Luke 22 Artwork

"Now the feast of unleavened bread drew nigh, which is called the Passover." - Luke 22:1

Explore Luke 22 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
LukeLuke 22Luke 22:1
luke 22:42 Capture the biblical scene from Luke 22:42 using a respectful and devotional approach. The medium of expression is watercolor. In the scene, there should not be any text or words. Maintain an atmosphere of solemnity and prayer, focusing on the emotions and reactions invoked by the narrative.

luke 22:42

luke 22:42 A watercolor painting capturing a potent moment of religious devotions in Christianity, specifically relating to Luke 22:42. The scene portrays a solitary figure, possibly Jesus, in prayer within a placid garden or forest at dusk, presumably symbolizing the Garden of Gethsemane. Light and shadows should interplay, emphasizing the figure's isolation and deep reflection, enhanced by the natural serenity surrounding him. The rendition should emphasize reverence, tranquility, and devotion. There should be no explicit textual elements within the artwork.

luke 22:42

Luke 22:62 - "And Peter went out, and wept bitterly."

Luke 22:62 - "And Peter went out, and wept bitterly."

Luke 22:5 - "And they were glad, and covenanted to give him money." A biblical scene depicting Luke 22:5 where 'And they were glad, and covenanted to give him money.' The setting is an ancient Middle Eastern room with rustic stone walls, dimly lit with the fantastical glow of an abstractly represented covenant, with the people expressing joy. Characters include a diverse group of men with varying ethnic backgrounds such as Caucasian, Black, Hispanic, Middle-Eastern and South Asian. They are engaged in the act of offering coins to a central figure. The image should be rendered digitally, with the richness and diversity of details that digital artworks often convey.

Luke 22:5 - "And they were glad, and covenanted to give him money."

Luke 20:22 - "Is it lawful for us to give tribute unto Caesar, or no?" A scene inspired by Luke 20:22 from the Bible, the line reads, 'Is it lawful for us to give tribute unto Caesar, or no?'. The scene should depict an interaction between two individuals in biblical robes, discussing this question earnestly. One holds a coin in his hand, symbolizing the tribute to Caesar, while the other gestures thoughtfully, suggesting deep consideration. The setting should be an ancient stone building, perhaps a synagogue, with weathered stone walls and an arch leading to a bright exterior. Please create it as digital art with smooth gradients and high levels of detail.

Luke 20:22 - "Is it lawful for us to give tribute unto Caesar, or no?"

Luke 22:21 - "¶ But, behold, the hand of him that betrayeth me is with me on the table." Create a digital art-style image capturing the essence of the verse from Luke 22:21 - "¶ But, behold, the hand of him that betrayeth me is with me on the table." The image should feature a table scene with a hand reaching out signifying betrayal. Use appropriate symbolism to represent the theme of betrayal in the context of the verse.

Luke 22:21 - "¶ But, behold, the hand of him that betrayeth me is with me on the table."

Luke 22:63 - "¶ And the men that held Jesus mocked him, and smote him." The image presents a Renaissance-style interpretation of Luke 22:63 from the Bible -- 'And the men that held Jesus mocked him, and smote him.' On the right side, a diverse group of Caucasian, Black, and Hispanic men, some laughing derisively, are seen mistreating a man in the center of the tableau. The man in the middle, Jesus, is a Middle-Eastern figure calmly enduring the mockery with an expression of dignified resignation. They are all clothed in the attire from the historical era. The medium style evokes digital art aesthetics.

Luke 22:63 - "¶ And the men that held Jesus mocked him, and smote him."

Luke 22:28 - "Ye are they which have continued with me in my temptations."

Luke 22:28 - "Ye are they which have continued with me in my temptations."

Luke 22:65 - "And many other things blasphemously spake they against him." An illustrated scene depicting the biblical narrative from Luke 22:65. The setting is a space filled with a multitude of figures, their faces filled with harsh expressions. They appear to be speaking out against the central figure harshly, but the central figure stands firm with a calm demeanour. The image is to be done in the style reminiscent of pre-1912 artistic mediums, with muted color palette, strong contrast, and emphasis on the emotional context of the scene.

Luke 22:65 - "And many other things blasphemously spake they against him."

Luke 22:7 - "¶ Then came the day of unleavened bread, when the passover must be killed."

Luke 22:7 - "¶ Then came the day of unleavened bread, when the passover must be killed."

Luke 22:9 - "And they said unto him, Where wilt thou that we prepare?"

Luke 22:9 - "And they said unto him, Where wilt thou that we prepare?"

Luke 21:22 - "For these be the days of vengeance, that all things which are written may be fulfilled." Visual representation of Luke 21:22 - 'For these be the days of vengeance, that all things which are written may be fulfilled.' in the form of digital art. The scene should depict dark stormy skies with sparking lightning. In the foreground, a large leather-bound book with ancient texts is open, symbolising the fulfillment of written prophecies. The atmosphere should convey a sense of solemnity, foreboding, and awe.

Luke 21:22 - "For these be the days of vengeance, that all things which are written may be fulfilled."

Luke 22:3 - "¶ Then entered Satan into Judas surnamed Iscariot, being of the number of the twelve."

Luke 22:3 - "¶ Then entered Satan into Judas surnamed Iscariot, being of the number of the twelve."

Luke 22:43 - "And there appeared an angel unto him from heaven, strengthening him." Visualize a scene based on the biblical verse Luke 22:43: 'And there appeared an angel unto him from heaven, strengthening him.' The image should depict an angel descending from a radiant heaven, reaching out to a figure to offer support and strength. This should be done in a modern, digital art style that uses bright colors, sharp contrasts and dynamic shapes.

Luke 22:43 - "And there appeared an angel unto him from heaven, strengthening him."

Luke 22:57 - "And he denied him, saying, Woman, I know him not." Create a digital art representation of a scene from Luke 22:57. The scene includes two main figures: a man with Middle-Eastern descent and a woman with South Asian descent. The man is denying knowledge of someone, expressing his denial with an earnest look on his face. The woman listens to the man's proclamation, with an expression of query and uncertainty. The atmosphere proxies an ancient Middle-Eastern background.

Luke 22:57 - "And he denied him, saying, Woman, I know him not."

Luke 22:1 - "Now the feast of unleavened bread drew nigh, which is called the Passover."

Luke 22:1 - "Now the feast of unleavened bread drew nigh, which is called the Passover."

Luke 14:22 - "And the servant said, Lord, it is done as thou hast commanded, and yet there is room."

Luke 14:22 - "And the servant said, Lord, it is done as thou hast commanded, and yet there is room."

Luke 13:22 - "And he went through the cities and villages, teaching, and journeying toward Jerusalem."

Luke 13:22 - "And he went through the cities and villages, teaching, and journeying toward Jerusalem."

Luke 22:23 - "And they began to enquire among themselves, which of them it was that should do this thing." Portray the biblical scene from Luke 22:23 in the style of digitized pre-1912 art. In the scene, multiple individuals question each other, delving into a deep and intense enquiry about who among them will undertake a significant task. Their faces are etched with curiosity, apprehension, and anticipation.

Luke 22:23 - "And they began to enquire among themselves, which of them it was that should do this thing."

Luke 22:14 - "And when the hour was come, he sat down, and the twelve apostles with him."

Luke 22:14 - "And when the hour was come, he sat down, and the twelve apostles with him."

Luke 22:69 - "Hereafter shall the Son of man sit on the right hand of the power of God."

Luke 22:69 - "Hereafter shall the Son of man sit on the right hand of the power of God."

Luke 22:24 - "¶ And there was also a strife among them, which of them should be accounted the greatest."

Luke 22:24 - "¶ And there was also a strife among them, which of them should be accounted the greatest."

Luke 22:48 - "But Jesus said unto him, Judas, betrayest thou the Son of man with a kiss?"

Luke 22:48 - "But Jesus said unto him, Judas, betrayest thou the Son of man with a kiss?"

Luke 22:12 - "And he shall shew you a large upper room furnished: there make ready." Visualize the biblical verse Luke 22:12 - 'And he shall show you a large upper room furnished: there make ready.' Imagine a spacious and well-prepared upper room, filled with antique furniture, lit by soft light with the anticipation of the events to come. This scene should be rendered in the form of traditional oil painting techniques, as digital art style cannot be used.

Luke 22:12 - "And he shall shew you a large upper room furnished: there make ready."

Luke 22:41 - "And he was withdrawn from them about a stone's cast, and kneeled down, and prayed," A detailed depiction of a scene where a man in historical Middle Eastern outfit distances himself from a group by the distance equivalent to a stone's throw. He finds a secluded location and kneels down in solitude, his hands clasped in prayer. The image is in the style of digital art which uses smooth gradients, sharp lines, and vibrant contrasts. The overall atmosphere of the scene should express a moment of fervent, serene prayer.

Luke 22:41 - "And he was withdrawn from them about a stone's cast, and kneeled down, and prayed,"

Luke 22:6 - "And he promised, and sought opportunity to betray him unto them in the absence of the multitude." Create a digital art representation of a pivotal biblical scene from Luke 22:6 that captures the feeling of foreboding and betrayal. Depict a scene of a man in traditional clothing from biblical times making a scheming promise, as he searches for an opportunity to betray another figure. The betrayal scene should be set in an environment void of the multitude, perhaps in a secluded area.

Luke 22:6 - "And he promised, and sought opportunity to betray him unto them in the absence of the multitude."

Luke 22:13 - "And they went, and found as he had said unto them: and they made ready the passover." An interpretation of the biblical scene from Luke 22:13. In the scene, they follow the directions as told and prepare for the Passover. The style is reminiscent of visual storytelling techniques used in the stained glass windows of old churches, but translated to a digital medium. The image captures the spiritual ambiance, simplicity of lines, and vibrant palette.

Luke 22:13 - "And they went, and found as he had said unto them: and they made ready the passover."

Luke 22:17 - "And he took the cup, and gave thanks, and said, Take this, and divide it among yourselves:"

Luke 22:17 - "And he took the cup, and gave thanks, and said, Take this, and divide it among yourselves:"

Luke 22:2 - "And the chief priests and scribes sought how they might kill him; for they feared the people." Render a vivid biblical scene inspired by the text from Luke 22:2: 'And the chief priests and scribes sought how they might kill him; for they feared the people.' Deeply entrenched in their discussion, they skulk in a dimly lit room, their faces consumed by concern and uncertainty. Discarded parchments litter the stone floor and an ancient, heavy air of apprehension permeates the room. Remember, the vision should not depict any violence or harm. This biblical scene should be represented in a direction echoing digital media, with smooth gradients, sharp lines, and complex textures.

Luke 22:2 - "And the chief priests and scribes sought how they might kill him; for they feared the people."

Luke 22:31-32 - "Luke 22:31-32: And the Lord said, Simon, Simon, behold, Satan hath desired to have you, that he may sift you as wheat: But I have prayed for thee, that thy faith fail not: and when thou art converted, strengthen thy brethren." An interpretation of a scene from biblical text, specifically Luke 22:31-32, where a sage figure is seen cautioning a humble man, likely a fisherman, with an overpowering entity lurking in the background suggesting an imminent threat. The figure gestures with one hand upwards indicating divine intervention and the other towards the humble man, offering solace and encouragement. The atmosphere is somber, filled with the sting of upcoming trials yet a hint of hope resonates in the scene. All of this needs to be in a modern and vibrant digital art style.

Luke 22:31-32 - "Luke 22:31-32: And the Lord said, Simon, Simon, behold, Satan hath desired to have you, that he may sift you as wheat: But I have prayed for thee, that thy faith fail not: and when thou art converted, strengthen thy brethren."