic horses. This isn't an attempt to recreate any traditional art style but a contemporary approach using digital art techniques for a rich blend of vibrant colors, sharp lines, and artificial lighting.

Zechariah 6:2 - "In the first chariot were red horses; and in the second chariot black horses;"

Zechariah 14:6 - "And it shall come to pass in that day, that the light shall not be clear, nor dark:"

Zechariah 14:6 - "And it shall come to pass in that day, that the light shall not be clear, nor dark:"

Zechariah 6:3 - "And in the third chariot white horses; and in the fourth chariot grisled and bay horses."

Zechariah 6:3 - "And in the third chariot white horses; and in the fourth chariot grisled and bay horses."

Zechariah 9:6 - "And a bastard shall dwell in Ashdod, and I will cut off the pride of the Philistines." A visual representation of a famous verse, Zechariah 9:6 - 'And a person of unknown parentage shall dwell in a city, and I will cut off the pride of an ancient civilization.' This should imitate the features, composition, and medium of traditional art forms to display its significance, in the style of an antique etching, in detail. It should have the dark, sombre tones and detailed textures found in etchings from the 19th century. With an ethereal feel, the city should be depicted in the background, with a single individual standing alone and a foreboding feeling suggesting the impending downfall of an ancient civilization's pride.

Zechariah 9:6 - "And a bastard shall dwell in Ashdod, and I will cut off the pride of the Philistines."

Zechariah 6:4 - "Then I answered and said unto the angel that talked with me, What are these, my lord?" A portrayal of a scene from a religious text, specifically Zechariah 6:4 - 'Then I answered and said unto the angel that talked with me, What are these, my lord?' The scene should show a person in the act of communicating with an ethereal figure perceived as an angel, with an expression of curiosity and respect. They're in a usage common setting for such encounters in classical literature, perhaps a desert, mountain top or an ancient temple. Create this scene using digital techniques, resembling vivid and modern aesthetics.

Zechariah 6:4 - "Then I answered and said unto the angel that talked with me, What are these, my lord?"

Zechariah 6:6 - "The black horses which are therein go forth into the north country; and the white go forth after them; and the grisled go forth toward the south country."

Zechariah 6:6 - "The black horses which are therein go forth into the north country; and the white go forth after them; and the grisled go forth toward the south country."

Zechariah 6:11 - "Then take silver and gold, and make crowns, and set them upon the head of Joshua the son of Josedech, the high priest;"

Zechariah 6:11 - "Then take silver and gold, and make crowns, and set them upon the head of Joshua the son of Josedech, the high priest;"

Zechariah 7:6 - "And when ye did eat, and when ye did drink, did not ye eat for yourselves, and drink for yourselves?" A visualization of Zechariah 7:6 from the Bible, 'And when ye did eat, and when ye did drink, did not ye eat for yourselves, and drink for yourselves?' The scene portrays individuals engrossed in the act of eating and drinking, emphasizing the personal benefits and satisfaction gained from these actions. Present this depiction in a digital art style, capturing the details and idiosyncrasies of the characters gathered in the setting, their expressions reflective of the verse's message of introspection on personal agrandizement through consumption.

Zechariah 7:6 - "And when ye did eat, and when ye did drink, did not ye eat for yourselves, and drink for yourselves?"

Zechariah 5:6 - "And I said, What is it? And he said, This is an ephah that goeth forth. He said moreover, This is their resemblance through all the earth." Create a digital art piece, representing the verse from Zechariah 5:6, including an ancient biblical scene with an ephah, a symbol often related to grain measurement in biblical times. Have the setting be a representation of the Earth in that period. Let the sky be filled with ancient celestial navigation markers thought by our ancestors to rule the earth. Capture the ambiance of an antique world, reflecting its resemblance through all the earth, as stated in the verse.

Zechariah 5:6 - "And I said, What is it? And he said, This is an ephah that goeth forth. He said moreover, This is their resemblance through all the earth."

Zechariah 7:8 - "¶ And the word of the LORD came unto Zechariah, saying," Create a digital art inspired image that represents a biblical scene, specifically from Zechariah 7:8, 'And the word of the LORD came unto Zechariah, saying'. The scene should depict the communication between the divine and the human, maintaining a sense of awe and mystery. The scene could be set in ancient times, and you might consider including scrolls, old architecture, and a serene environment. The figure receiving the word can be shown as an ordinary human figure in ancient robes, while the divine communication could be symbolized as a radiant light or ethereal presence.

Zechariah 7:8 - "¶ And the word of the LORD came unto Zechariah, saying,"

Zechariah 8:6 - "Thus saith the LORD of hosts; If it be marvellous in the eyes of the remnant of this people in these days, should it also be marvellous in mine eyes? saith the LORD of hosts."

Zechariah 8:6 - "Thus saith the LORD of hosts; If it be marvellous in the eyes of the remnant of this people in these days, should it also be marvellous in mine eyes? saith the LORD of hosts."

Zechariah 6:5 - "And the angel answered and said unto me, These are the four spirits of the heavens, which go forth from standing before the Lord of all the earth." A visualization of Zechariah 6:5 - 'And the angel answered and said unto me, These are the four spirits of the heavens, which go forth from standing before the Lord of all the earth.' The scene is to be depicted in a digital art style, showing an angel who communicates with a human. The four spirits are presented as mystical beings of ethereal appearance, each representing a distinct aspect of the heavens. They are in a state of departing from the presence of an almighty figure symbolizing the Lord of the planet. The atmosphere should be one of respect, awe, and devoutness, while carefully capturing the celestial aura using a palette that resonates with sky and space.

Zechariah 6:5 - "And the angel answered and said unto me, These are the four spirits of the heavens, which go forth from standing before the Lord of all the earth."

Zechariah 6:10 - "Take of them of the captivity, even of Heldai, of Tobijah, and of Jedaiah, which are come from Babylon, and come thou the same day, and go into the house of Josiah the son of Zephaniah;" An archaic scene inspired by the verse Zechariah 6:10 from the Bible, showcasing the individuals Heldai, Tobijah, and Jedaiah, having just returned from Babylon, proceeding towards the house of Josiah, the son of Zephaniah. The backdrop is a historical Babylonian cityscape. The architecture reflects the ancient Babylonian style, filled with hanging gardens, ziggurats, and mud-brick buildings. The individuals are clad in traditional Babylonian attire, giving off a strong sense of immersion in the historical context. All of this visualized in a contemporary digital art style, with vibrant colours and smooth shading.

Zechariah 6:10 - "Take of them of the captivity, even of Heldai, of Tobijah, and of Jedaiah, which are come from Babylon, and come thou the same day, and go into the house of Josiah the son of Zephaniah;"

Zechariah 13:6 - "And one shall say unto him, What are these wounds in thine hands? Then he shall answer, Those with which I was wounded in the house of my friends." An interpretation of Zechariah 13:6 from the Bible. The scene depicts a conversation where one person is asking another about the wounds in their hands. The person with the wounds responds by saying they got them in the house of their friends. The conversation takes place in a serene environment with a sense of tranquility despite the subject matter. The style should be digital art, with crisp lines, bold colors, and contrasting elements to highlight the poignancy of the scene.

Zechariah 13:6 - "And one shall say unto him, What are these wounds in thine hands? Then he shall answer, Those with which I was wounded in the house of my friends."

Zechariah 4:6 - "Then he answered and spake unto me, saying, This is the word of the LORD unto Zerubbabel, saying, Not by might, nor by power, but by my spirit, saith the LORD of hosts." Visual representation of biblical verse Zechariah 4:6: A biblical scene where a divine voice speaks to a figure named Zerubbabel. The divine voice says, 'Not by might, nor by power, but by my spirit, saith the LORD of hosts.' The scene is serene and full of deep spiritual energy. Please render this scenario in a digital art style.

Zechariah 4:6 - "Then he answered and spake unto me, saying, This is the word of the LORD unto Zerubbabel, saying, Not by might, nor by power, but by my spirit, saith the LORD of hosts."

Zechariah 6:1 - "And I turned, and lifted up mine eyes, and looked, and, behold, there came four chariots out from between two mountains; and the mountains were mountains of brass."

Zechariah 6:1 - "And I turned, and lifted up mine eyes, and looked, and, behold, there came four chariots out from between two mountains; and the mountains were mountains of brass."

Zechariah 6:8 - "Then cried he upon me, and spake unto me, saying, Behold, these that go toward the north country have quieted my spirit in the north country." A digital art interpretation of a scene inspired by Zechariah 6:8. The image features figures journeying towards an ethereal, northern landscape. Their journey embodies tranquility and soothes the spirit of the unseen speaker. The imagery is a mixture of both palpable physical journeying and intangible spiritual calm. It explores the dichotomy of movement and stillness. The colors are subdued and ethereal, painting a tranquil image of the north, composed with hints of swirling, icy blues, silvers and muted whites. Please ensure to translate the metaphorical elements of rest and spiritual tranquility into visual attributes.

Zechariah 6:8 - "Then cried he upon me, and spake unto me, saying, Behold, these that go toward the north country have quieted my spirit in the north country."

Zechariah 2:6 - "¶ Ho, ho, come forth, and flee from the land of the north, saith the LORD: for I have spread you abroad as the four winds of the heaven, saith the LORD."

Zechariah 2:6 - "¶ Ho, ho, come forth, and flee from the land of the north, saith the LORD: for I have spread you abroad as the four winds of the heaven, saith the LORD."

Zechariah 6:7 - "And the bay went forth, and sought to go that they might walk to and fro through the earth: and he said, Get you hence, walk to and fro through the earth. So they walked to and fro through the earth." A detailed scene inspired by the biblical text from Zechariah 6:7. It showcases a group of contemplative individuals, walking to and fro across the earth. They are on a seemingly endless journey, their path illuminated by the light from the heavens above. The art style should be reminiscent of traditional digital art, utilizing clean lines, bright colors, and detailed textures to portray the scene.

Zechariah 6:7 - "And the bay went forth, and sought to go that they might walk to and fro through the earth: and he said, Get you hence, walk to and fro through the earth. So they walked to and fro through the earth."

Zechariah 11:6 - "For I will no more pity the inhabitants of the land, saith the LORD: but, lo, I will deliver the men every one into his neighbour's hand, and into the hand of his king: and they shall smite the land, and out of their hand I will not deliver them." An artistic visualization of Zechariah 11:6 portraying inhabitants of the land who receive no more pity. Depict them being delivered into the hands of their neighbors and their kings. This scene should depict the landscape in turmoil and distress, as those handed over refuse to be delivered. To align with the style of digital art, create an illustration that leverages clean lines, bold colors, and geometric forms.

Zechariah 11:6 - "For I will no more pity the inhabitants of the land, saith the LORD: but, lo, I will deliver the men every one into his neighbour's hand, and into the hand of his king: and they shall smite the land, and out of their hand I will not deliver them."

Zechariah 12:6 - "¶ In that day will I make the governors of Judah like an hearth of fire among the wood, and like a torch of fire in a sheaf; and they shall devour all the people round about, on the right hand and on the left: and Jerusalem shall be inhabited again in her own place, even in Jerusalem." Depict a scene inspired by Zechariah 12:6 from the Bible. Illustrate the governors of Judah as a hearth of fire among the wood and a torch of fire in a sheaf, symbolically engulfing all the people around. Show the setting on the right and left sides being consumed, yet with Jerusalem staying resolute and inhabited in its place. Present this powerful vision in a manner reminiscent of digital art.

Zechariah 12:6 - "¶ In that day will I make the governors of Judah like an hearth of fire among the wood, and like a torch of fire in a sheaf; and they shall devour all the people round about, on the right hand and on the left: and Jerusalem shall be inhabited again in her own place, even in Jerusalem."

Zechariah 7:1 - "And it came to pass in the fourth year of king Darius, that the word of the LORD came unto Zechariah in the fourth day of the ninth month, even in Chisleu;" A depiction of an ancient setting inspired by the biblical verse from Zechariah 7:1. Present a scene in the fourth year of the reign of a powerful ruler, wherein a divine message is being delivered to a prophet named Zechariah on the fourth day of the ninth month. This should be set in a period appropriate environment, rich with cloaked figures, old buildings, parchments, and celestial symbolism. The art style should be evocative of digital art with clear lines, vibrant colors and high resolution.

Zechariah 7:1 - "And it came to pass in the fourth year of king Darius, that the word of the LORD came unto Zechariah in the fourth day of the ninth month, even in Chisleu;"

Nehemiah 12:16 - "Of Iddo, Zechariah; of Ginnethon, Meshullam;"

Nehemiah 12:16 - "Of Iddo, Zechariah; of Ginnethon, Meshullam;"

Zechariah 1:1 - "In the eighth month, in the second year of Darius, came the word of the LORD unto Zechariah, the son of Berechiah, the son of Iddo the prophet, saying," A biblical scene depicting the moment when the word of the Lord comes to Zechariah, son of Berechiah, son of Iddo the prophet. The setting is in the eighth month, the second year of Darius. This scene has been interpreted through the lens of a digitized art style, blending more traditional visual elements with modern, digital aesthetics. There is a focus on the ethereal nature of the divine message, evoking a sense of awe and reverence. Zechariah might be portrayed as a Middle-Eastern man, accurately reflecting the historical and geographical context of this biblical narrative.

Zechariah 1:1 - "In the eighth month, in the second year of Darius, came the word of the LORD unto Zechariah, the son of Berechiah, the son of Iddo the prophet, saying,"

Ezra 6:14 - "And the elders of the Jews builded, and they prospered through the prophesying of Haggai the prophet and Zechariah the son of Iddo. And they builded, and finished it, according to the commandment of the God of Israel, and according to the commandment of Cyrus, and Darius, and Artaxerxes king of Persia." An artistic representation depicting an ancient biblical scene inspired by Ezra 6:14, seen through the perspective of classical art. The elders of the Jews are seen building as they prosper through the prophesying of two prophets, Haggai and Zechariah. They are working diligently as per the divine commandment of the God of Israel and also following the orders of Cyrus, Darius, and a king of Persia identified as Artaxerxes. This art piece is set in an ancient era, and carefully balances elements of timelessness and spirituality. All of this rendered in a crisp, colourful and dynamic visual style reminiscent of the traditional aesthetic of early digital art.

Ezra 6:14 - "And the elders of the Jews builded, and they prospered through the prophesying of Haggai the prophet and Zechariah the son of Iddo. And they builded, and finished it, according to the commandment of the God of Israel, and according to the commandment of Cyrus, and Darius, and Artaxerxes king of Persia."

1 Chronicles 9:37 - "And Gedor, and Ahio, and Zechariah, and Mikloth." An evocative landscape depicting the biblical names Gedor, Ahio, Zechariah, and Mikloth. This scenery should imagine these namesakes as symbolic landmarks in a heavenly realm. Use a luminescent color palette, fluid shapes, and forms to give it a serene spiritual atmosphere. The style should be in a modern digitally crafted outlook, but steering clear from any specific contemporary artist's style. Each element should interact harmoniously with the others, conveying an ethereal unity.

1 Chronicles 9:37 - "And Gedor, and Ahio, and Zechariah, and Mikloth."

Zechariah 6:12 - "And speak unto him, saying, Thus speaketh the LORD of hosts, saying, Behold the man whose name is The BRANCH; and he shall grow up out of his place, and he shall build the temple of the LORD:"

Zechariah 6:12 - "And speak unto him, saying, Thus speaketh the LORD of hosts, saying, Behold the man whose name is The BRANCH; and he shall grow up out of his place, and he shall build the temple of the LORD:"