Ezra 3 Artwork

"And when the seventh month was come, and the children of Israel were in the cities, the people gathered themselves together as one man to Jerusalem." - Ezra 3:1

Explore Ezra 3 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzraEzra 3Ezra 3:1
Ezra 7:3 - "The son of Amariah, the son of Azariah, the son of Meraioth,"

Ezra 7:3 - "The son of Amariah, the son of Azariah, the son of Meraioth,"

Ezra 2:3 - "The children of Parosh, two thousand an hundred seventy and two." An artistic rendition of a scene inspired by the verse 'The children of Parosh, two thousand an hundred seventy and two.' from Ezra 2:3. It depicts an the multitude of children each having unique facial expressions, clothes and actions. The scene uses vivid colors and distinct lines, carefully blending modern artistic concepts with the gravitas of the biblical narrative.

Ezra 2:3 - "The children of Parosh, two thousand an hundred seventy and two."

Ezra 8:3 - "Of the sons of Shechaniah, of the sons of Pharosh; Zechariah: and with him were reckoned by genealogy of the males an hundred and fifty." Visualize the scene from the biblical verse, Ezra 8:3 - 'Of the sons of Shechaniah, of the sons of Pharosh; Zechariah: and with him were reckoned by genealogy of the males an hundred and fifty.' Emulate ancient biblical scrolls using techniques similar to ancient calligraphy and illustrative methods, all rendered using digital means.

Ezra 8:3 - "Of the sons of Shechaniah, of the sons of Pharosh; Zechariah: and with him were reckoned by genealogy of the males an hundred and fifty."

Ezra 3:11 – "With praise and thanksgiving they sang to the Lord: 'He is good; his love toward Israel endures forever.'"

Ezra 3:11 – "With praise and thanksgiving they sang to the Lord: 'He is good; his love toward Israel endures forever.'"

Ezra 3:11 – "With praise and thanksgiving they sang to the Lord: 'He is good; his love toward Israel endures forever.'" Create a reverent and devotional artwork inspired by a passage from the third chapter of Ezra: 'With praise and thanksgiving they sang to the Lord: He is good; his love toward Israel endures forever.' The art is in a serene, peaceful style that focuses on major themes of thankfulness and enduring love, without using text or words. The image shows a multitude of people raising their arms in heartfelt worship against a backdrop of heavenly light. The art is evoking a hopeful emotion and resonance with the Christian faith.

Ezra 3:11 – "With praise and thanksgiving they sang to the Lord: 'He is good; his love toward Israel endures forever.'"

Ezra 3:11 – "With praise and thanksgiving they sang to the Lord: 'He is good; his love toward Israel endures forever.'" An expressionist rendition of a biblical scene inspired by Ezra 3:11, utilizing the spirit of 'enhancing' the emotional resonance of the scene. Devotees are radiating an aura of thanksgiving and praise towards their faith, embodying the everlasting love towards Israel. The mood is peaceful and respectful. The artwork includes no text or words, only symbolic and respectful imagery catered towards Christianity. The scene is bathed in warm colors mirroring the vibrancy of their faith and the deep bond they share with their religion.

Ezra 3:11 – "With praise and thanksgiving they sang to the Lord: 'He is good; his love toward Israel endures forever.'"

Ezra 3:1 - "And when the seventh month was come, and the children of Israel were in the cities, the people gathered themselves together as one man to Jerusalem."

Ezra 3:1 - "And when the seventh month was come, and the children of Israel were in the cities, the people gathered themselves together as one man to Jerusalem."

Ezra 3:3 - "And they set the altar upon his bases; for fear was upon them because of the people of those countries: and they offered burnt offerings thereon unto the LORD, even burnt offerings morning and evening."

Ezra 3:3 - "And they set the altar upon his bases; for fear was upon them because of the people of those countries: and they offered burnt offerings thereon unto the LORD, even burnt offerings morning and evening."

Ezra 3:4 - "¶ They kept also the feast of tabernacles, as it is written, and offered the daily burnt offerings by number, according to the custom, as the duty of every day required;" A scene from the biblical text Ezra 3:4, with people observing the feast of tabernacles. They offer the daily burnt sacrifices according to custom, as required each day. This ritual unfolds under the shifting colors of the sky, signaling day and night's passage. Rendered in a style reminiscent of digital art, characterized by its bright, saturated colors, crisp lines and precision of detail.

Ezra 3:4 - "¶ They kept also the feast of tabernacles, as it is written, and offered the daily burnt offerings by number, according to the custom, as the duty of every day required;"

Ezra 3:6 - "From the first day of the seventh month began they to offer burnt offerings unto the LORD. But the foundation of the temple of the LORD was not yet laid."

Ezra 3:6 - "From the first day of the seventh month began they to offer burnt offerings unto the LORD. But the foundation of the temple of the LORD was not yet laid."

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time." An illustration of a scene inspired by Ezra 7:12, featuring a prominent public figure, referred to as 'king of kings', addressing Ezra, a priest and scribe. Both figures are set in an ethereal background suggestive of heavenly realms. The setting is peaceful, timeless, and serene. This scene captured using attributes typical of traditional ink and quill scribings, then bridging the gap between past and present by rendering it with hues and techniques representative of digital art.

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time."

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware." A meticulously detailed portrayal of a pivotal moment from the biblical account of Ezra 10:5. Central to the scene is Ezra himself, rising to stand amidst an array of distinguished figures, a diverse group of chief priests and Levites, and a gathering of people from all walks of life in Israel. The diverse crowd includes men and women of different descents, including Caucasian, Black, Middle-Eastern, and South Asian origins. They are shown taking an oath, their faces etched with solemn resolve. This momentous occasion is illustrated in a style reminiscent of early 20th-century photo-realism, crafted in a digital medium.

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware."

Ezra 3:13 - "So that the people could not discern the noise of the shout of joy from the noise of the weeping of the people: for the people shouted with a loud shout, and the noise was heard afar off." A visual expression of the biblical verse Ezra 3:13 in a modern digital art style. Showcase an abstract scene divided into two - on one side, represent joyous celebration with vibrant and warm colors; on the other, depict the act of weeping with cooler, more subdued tones. The middle ground should be a troubled mix of the two emotions, illustrating the indistinguishability between the two noises. Faraway in the background, hint at a distant land where the noise is being heard. The emotions should embody the power and loudness through dynamic elements.

Ezra 3:13 - "So that the people could not discern the noise of the shout of joy from the noise of the weeping of the people: for the people shouted with a loud shout, and the noise was heard afar off."

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah," A historical scene imagined according to the lines from Ezra 7:1 - 'Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah'. Showcase an imposing king upon his throne in the grand halls of Persia. Close by stands Ezra, a young man of solemn and determined demeanor. Use a visual aesthetic inspired by detailed and vibrant digital art.

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah,"

Ezra 9:3 - "And when I heard this thing, I rent my garment and my mantle, and plucked off the hair of my head and of my beard, and sat down astonied."

Ezra 9:3 - "And when I heard this thing, I rent my garment and my mantle, and plucked off the hair of my head and of my beard, and sat down astonied."

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 10:40 - "Machnadebai, Shashai, Sharai," A depiction of the biblical text Ezra 10:40 - "Machnadebai, Shashai, Sharai," using a modern digital art technique, with vibrant colors and bold lines to represent the names as abstract symbols or shapes.

Ezra 10:40 - "Machnadebai, Shashai, Sharai,"

Ezra 10:32 - "Benjamin, Malluch, and Shemariah." An image depicting the biblical names 'Benjamin', 'Malluch', and 'Shemariah', illustrated in a modern, vibrant and geometric design style, similar to the aesthetics common in digital art. The names are rendered with decorative typography amidst a visually intriguing background that reflects the timeless wisdom and spiritual significance associated with these biblical references.

Ezra 10:32 - "Benjamin, Malluch, and Shemariah."

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau," The biblical names 'Mattaniah', 'Mattenai', and 'Jaasau', represented visually. Conjure these names in the medium of synthetic visual art, reminiscent of the crafted, yet ethereal fluidity often associated with traditional ink calligraphy.

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau,"

Ezra 10:38 - "And Bani, and Binnui, Shimei," Illustrate the Biblical verse Ezra 10:38 - 'And Bani, and Binnui, Shimei,'. Use the design principles associated with digital art including bold colors, clean lines, and geometric shapes.

Ezra 10:38 - "And Bani, and Binnui, Shimei,"

Ezra 3:5 - "And afterward offered the continual burnt offering, both of the new moons, and of all the set feasts of the LORD that were consecrated, and of every one that willingly offered a freewill offering unto the LORD."

Ezra 3:5 - "And afterward offered the continual burnt offering, both of the new moons, and of all the set feasts of the LORD that were consecrated, and of every one that willingly offered a freewill offering unto the LORD."

Ezra 3:10 - "And when the builders laid the foundation of the temple of the LORD, they set the priests in their apparel with trumpets, and the Levites the sons of Asaph with cymbals, to praise the LORD, after the ordinance of David king of Israel."

Ezra 3:10 - "And when the builders laid the foundation of the temple of the LORD, they set the priests in their apparel with trumpets, and the Levites the sons of Asaph with cymbals, to praise the LORD, after the ordinance of David king of Israel."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:54 - "The children of Neziah, the children of Hatipha." A scene from the Bible, Ezra 2:54, illustrating 'The children of Neziah, the children of Hatipha.' Render this missionary scene in a style that evokes the novel qualities of digital art, with luminous colors, sharp lines, and intricate details. Capture the sensations of the period in a way that feels simultaneously ancient and modern, presenting these biblical figures in a fresh, innovative light.

Ezra 2:54 - "The children of Neziah, the children of Hatipha."

Ezra 2:39 - "The children of Harim, a thousand and seventeen." An illustration of children numbering a thousand and seventeen, inspired by the scripture Ezra 2:39. The image captures the essence of unity and joy amongst the children. They are diverse in terms of descent, including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian foregrounded in a peaceful landscape. Being embodied in a digital medium, the work has the clean lines, bright and contrasting color palette, and pixel precision that characterizes digital art.

Ezra 2:39 - "The children of Harim, a thousand and seventeen."

Ezra 2:18 - "The children of Jorah, an hundred and twelve." Illustration of a biblical passage from Ezra 2:18 - 'The children of Jorah, an hundred and twelve.' The image shows a gathering of 112 children, of various ages, in ancient Middle Eastern attire. They represent a mix of races including Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and white. The scene is set against an Old Testament landscape. Capture it in a digital medium, resembling the style of pre-1912 artwork using vivid colors and bold strokes. Convey the feeling of community and unity among these children, as well as the deep symbolism this image carries.

Ezra 2:18 - "The children of Jorah, an hundred and twelve."

Ezra 2:22 - "The men of Netophah, fifty and six." A visual interpretation of a biblical verse, Ezra 2:22 - 'The men of Netophah, fifty and six.' This includes a depiction of the ancient city of Netophah with fifty-six men visible in the cityscape. The image should be conveyed in a digital type of art style that might employ vibrant colors, clean lines, and elements of abstraction.

Ezra 2:22 - "The men of Netophah, fifty and six."

Ezra 3:9 - "Then stood Jeshua with his sons and his brethren, Kadmiel and his sons, the sons of Judah, together, to set forward the workmen in the house of God: the sons of Henadad, with their sons and their brethren the Levites." A vividly detailed historic scene reflecting Ezra 3:9. Display Jeshua, an Middle-Eastern man, standing confidently with his sons and brothers. Next to them stands Kadmiel, another Middle-Eastern man, along with his linage. Both of these groups are unified, poised to push forward the workmen in the holy dwelling. The sons of Henadad, also of Middle-Eastern descent, intermingle with their sons and brothers. These men are all Levites, dressed in traditional attire of the era. The overall ambiance of the artwork should present an atmosphere of unity, responsibility, and shared purpose. Render this scene as exceptionally detailed, vibrant and in a digital art style.

Ezra 3:9 - "Then stood Jeshua with his sons and his brethren, Kadmiel and his sons, the sons of Judah, together, to set forward the workmen in the house of God: the sons of Henadad, with their sons and their brethren the Levites."

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"