What does Isaiah 4:1 mean?

"And in that day seven women shall take hold of one man, saying, We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach." - Isaiah 4:1

Isaiah 4:1 - "And in that day seven women shall take hold of one man, saying, We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach."

A biblical scene interpretation of Isaiah 4:1. Display seven women of diverse descent such as Caucasian, Hispanic, Middle Eastern, South Asian, Black, East Asian, and Indigenous. These women are taking hold of one Caucasian man. Each woman should be saying, 'We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach.' They all have different varieties of bread and apparels that reflect their diverse backgrounds. Display this in a modern digital art style.

Isaiah 4:1 - "And in that day seven women shall take hold of one man, saying, We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach."

A biblical scene interpretation of Isaiah 4:1. Display seven women of diverse descent such as Caucasian, Hispanic, Middle Eastern, South Asian, Black, East Asian, and Indigenous. These women are taking hold of one Caucasian man. Each woman should be saying, 'We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach.' They all have different varieties of bread and apparels that reflect their diverse backgrounds. Display this in a modern digital art style.

Isaiah 4:1 from the King James Version (KJV) of the Bible reads: "And in that day seven women shall take hold of one man, saying, We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach." This verse is part of the prophecy of the coming judgment and restoration of Israel, as spoken by the prophet Isaiah.

The context of this verse is important to understanding its meaning. In the preceding chapters, Isaiah has been warning the people of Israel about their impending judgment due to their sins and disobedience to God. He describes the destruction that will come upon the land, and the punishment that the people will face for their rebellion. However, in the midst of these warnings, there is also a message of hope and restoration. Isaiah looks forward to a day when God will once again bless His people and restore them to their rightful place.

In Isaiah 4:1, the prophet uses a vivid and dramatic imagery to illustrate the severity of the judgment that will come upon Israel. The phrase "in that day" refers to a future time when the judgment and restoration will take place. The image of seven women taking hold of one man is symbolic of a scarcity of men, perhaps due to war or other calamities that have befallen the land. This scarcity has led to the desperate measures of the women, who are willing to share one man in order to have a husband and children. This reflects a state of lack and hardship, where even the most basic necessities are scarce.

The women's declaration that they will provide for themselves, by eating their own bread and wearing their own apparel, indicates the extent of their desperation. They are willing to take on the responsibilities of providing for themselves, rather than rely on a man to do so. This highlights the severity of the conditions they are living in, and the need for survival in the face of scarcity.

The women's plea to be called by the man's name is significant, as it reflects the societal and cultural importance of having a husband and being part of a family unit. In ancient Israelite society, a woman's identity and status were often tied to her marital status and the family she belonged to. By asking to be called by the man's name, the women are seeking to avoid the stigma of being unmarried and childless, which would have been considered a reproach or disgrace in their society.

Symbolically, this verse can be interpreted as a depiction of the consequences of the people of Israel turning away from God and His laws. The scarcity of men and the desperate measures of the women reflect a state of spiritual and moral decline, where the people have strayed from God's ways and are suffering the consequences of their disobedience. The reproach that the women seek to avoid symbolizes the shame and dishonor that comes from living in a state of disobedience and separation from God.

Ultimately, this verse serves as a warning to the people of Israel about the consequences of their actions, but it also holds a message of hope. The imagery of scarcity and desperation is contrasted with the promise of restoration and blessing that comes in the following verses of Isaiah. God's judgment is not the end, but rather a means to bring His people back to Himself and restore them to a place of blessing and abundance.

In conclusion, Isaiah 4:1 is a powerful and evocative verse that uses vivid imagery to convey the message of judgment and restoration for the people of Israel. It serves as a warning about the consequences of disobedience, but also holds a message of hope for the future. This verse reminds us of the importance of remaining faithful to God and the blessings that come from obedience to His will.

Isaiah 4:1 Artwork

Isaiah 4:1 - "And in that day seven women shall take hold of one man, saying, We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach."

A biblical scene interpretation of Isaiah 4:1. Display seven women of diverse descent such as Caucasian, Hispanic, Middle Eastern, South Asian, Black, East Asian, and Indigenous. These women are taking hold of one Caucasian man. Each woman should be saying, 'We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach.' They all have different varieties of bread and apparels that reflect their diverse backgrounds. Display this in a modern digital art style.

Isaiah 4:1 - "And in that day seven women shall take hold of one man, saying, We will eat our own bread, and wear our own apparel: only let us be called by thy name, to take away our reproach."

Isaiah 38:4 - "¶ Then came the word of the LORD to Isaiah, saying,"

Isaiah 38:4 - "¶ Then came the word of the LORD to Isaiah, saying,"

Isaiah 6:4-7

An imaginative representation of the biblical passage Isaiah 6:4-7. The image should feature the key elements from the verses, including the shaking of the doorposts, the house filled with smoke, and the vision of the seraphim who brings a live coal to the prophet's mouth. This scene should be created with an emphasis on respect and devotion towards Christianity. The artwork should use the pointillist technique of using small, distinct dots of color to form an image, reminiscent of pre-1912 painters like Georges Seurat. Text or words should not be included in the image.

Isaiah 6:4-7

Isaiah 6:1-5

Envision a watercolor painting interpretation of the biblical passage Isaiah 6:1-5. The scene depicts a majestic throne room with a towering divine figure enveloped in flowing robes. Around the throne, seraphim with six wings each are burning in mid-air. An awe-struck figure is present, representing the prophet Isaiah. Enveloped by the grandiosity of the scene, Isaiah is shown to be humbled and overwrought. The key tonal palette includes ethereal blues and divine golds, ensuring a sense of tranquility and reverence is conveyed.

Isaiah 6:1-5

Isaiah 6:1-3

A respectful and devotional representation of the biblical scenes from Isaiah 6:1-3. In the pivotal scene, a Middle-Eastern male figure in the role of Isaiah gazes upward, his eyes wide with reverence and awe. Above him, the depiction includes a heavenly throne resplendent in glowing light and swathed in smoke, the majesty of it emphasizing the divine presence. Beside the throne, two seraphim with each having six wings make a presence, their forms ethereal and radiating pure devotion. The overall artistic interpretation should be in the style of the Renaissance era, making use of soft lines, subtle colors, and complex, balanced compositions. This image would be completely devoid of text or words.

Isaiah 6:1-3

Isaiah 6:1-3

An artistic representation of the biblical passage Isaiah 6:1-3, done using watercolor techniques. The image should encompass a majestic and spiritual scene, indicative of seraphim with six wings positioned around a divine throne, enveloping it with a sense of reverence and worship. The focus should be on creating an expressive and emotive depiction that sentiments respect and devotion towards Christianity, without including any text or words in the composition.

Isaiah 6:1-3

Isaiah 6:1-5

A watercolor painting capturing a scene from Isaiah 6:1-5: The depiction of a grand temple setting. Inside the central hall, a figure, representing God, seated on a high and lofty throne with the edges of his robe filling the temple. Above the throne, Seraphim each with six wings, covering their faces, feet, and using the other two to fly. Billowing clouds of incense and a profound sense of awe. In the foreground, the prophet Isaiah is seen reacting with shock and emotion to the divine vision. The color scheme is ethereal with soft, merging hues.

Isaiah 6:1-5

Isaiah 6:1-3

Imagine a religious piece of art utilizing pointillism, a method of painting in which small, distinct dots of color are applied in patterns to form an image. The tableau involves celestial beings and a grand throne. It's centered on a Biblical narrative, specifically Isaiah 6:1-3. There's a majestic throne, signifying divine power, set against an ethereal backdrop, possibly a serene sky or celestial realm. There are seraphs, beings with multiple wings, present. These entities are depicted in peaceful pose, suggesting an atmosphere of reverence and devotion. The palette leans towards tranquil shades of blues, greens, yellows and whites. No text or words should be included in the image.

Isaiah 6:1-3

Isaiah 6:1-5

A detailed, vibrant and luminary watercolor scene inspired by the biblical passage of Isaiah 6:1-5. The canvas is filled with an overpowering image of a high throne with a robe filling the temple. Above it, seraphim with six wings each are visible. Two wings cover their faces, two their feet, and with two they fly. One of the seraphim is shown flying towards a trembling man, holding a live coal taken from the altar with a pair of tongs. The temple is filled with smoke, emphasizing the divine and mysterious atmosphere.

Isaiah 6:1-5

Isaiah 6:1-5

An interpretation of Isaiah 6:1-5 where the scene is shown in soft hues, reflecting a watercolor painting. In the center, Isaiah witnesses the vision of the divine, with six-winged seraphim flying overhead. His facial expressions show an awe-inducing realization of his own impurity in the sight of such holiness. High, majestic throne stands in the back, while the temple fills with smoke all around. All are depicted with the watercolor technique's fluid, blending colors and delicate transparency.

Isaiah 6:1-5

Isaiah 2:1 - "The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem."

A visual representation of Isaiah 2:1 - 'The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem.' conceived with modern, digital design techniques. The scene may portray ancient landscapes, with atmospheric suggestions of the divine. Possibly, a central figure looking pensive or in anticipation can be included, reflecting the prophet Isaiah. Elements related to Judah and Jerusalem, such as architectural outlines or symbols, may also be amid the composition, ideally representing the historical and spiritual context of the verse.

Isaiah 2:1 - "The word that Isaiah the son of Amoz saw concerning Judah and Jerusalem."

Isaiah 13:1 - "The burden of Babylon, which Isaiah the son of Amoz did see."

Isaiah 13:1 - "The burden of Babylon, which Isaiah the son of Amoz did see."

Isaiah 30:4 - "For his princes were at Zoan, and his ambassadors came to Hanes."

Isaiah 30:4 - "For his princes were at Zoan, and his ambassadors came to Hanes."

Isaiah 26:4 - "Trust ye in the LORD for ever: for in the LORD JEHOVAH is everlasting strength:"

Isaiah 26:4 - "Trust ye in the LORD for ever: for in the LORD JEHOVAH is everlasting strength:"

Isaiah 44:4 - "And they shall spring up as among the grass, as willows by the water courses."

Isaiah 44:4 - "And they shall spring up as among the grass, as willows by the water courses."

Isaiah 63:4 - "For the day of vengeance is in mine heart, and the year of my redeemed is come."

An image illustrating the biblical quote Isaiah 63:4 - 'For the day of vengeance is in mine heart, and the year of my redeemed is come.' This is in a digital art style, with dramatic, ethereal effects. The scene could include a symbolic representation of a heart with a day of vengeance, juxtaposed to another symbol showing redemption. The heart could glow intensely, representing the burning desire for vengeance, while on the other side, a vibrant, flourishing tree symbolises redemption. These elements should seamlessly blend together, emblematic of the transition from vengeance to redemption.

Isaiah 63:4 - "For the day of vengeance is in mine heart, and the year of my redeemed is come."

Isaiah 6:4 - "And the posts of the door moved at the voice of him that cried, and the house was filled with smoke."

Isaiah 6:4 - "And the posts of the door moved at the voice of him that cried, and the house was filled with smoke."

Isaiah 3:4 - "And I will give children to be their princes, and babes shall rule over them."

Create a digital art representation of Isaiah 3:4 - 'And I will give children to be their princes, and babes shall rule over them.' This scene should depict children in regal attire acting as leaders and rulers. The children will govern over a group of adults with wisdom beyond their years. Provide depth to the image by adding diverse array of adults from differing racial backgrounds like Caucasian, African, Middle-Eastern, Asian, and Latin America looking towards the children with respect.

Isaiah 3:4 - "And I will give children to be their princes, and babes shall rule over them."

Isaiah 47:4 - "As for our redeemer, the LORD of hosts is his name, the Holy One of Israel."

A majestic, digital-style artwork illustrating the theme of redemption. The scene features grand celestial hosts and an ethereal figure embodying the concept of the 'Holy One'. These elements are set amidst the backdrop of a broad, falling starry sky, looking down at a symbolic representation of Israel, perhaps a landscape or an iconic structure. The words 'As for our redeemer, the LORD of hosts is his name, the Holy One of Israel.' from Isaiah 47:4 are integrated subtly into the scene, emphasizing the theme.

Isaiah 47:4 - "As for our redeemer, the LORD of hosts is his name, the Holy One of Israel."

Isaiah 1:1 - "The vision of Isaiah the son of Amoz, which he saw concerning Judah and Jerusalem in the days of Uzziah, Jotham, Ahaz, and Hezekiah, kings of Judah."

Create a digital art representation of a biblical scene inspired by Isaiah 1:1. The artwork should depict a visionary scene, possibly including symbolic elements to represent Judah and Jerusalem, during an ancient era as per the narrative. Key figures should not be specific kings but suggestive of influential leaders during this era. The styles, colors, and techniques should aim to evoke the mood of the verse and ensure a touch of antiquity.

Isaiah 1:1 - "The vision of Isaiah the son of Amoz, which he saw concerning Judah and Jerusalem in the days of Uzziah, Jotham, Ahaz, and Hezekiah, kings of Judah."

Isaiah 1:4 - "Ah sinful nation, a people laden with iniquity, a seed of evildoers, children that are corrupters: they have forsaken the LORD, they have provoked the Holy One of Israel unto anger, they are gone away backward."

Isaiah 1:4 - "Ah sinful nation, a people laden with iniquity, a seed of evildoers, children that are corrupters: they have forsaken the LORD, they have provoked the Holy One of Israel unto anger, they are gone away backward."

Isaiah 55:4 - "Behold, I have given him for a witness to the people, a leader and commander to the people."

A scene depicting a biblical backdrop with a radiant figure rising above the masses, representing a leader. The moment captures the essence of Isaiah 55:4 - 'Behold, I have given him for a witness to the people, a leader and commander to the people.' The style is modern and evocative of digital art, with sharp lines, vivid colors, and abstract elements that conjure the ethereal and divine.

Isaiah 55:4 - "Behold, I have given him for a witness to the people, a leader and commander to the people."

Isaiah 32:4 - "The heart also of the rash shall understand knowledge, and the tongue of the stammerers shall be ready to speak plainly."

Isaiah 32:4 - "The heart also of the rash shall understand knowledge, and the tongue of the stammerers shall be ready to speak plainly."

Ephesians 4:1

A scene depicting the concept of Ephesians 4:1 in a respectful and devotional manner to Christianity. Illustrated in the style of delicate line art without text or words, the essence of walking in a manner worthy of the calling to which one has been called comes to life. Focus on symbolic representations such as walking human figure, pathway, or a divine calling seen as light, ensuring the aesthetic remains intricate and minimalistic.

Ephesians 4:1

Ephesians 4:1

A respectful and devotional interpretation of Ephesians 4:1, visualized using the Pointillism artistic movement, widely known for its unique dotted technique. Picture an open bible resting on a wooden table, illuminated by natural light flooding in through a nearby window. The focus text, Ephesians 4:1, though not visibly written, hints through its context. Perhaps a symbolic object representative of peace and unity, such as a dove or an olive branch, rests beside the bible embodying the spirit of the verse.

Ephesians 4:1

Ephesians 4:1

A respectful and devotional visual representation of Ephesians 4:1, translated to the medium of visual art. The style should be reminiscent of the minute, distinct dots of pure color of the post-impressionist pointillism movement. Avoid any textual elements or words within the image composition. Focus on symbols and motifs traditionally associated with Christianity, like the cross, praying hands, or the depiction of the faithful, while maintaining the overall tone of spirituality and reverence.

Ephesians 4:1

Ephesians 4:1

Create a respectfully devotional piece of Christian art that visually represents the essence of Ephesians 4:1. The style should emphasize vibrant colors, sharp contrasts, and intricate geometric patterns. This should associate with a religious context, but without the incorporation of any text or words.

Ephesians 4:1

Ephesians 4:1

Create a devotional and respectful line art illustration inspired by the message and sentiments of Ephesians 4:1 from The Holy Bible. The illustration should not include any text or words, instead, it should visually communicate the essence of the verse through thoughtful and symbolic imagery. The style should be minimalistic and elegant, adhering to the principles of line art, where the use of lines will be the only means to create the forms and shapes in the image.

Ephesians 4:1

Ephesians 4:1

Create a respectful and devotional representation of the essence of Ephesians 4:1 with Christian symbolism in the style of line art. The art should capture the spirit of unity and humility. Please avoid including text or words in the image.

Ephesians 4:1

Isaiah 4:4 - "When the Lord shall have washed away the filth of the daughters of Zion, and shall have purged the blood of Jerusalem from the midst thereof by the spirit of judgment, and by the spirit of burning."

Isaiah 4:4 - "When the Lord shall have washed away the filth of the daughters of Zion, and shall have purged the blood of Jerusalem from the midst thereof by the spirit of judgment, and by the spirit of burning."