Genesis 48 Artwork

"And it came to pass after these things, that one told Joseph, Behold, thy father is sick: and he took with him his two sons, Manasseh and Ephraim." - Genesis 48:1

Explore Genesis 48 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
GenesisGenesis 48Genesis 48:1
Genesis 48:8 - "And Israel beheld Joseph's sons, and said, Who are these?"

Genesis 48:8 - "And Israel beheld Joseph's sons, and said, Who are these?"

Genesis 31:48 - "And Laban said, This heap is a witness between me and thee this day. Therefore was the name of it called Galeed;"

Genesis 31:48 - "And Laban said, This heap is a witness between me and thee this day. Therefore was the name of it called Galeed;"

Genesis 48:12 - "And Joseph brought them out from between his knees, and he bowed himself with his face to the earth." An interpretation of a scene from Genesis 48:12: Joseph, a Middle Eastern man, helps his sons navigate from a sheltered space between his knees. Expressing utmost humility and respect, he bows down, his face nearing the earth. The surroundings and characters in this scene are to be designed in the style of digital art, using modern artistic techniques and tools.

Genesis 48:12 - "And Joseph brought them out from between his knees, and he bowed himself with his face to the earth."

Genesis 48:3 - "And Jacob said unto Joseph, God Almighty appeared unto me at Luz in the land of Canaan, and blessed me,"

Genesis 48:3 - "And Jacob said unto Joseph, God Almighty appeared unto me at Luz in the land of Canaan, and blessed me,"

Genesis 48:6 - "And thy issue, which thou begettest after them, shall be thine, and shall be called after the name of their brethren in their inheritance."

Genesis 48:6 - "And thy issue, which thou begettest after them, shall be thine, and shall be called after the name of their brethren in their inheritance."

Genesis 48:18 - "And Joseph said unto his father, Not so, my father: for this is the firstborn; put thy right hand upon his head." A biblical scene inspired by Genesis 48:18. Joseph, a Middle-Eastern man dressed in traditional attire from the biblical era, respectfully addresses his father. Joseph's expression is earnest as he gestures to his firstborn son who is standing nearby. The father, an older Middle-Eastern man, is poised to place his right hand on the boy's head, symbolizing blessing and favor. The style should mirror digital art with bold colors and sharp lines while maintaining an ethereal atmosphere representative of the era.

Genesis 48:18 - "And Joseph said unto his father, Not so, my father: for this is the firstborn; put thy right hand upon his head."

Genesis 48:21 - "And Israel said unto Joseph, Behold, I die: but God shall be with you, and bring you again unto the land of your fathers." Illustrate a biblical scene from Genesis 48:21, 'And Israel said unto Joseph, Behold, I die: but God shall be with you, and bring you again unto the land of your fathers.' The style should mirror the essence of ancient manuscript illumination, featuring deep and vibrant colors alongside detailed line work often seen in digital artistry. Visualize Israel and Joseph in the foreground, engaged in conversation. The setting should be ancient with traditionally styled robes and headgear. The composition should sense a feeling of solemnity yet hope. God's presence should be subtly implied, perhaps through an ethereal light or symbolic element.

Genesis 48:21 - "And Israel said unto Joseph, Behold, I die: but God shall be with you, and bring you again unto the land of your fathers."

Genesis 48:2 - "And one told Jacob, and said, Behold, thy son Joseph cometh unto thee: and Israel strengthened himself, and sat upon the bed."

Genesis 48:2 - "And one told Jacob, and said, Behold, thy son Joseph cometh unto thee: and Israel strengthened himself, and sat upon the bed."

Genesis 48:1 - "And it came to pass after these things, that one told Joseph, Behold, thy father is sick: and he took with him his two sons, Manasseh and Ephraim."

Genesis 48:1 - "And it came to pass after these things, that one told Joseph, Behold, thy father is sick: and he took with him his two sons, Manasseh and Ephraim."

Genesis 48:11 - "And Israel said unto Joseph, I had not thought to see thy face: and, lo, God hath shewed me also thy seed."

Genesis 48:11 - "And Israel said unto Joseph, I had not thought to see thy face: and, lo, God hath shewed me also thy seed."

Genesis 48:10 - "Now the eyes of Israel were dim for age, so that he could not see. And he brought them near unto him; and he kissed them, and embraced them." Create a digital image of an old man, depicting him as unable to see due to his old age. He brings near two individuals, who could be his grandchildren. He is giving them affectionate kisses and embracing them in a gentle hug. The scene radiates warmth and familial love. Following the narrative of the Bible verse Genesis 48:10.

Genesis 48:10 - "Now the eyes of Israel were dim for age, so that he could not see. And he brought them near unto him; and he kissed them, and embraced them."

Genesis 48:20 - "And he blessed them that day, saying, In thee shall Israel bless, saying, God make thee as Ephraim and as Manasseh: and he set Ephraim before Manasseh." A man of Middle-Eastern descent with a white, flowing robe, gesturing in a manner of blessing towards two young boys, also dressed in historical Middle-Eastern clothing. Ephraim and Manasseh, who are receiving the blessing, stand humbly and reverently. Ephraim, slighted in front of Manasseh, represents the text from Genesis 48:20. The scene conveys a strong sense of spirituality, reverence, and historical context, with softly glowing light and an ethereal atmosphere. The style should reflect the characteristics of digital painting, where the rich textures and bold strokes are visible.

Genesis 48:20 - "And he blessed them that day, saying, In thee shall Israel bless, saying, God make thee as Ephraim and as Manasseh: and he set Ephraim before Manasseh."

Genesis 48:22 - "Moreover I have given to thee one portion above thy brethren, which I took out of the hand of the Amorite with my sword and with my bow."

Genesis 48:22 - "Moreover I have given to thee one portion above thy brethren, which I took out of the hand of the Amorite with my sword and with my bow."

Genesis 48:4 - "And said unto me, Behold, I will make thee fruitful, and multiply thee, and I will make of thee a multitude of people; and will give this land to thy seed after thee for an everlasting possession." Create a digital artistic interpretation of the scene from The Holy Bible Genesis 48:4. The scene highlights a heavenly being conveying a prophecy to a person. The being explains, 'Behold, I will make thee fruitful, and multiply thee, and I will make of thee a multitude of people; and will give this land to thy seed after thee for an everlasting possession.' The atmosphere should exude reverence and awe, and the setting might possibly show a glimpse of the promised bountiful land.

Genesis 48:4 - "And said unto me, Behold, I will make thee fruitful, and multiply thee, and I will make of thee a multitude of people; and will give this land to thy seed after thee for an everlasting possession."

Genesis 48:5 - "¶ And now thy two sons, Ephraim and Manasseh, which were born unto thee in the land of Egypt before I came unto thee into Egypt, are mine; as Reuben and Simeon, they shall be mine." Create a digital art-style rendering of a scene from ancient history. This image includes two young boys, Ephraim and Manasseh, who were born in the sandy landscapes of Egypt. The boys stand confidently, filled with a sense of destiny. The backdrop contains subtle elements referencing the fact that the boys are now claimed by their grandfather, symbolized by the presence of Reuben and Simeon. Incorporate traditional clothing, warm Egyptian tones, and timeless artifacts of the ancient civilization. Be sure to provide a sense of depth and mysticism in the digital rendering to capture the gravity of the situation.

Genesis 48:5 - "¶ And now thy two sons, Ephraim and Manasseh, which were born unto thee in the land of Egypt before I came unto thee into Egypt, are mine; as Reuben and Simeon, they shall be mine."

Genesis 48:15 - "¶ And he blessed Joseph, and said, God, before whom my fathers Abraham and Isaac did walk, the God which fed me all my life long unto this day,"

Genesis 48:15 - "¶ And he blessed Joseph, and said, God, before whom my fathers Abraham and Isaac did walk, the God which fed me all my life long unto this day,"

Genesis 48:9 - "And Joseph said unto his father, They are my sons, whom God hath given me in this place. And he said, Bring them, I pray thee, unto me, and I will bless them." An image illustrating a scene from Genesis 48:9. In a purely non-descript, historical setting, a Middle-Eastern man named Joseph is seen speaking sincerely to his elderly father. He is pointing towards his two sons in the distance whom God has granted him. The father, visibly moved, is gesturing for the boys to come closer, preparing to bless them. The image captures the solemnity and emotional depth of this Biblical scene. The style is digitally rendered, with crisp lines and bright, bold colors, offering a contemporary interpretation of an ancient narrative.

Genesis 48:9 - "And Joseph said unto his father, They are my sons, whom God hath given me in this place. And he said, Bring them, I pray thee, unto me, and I will bless them."

Genesis 48:13 - "And Joseph took them both, Ephraim in his right hand toward Israel's left hand, and Manasseh in his left hand toward Israel's right hand, and brought them near unto him."

Genesis 48:13 - "And Joseph took them both, Ephraim in his right hand toward Israel's left hand, and Manasseh in his left hand toward Israel's right hand, and brought them near unto him."

Genesis 48:16 - "The Angel which redeemed me from all evil, bless the lads; and let my name be named on them, and the name of my fathers Abraham and Isaac; and let them grow into a multitude in the midst of the earth."

Genesis 48:16 - "The Angel which redeemed me from all evil, bless the lads; and let my name be named on them, and the name of my fathers Abraham and Isaac; and let them grow into a multitude in the midst of the earth."

Genesis 48:14 - "And Israel stretched out his right hand, and laid it upon Ephraim's head, who was the younger, and his left hand upon Manasseh's head, guiding his hands wittingly; for Manasseh was the firstborn." A mature man, who we'll name Israel, extends his right hand tenderly onto the head of a young boy called Ephraim, who is depicted as the younger of the two. Meanwhile, his left hand rests carefully on the head of another boy, Manasseh. The positioning of his hands seems deliberate and intentional, as though he's aware of the significance of each touch. Manasseh is portrayed as the older of the two boys. The scene is captured in the style traditionally used in digital art, capturing the depth of emotional exchange, detailed facial expressions, and complex hand movements.

Genesis 48:14 - "And Israel stretched out his right hand, and laid it upon Ephraim's head, who was the younger, and his left hand upon Manasseh's head, guiding his hands wittingly; for Manasseh was the firstborn."

Genesis 48:7 - "And as for me, when I came from Padan, Rachel died by me in the land of Canaan in the way, when yet there was but a little way to come unto Ephrath: and I buried her there in the way of Ephrath; the same is Beth-lehem." Generate a digital artistic interpretation of a biblical scene from Genesis 48:7. The scene depicts an individual journeying from Padan, mourning the loss of Rachel, who has passed away in Canaan. The location is just short of reaching Ephrath. The individual buries Rachel by the path leading to Ephrath, a place also known as Beth-lehem. The scene should present an intense emotional context and reflect elements of the biblical era, including attire and landscapes.

Genesis 48:7 - "And as for me, when I came from Padan, Rachel died by me in the land of Canaan in the way, when yet there was but a little way to come unto Ephrath: and I buried her there in the way of Ephrath; the same is Beth-lehem."

Luke 24:48 - "And ye are witnesses of these things."

Luke 24:48 - "And ye are witnesses of these things."

Genesis 48:17 - "And when Joseph saw that his father laid his right hand upon the head of Ephraim, it displeased him: and he held up his father's hand, to remove it from Ephraim's head unto Manasseh's head." A historical scene from the biblical book of Genesis, Chapter 48, Verse 17, set in a digitally designed artistic style. The main participants are Joseph, his father, and his sons Ephraim and Manasseh. Joseph is depicted as dismayed when he notices his father placing his right hand on Ephraim's head. In response, Joseph is shown reaching out to lift his father's hand, intending to move it from Ephraim's head to Manasseh's instead. The three figures are clothed in ancient period attire and the setting is a modest Middle Eastern interior living space.

Genesis 48:17 - "And when Joseph saw that his father laid his right hand upon the head of Ephraim, it displeased him: and he held up his father's hand, to remove it from Ephraim's head unto Manasseh's head."

Genesis 41:48 - "And he gathered up all the food of the seven years, which were in the land of Egypt, and laid up the food in the cities: the food of the field, which was round about every city, laid he up in the same."

Genesis 41:48 - "And he gathered up all the food of the seven years, which were in the land of Egypt, and laid up the food in the cities: the food of the field, which was round about every city, laid he up in the same."

Joshua 15:48 - "¶ And in the mountains, Shamir, and Jattir, and Socoh," An artistic representation of a mountain scene as described in Joshua 15:48. Depict the mountains with the ancient city of Shamir, Jattir, and Socoh discretely nestled within them. The image should be digital, vibrant in texture and color, capturing the tranquility and grandeur of the landscape.

Joshua 15:48 - "¶ And in the mountains, Shamir, and Jattir, and Socoh,"

Genesis 24:48 - "And I bowed down my head, and worshipped the LORD, and blessed the LORD God of my master Abraham, which had led me in the right way to take my master's brother's daughter unto his son."

Genesis 24:48 - "And I bowed down my head, and worshipped the LORD, and blessed the LORD God of my master Abraham, which had led me in the right way to take my master's brother's daughter unto his son."

REVELATION 4:8 A watercolor painting that interprets the biblical scene described in Revelation 4:8. It features four distinct creatures, each with six wings, and covered in eyes all around and within. These creatures hover around a majestic, divine throne in the heavenly landscape, continuously proclaiming 'Holy, Holy, Holy, Lord God Almighty, who was and is and is to come.'

REVELATION 4:8

REVELATION 4:8 Visual representation of the biblical verse Revelation 4:8, depicted in a profound watercolor style. The scene portrays four living creatures, each covered with eyes, and six wings, full of eyes around and within. Underneath each creature, there is a sea of crystal-like glass. They rest not, uttering the phrase, 'Holy, holy, holy, Lord God Almighty, who was, and is, and is to come.' Capture the essence of the verse, its mysticism and divine aura in the subtle, expressive strokes of watercolor.

REVELATION 4:8

REVELATION 4:8 An artistic interpretation of Revelation 4:8. It's inspired by late 19th-century impressionist painting styles, prioritizing the softness and fluidity associated with watercolor. The scene encompasses four living creatures adorned with eyes, each having six wings, and they continually chant, 'Holy, holy, holy, Lord God Almighty, who was and is and is to come'. The impressionist technique aims to capture the ethereal, otherworldly essence of the scene, with soft hues, gentle transitions, and an emphasis on the overall aura over meticulous detailing.

REVELATION 4:8

REVELATION 4:8 A watercolor depiction of the scene from REVELATION 4:8, portraying a vision of celestial beings with six wings, covered in eyes, and continually praising the eternal divine entity.

REVELATION 4:8