Ruth 2:2 Artwork

"And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter." - Ruth 2:2

Explore Ruth 2:2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RuthRuth 2Ruth 2:2
Ruth 2:2 - "And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter."

Ruth 2:2 - "And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter."

Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:" An illustration of a scene from the Book of Ruth, specifically Ruth 2:15. In the scene, a woman called Ruth has risen up to glean in the fields. A man, Boaz, is commanding his young servants: he's stating that she should be allowed to glean even among the sheaves and not to reproach her. Render this image in vibrant colors, with a lot of detail and depth, reminiscent of some aspects of digital art. The setting should be an ancient Middle-Eastern field, offering a glimpse into agricultural life of the era. Ruth is a Middle-Eastern woman and Boaz is a Middle-Eastern man.

Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:"

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 2:3 – "So she went out, entered a field and began to glean behind the harvesters."

Ruth 2:3 – "So she went out, entered a field and began to glean behind the harvesters."

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz." Illustrate a scene inspired by Ruth 2:1 from the Bible, where a man named Boaz, portrayed as a wealthy, powerful figure from the family of Elimelech, is introduced. Naomi, a woman presumably known to him through her husband, is also a central character. The imagery should hearken to traditional visuals associated with biblical narratives, yet revealed through a digital medium of art.

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz."

Ruth 2:6 - "And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:" Visualize a scene from a biblical narration. A young woman with Middle-Eastern features, wearing traditional attire, stands in a vast field of tall golden grain, having just returned from Moab. Her face reflects resolve and determination as she steps into her new life with Naomi. The overseer of the reapers, a South Asian man with strong physique, dressed in rustic work clothes, watches her with curiosity. The scene is bathed in a warm, gentle, afternoon sunlight. Imagine this tableau in high resolution, depicting the merging of organic shapes and crisp lines, typical of traditional parchment illustrations but with the vibrancy and depth characteristic of modern digital art.

Ruth 2:6 - "And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:"

Ruth 3:2 - "And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor." An illustration of a scene from Ruth 3:2 in the vein of 19th-century lithography. In this scene, a man, possibly originating from the Middle Eastern descent is seen winnowing barley at night in a threshing floor. He wears traditional clothing suitable for the period and carries an air of quiet concentration. The maidens, a diverse group of women from various descents and age groups watch him from a distance, their expressions ranging from curiosity to admiration. The moonlight bathes the scene in a soft glow, casting long, dramatic shadows that merge with the mounds of grain. This is not a replication but an original interpretation of the biblical scene.

Ruth 3:2 - "And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor."

Ruth 2:16 - "And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not."

Ruth 2:16 - "And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not."

Ruth 2:17 - "So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley." A representation of a biblical scene inspired by Ruth 2:17 where a woman, possibly of Middle-Eastern descent to align with the geographical context, is seen gleaning in the field until evening. She is busy beating the grain she has collected, which amounts to about an ephah of barley. The lighting in the scene signifies the shift from daylight to dusk, casting elongated shadows and imbuing the landscape with a golden hue typical of a sunset. The style of the scene is reminiscent of pre-1912 works, especially those capturing rustic and rural scenery, and is executed in digital art.

Ruth 2:17 - "So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 2:23 - "So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law." Depict a traditional biblical scene inspired from the book of Ruth 2:23. The scene should reflect a young woman diligently working alongside other maidens in a lavish barley field stretching towards the horizon. The moment is captured towards the end of the harvest season where sheaves of golden wheat sway in the gentle breeze. In the periphery, her mother-in-law can be seen in a humble dwelling, observing the hardworking young woman. To replicate the look of digital art, emulate the vibrant color palette, detailed textures, and clear, sharp lines typically found in this medium.

Ruth 2:23 - "So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law."

Ruth 2:12 - "The LORD recompense thy work, and a full reward be given thee of the LORD God of Israel, under whose wings thou art come to trust."

Ruth 2:12 - "The LORD recompense thy work, and a full reward be given thee of the LORD God of Israel, under whose wings thou art come to trust."

Ruth 2:3 - "And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech."

Ruth 2:3 - "And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech."

Ruth 1:2 - "And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there." An image inspired by the biblical passage Ruth 1:2. Depict a family, consisting of a man, woman (his wife), and their two sons, originally from Bethlehem in Judah, now settling in the country of Moab. They are Ephrathites, highlighting their origins. The style should be resembling early 20th-century digital art, characterized by sharp, distinct line work, solid colors, and flat shading.

Ruth 1:2 - "And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there."

Ruth 2:13 - "Then she said, Let me find favour in thy sight, my lord; for that thou hast comforted me, and for that thou hast spoken friendly unto thine handmaid, though I be not like unto one of thine handmaidens." Depict an ancient scene inspired by the biblical verse Ruth 2:13, capturing a moment of humility and gratitude. A woman, possibly of Middle-Eastern descent, is expressing her thankfulness to a lord, perhaps a Caucasian male. He comforts her, speaking kindly. The woman understands that she is not like his other servents, but still she seeks his favor. All of this should be portrayed in a style that recalls digital art.

Ruth 2:13 - "Then she said, Let me find favour in thy sight, my lord; for that thou hast comforted me, and for that thou hast spoken friendly unto thine handmaid, though I be not like unto one of thine handmaidens."

Ruth 2:18 - "¶ And she took it up, and went into the city: and her mother in law saw what she had gleaned: and she brought forth, and gave to her that she had reserved after she was sufficed."

Ruth 2:18 - "¶ And she took it up, and went into the city: and her mother in law saw what she had gleaned: and she brought forth, and gave to her that she had reserved after she was sufficed."

Ruth 2:10 - "Then she fell on her face, and bowed herself to the ground, and said unto him, Why have I found grace in thine eyes, that thou shouldest take knowledge of me, seeing I am a stranger?"

Ruth 2:10 - "Then she fell on her face, and bowed herself to the ground, and said unto him, Why have I found grace in thine eyes, that thou shouldest take knowledge of me, seeing I am a stranger?"

Ruth 2:7 - "And she said, I pray you, let me glean and gather after the reapers among the sheaves: so she came, and hath continued even from the morning until now, that she tarried a little in the house."

Ruth 2:7 - "And she said, I pray you, let me glean and gather after the reapers among the sheaves: so she came, and hath continued even from the morning until now, that she tarried a little in the house."

Ruth 2:14 - "And Boaz said unto her, At mealtime come thou hither, and eat of the bread, and dip thy morsel in the vinegar. And she sat beside the reapers: and he reached her parched corn, and she did eat, and was sufficed, and left." An ancient grain harvesting scene, where the atmosphere portrays mutual respect and generosity. In the scene, a Middle-Eastern man is sharing his meal, consisting of bread and vinegar, with a Middle-Eastern woman. The man indicates the woman to sit next to the workers who are likely reaping the grain. As a symbol of his magnanimity, he offers her parched corn. The woman partakes in the meal graciously, eats to her heart's content and then leaves the scene. Please visualize this using the medium of digital art.

Ruth 2:14 - "And Boaz said unto her, At mealtime come thou hither, and eat of the bread, and dip thy morsel in the vinegar. And she sat beside the reapers: and he reached her parched corn, and she did eat, and was sufficed, and left."

Ruth 2:20 - "And Naomi said unto her daughter in law, Blessed be he of the LORD, who hath not left off his kindness to the living and to the dead. And Naomi said unto her, The man is near of kin unto us, one of our next kinsmen."

Ruth 2:20 - "And Naomi said unto her daughter in law, Blessed be he of the LORD, who hath not left off his kindness to the living and to the dead. And Naomi said unto her, The man is near of kin unto us, one of our next kinsmen."

Ruth 2:9 - "Let thine eyes be on the field that they do reap, and go thou after them: have I not charged the young men that they shall not touch thee? and when thou art athirst, go unto the vessels, and drink of that which the young men have drawn."

Ruth 2:9 - "Let thine eyes be on the field that they do reap, and go thou after them: have I not charged the young men that they shall not touch thee? and when thou art athirst, go unto the vessels, and drink of that which the young men have drawn."

Ruth 2:19 - "And her mother in law said unto her, Where hast thou gleaned to day? and where wroughtest thou? blessed be he that did take knowledge of thee. And she shewed her mother in law with whom she had wrought, and said, The man's name with whom I wrought to day is Boaz."

Ruth 2:19 - "And her mother in law said unto her, Where hast thou gleaned to day? and where wroughtest thou? blessed be he that did take knowledge of thee. And she shewed her mother in law with whom she had wrought, and said, The man's name with whom I wrought to day is Boaz."

Acts 2:2 An interpretation of Acts 2:2 from the Bible, where suddenly from heaven there came a sound like the rush of a violent wind, which filled the entire house where the apostles were sitting. This scene is envisioned with watercolor-inspired techniques that emphasize the airy, light-filled quality of the moment, evoking nuances through delicate brushworks, pale hues with soft blending and flow similar to watercolor paintings characteristic of the 18th century.

Acts 2:2

Ruth 2:11 - "And Boaz answered and said unto her, It hath fully been shewed me, all that thou hast done unto thy mother in law since the death of thine husband: and how thou hast left thy father and thy mother, and the land of thy nativity, and art come unto a people which thou knewest not heretofore."

Ruth 2:11 - "And Boaz answered and said unto her, It hath fully been shewed me, all that thou hast done unto thy mother in law since the death of thine husband: and how thou hast left thy father and thy mother, and the land of thy nativity, and art come unto a people which thou knewest not heretofore."

Acts 2:2 A watercolor painting interpretation of Acts 2:2 from the Bible. The scene shows a heavenly spectacle happening in a humble home as described in the verse. The Holy Spirit, depicted as a strong gust of wind, fills the house. The atmosphere is filled with awe, reverence, and vibrancy, enhancing the spiritual essence of the biblical event.

Acts 2:2

2 Kings 7:2 A medieval scene depicting the biblical story from 2 Kings 7:2. Show the gatekeeper interacting with Elisha, surrounded by their historical setting: ancient city gates, stone buildings. The scene should be painted in the method of pointillism, characterized by tiny, distinct dots of color, bringing out the depth and texture. Ensure the image maintains a respectful and devotional tone towards Christianity, exuding symbolism and depth. Note: Do not incorporate any textual elements in the artwork.

2 Kings 7:2